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chĂ©nggƍng

chĂ©nggƍng (chĂ©ng·gƍng {becoming [of]}; {accomplishing [of]} · {meritorious service/deed}; achievement → [succeed | success | successful[ly]] æˆćŠŸ) đŸ‘ˆđŸŒ Tap/click to show/hide the “flashcard”

As part of a series of posts about some common myths about Chinese characters, this post discusses the Successfulness Myth. So, this week’s MEotW is “chĂ©nggƍng (chĂ©ng·gƍng {becoming [of]}; {accomplishing [of]} · {meritorious service/deed}; achievement → [succeed | success | successful[ly]] æˆćŠŸ)”, which can effectively mean “successful”.

Success?

In the book The Chinese Language: Fact and Fantasy, linguist and sinologist John DeFrancis begins the chapter entitled “The Successfulness Myth” with the following:

Success, like beauty, is in the eye of the beholder. No other aspect of Chinese characters is so much a matter of subjective judgment. I focus on such modern concerns as mass literacy and see failure. Others, concentrating on other aspects, see great success.

From some perspectives, Chinese characters have unquestionably been a great success. “We all agree,” said Premier Zhou Enlai (1965:7), “that as a written record they have made immortal contributions to history.” They have indeed made immortal contributions to a civilization deserving of superlative tributes that would extend Edgar Allen Poe’s “the glory that was Greece and the grandeur that was Rome” to include also “the splendor that was China.”

Given this esteem for the past role of Chinese characters, it seems almost sacrilegious to suggest that because of their difficulty they have failed, and will continue to fail, in meeting some of the major needs felt by modern society. Nevertheless, in the case of one such need, that for mass literacy, I believe that success via characters must be characterized as a myth.

Speaking of the eye of the beholder, what can we deduce about how Jehovah God sees Chinese characters? A case can probably be made that characters are a leading contender for being the most widespread and deeply entrenched human cultural tradition in all of human history, which is a kind of success, I guess. However, while imperfect humans of this system may find that impressive, is that the kind of thing that impresses Jehovah God, whom the Bible calls “the Ancient of Days”? (Daniel 7:9) From Jehovah’s point of view, are characters a successful and effective tool for helping to glorify his great name and spread the good news of his Kingdom? Or, have they been a Great Wall impeding the preaching and teaching work that Jehovah wants accomplished in the vast worldwide Mandarin field? When Jesus, who perfectly reflected God’s qualities, encountered successfully entrenched human traditions that got in the way of doing what was good in God’s eyes, how did he respond?—John 14:9; Mark 3:1–5; 7:13.

“To Jehovah, for whom ‘a thousand years is as one day’, Chinese civilization has only been around for a few days.


“
we should boast in Jehovah, not in needlessly and self-indulgently complex knowledge relating to a mere worldly human culture” troubadourworks.com/tiandi/meotw…

#MEotW #PīnyīnPlus

[image or embed]

— tiandi, Links News (@tiandilinksnews.bsky.social) Dec 2, 2024 at 3:40 PM

The Great Wall of China

Does Jehovah see Chinese characters as a successful writing system? Or does he see characters as a Great Wall obstructing his vital preaching and teaching work in the worldwide Mandarin field?

“Success” Through Definition and Denial

Regarding how some have defined successful literacy through the learning of characters, DeFrancis says:

If literacy sights are set low enough it may be possible to claim great success for the characters both in the imperial era and at the present time. Illiteracy can be eliminated by defining it out of existence, which is apparently what the “Gang of Four” did when, according to Zhou Youguang (1980e:21), it proclaimed that China no longer had any illiterates. The picture becomes less rosy, however, if we insist that literacy should be defined as the ability to accomplish such relatively elementary tasks as corresponding about family matters and reading newspapers and instructions in various matters. For this, a knowledge of about four thousand characters is required, and even then Chinese, unlike their poorly educated Western counterparts, will be unable to express in writing everything they can express in speech.

After offering some thoughts on how solid information could be obtained on actual rates of maintained literacy among the people of China, DeFrancis says:

Until solid information like this becomes available, all we can do is speculate. My own speculations lead me to share the profound skepticism of many Chinese, including Lu Xun, who doubted that the people as a whole could achieve an acceptable level of literacy on the basis of the traditional script, even in its simplified form. Here it must be pointed out clearly that this skepticism has never taken the form of a belief in the absolute impossibility of achieving literacy with a character-based script. The skepticism takes the form, rather, of the belief that the nature of the script and the material conditions of life for the vast majority of people, especially the 80 percent comprising the peasantry, are such that in the not too distant future there is little possibility of their becoming literate in the full sense of the term. This is the only timetable and the only definition of literacy acceptable to many people interested in the ability of the masses to raise their cultural level (DeFrancis 1950).

It is possible, however, that others may count achievements in literacy based on characters a success because they do not accept the emphasis on the importance of mass literacy. 



And radio and television may indeed reduce the need for literacy in the areas of mass indoctrination and information. In the light of these considerations, success in an educational system may well be measured, as it is at present in China, less by the ability to solve the problem of mass literacy than by the success in producing a body of technicians and specialists in science and technology.

Concerning how some claim success for the characters by denying that they are difficult, DeFrancis writes:

LITERACY THROUGH MODEST EFFORT

The assertion that the difficulty of the Chinese characters is a prime reason for the lack of success in achieving mass literacy evokes several kinds of responses. One, already noted, is to deny the lack of success. Another is to deny the characters are difficult, which automatically removes one explanation for any failures. Karlgren (1929:40) has expressed the following view:

Even very learned Chinese do not encumber their memory with more than about six thousand characters. Four thousand is, as we have said, a tolerably high figure, and even with three thousand some progress can be made. For a receptive child this is a modest task, and an adult foreigner in the course of a year’s study masters without difficulty from two to three thousand characters.

Karlgren’s view of mastering large numbers of characters “without difficulty” is not supported by the experience of those involved in teaching reading either to foreigners or to the Chinese themselves. His estimates may be right for someone like himself, who probably had a photographic memory, and for others, especially Chinese intellectuals, whose lifestyle, not to mention livelihood, is characterized by almost full-time involvement in reading and writing, so that they often fail to appreciate the difficulty that ordinary people who spend long hours at hard physical labor encounter in finding the time and the energy to attain and retain literacy. As a more observant writer, George Jan (1969:141), has noted:

Another serious deficiency in mass education in the communes was the tendency for peasants to lapse back into illiteracy because of their failure to practice their newly acquired skill. According to the statistics of Wan-jung County [Wanrong County in Shanxi], of the 34,000 people who had received instruction in reading by October 1958, one-third had again become illiterate, and the other two-thirds were unable even to read newspapers. If this was generally true, the qualitative significance of the illiteracy-elimination program in the communes must be questioned.

Regarding how some, including Chinese officials, have sought to “move the goalposts” by defining literacy as knowing a limited number of characters, DeFrancis says:

A limited number of characters cannot possibly serve (unless they are used as phonetic symbols) as a medium of free expression to convey the thousands of concepts the average Chinese commands in speech.

Yet this idea of literacy through a limited number of characters is widely held and forms the basis for official policy. In 1952 the official definition of “basic literacy” increased Yen’s figure of 1,000 characters to 1,500 for peasants and 2,000 for workers (Zhou Youguang 1979:329). Attempts to reach this goal initially placed much emphasis on Mao Zedong’s instructions to proceed by searching out in each village the characters locally needed to record work points and to write down names of people, places, implements, and so on. He thought two or three hundred characters would do. Next another few hundred would be learned to handle matters beyond the village. There would be successive additions of characters for a total of 1,500, the mastery of which was considered the test of literacy (Mao 1956: 165; Hu and Seifman 1976). Although 1,500 characters unquestionably have some utility, their mastery can hardly be equated with achieving literacy in the full sense of the term, and even this limited success, as the Wanrong case shows, has tended to be ephemeral.

How About Simplification, Etc.?

DeFrancis proceeds to go over several different methods and approaches that have been tried to help improve the literacy situation in China, including the simplification of the characters. Regarding this, he says:

The true extent to which simplification has eased the burden of learning characters must remain a matter of subjective evaluation until there is firm supporting evidence. Such evidence must take two forms. First is a survey along the lines previously indicated to find out the exact state of literacy among different segments of the population. Second is research to disentangle how much of whatever advance in literacy that has been achieved, and there undoubtedly has been some, is due to simplification itself and how much to other factors, such as improved living conditions and more widespread schooling, especially in urban centers.

My own view is that simplification was a distinctly secondary factor and that high-level decision makers like Mao Zedong, who as members of the educated elite were of course already quite familiar with the simpler characters, through infomal use, were mistaken in thinking that just because they themselves were able to save much time and effort by using the abbreviated forms, therefore illiterates would also find it significantly easier to learn to read and write if the simplifications were officially adopted as part of the writing system. No doubt illiterates thought so too and, according to the official line, clamored for the change. As far as language reformers are concerned, however, many place little stock in extravagant claims of success and reject the ability of simplified characters to contribute to the elimination of illiteracy among the masses. Zhou Youguang (1978a) has expressed the view that the time needed to master characters has not been significantly reduced by simplification. Wang Li (1980:13–15) has dismissed simplified characters as a solution: “Simplified characters are simply a transitional stage. Strictly speaking, they are not even a transitional stage. They are far removed from a basic reform.” This comment is in line with the statement attributed earlier to Liu Shaoqi that simplification “will turn out badly in the future” (Wang Boxi 1974:22–23). Although it is by no means certain that Liu actually made this statement, the fact that the criticism was attributed to him suggests that many people have been skeptical of the value of character simplification. Such doubts, which have been echoed directly or indirectly by many advocates of reform, suggest the need for a blunt and harsh conclusion: A whole generation, both of people and of time, has been uselessly sacrificed in a timid, bumbling, and predictably unsuccessful attempt to achieve mass literacy through simplification of characters.

How About the Examples of Japan and Taiwan?

Continuing on, DeFrancis discusses how relevant or not the examples of Japan and Taiwan are to the matter of successful literacy in China through the learning of characters:

JAPAN AS A MODEL FOR LITERACY

This conclusion is rejected by those who advance a final argument against the idea that the difficulty of the characters, even in simplified form, makes them unsuited for mass literacy. It is argued that although this was true of the old society, the new order initiated in 1949 will eventually make it possible for everyone to learn to read and write. Expression of this view is frequently supported by the contention that Japan with its high rate of literacy in a character-based script provides proof of what China too can accomplish. The superficiality and irrelevance of this argument becomes apparent if we look a little more closely at the true state of literacy in Japan.




More recently Sato Hideo, head of the Research Section for Historical Documents, National Institute for Educational Research in the Japanese Ministry of Education, has estimated that public school graduates, who now receive nine years of compulsory schooling, retain a recognition knowledge of the 1,945 kanji but soon forget how to write all but 500 or so (1980: personal communication). As far as this limited kanji orthography is concerned, they may possibly be considered literate in reading it but must surely be considered illiterate in writing it. More precisely, their literacy in reading consists in reading the mixture of partly phonetic kanji and purely phonetic kana, whereas their literacy in writing is largely limited to writing phonetically. Such is the concrete reality of what NeustupƄy calls “the myth of 99 percent literacy” in the character-based writing system of Japan.

Moreover, apart from the use of kana by Japanese illiterate in writing kanji, the simple syllabic script is also used, even by those literate in kanji, in many aspects of Japanese life, such as computer technology, and has general application in informal writing because kana is so much quicker and easier to handle than kanji. There are even areas, such as Telex, where romaji is the preferred or exclusive medium of communication. Thus the Japanese policy of limiting the number of kanji in the writing system has resulted in consolidating a narrowed use of characters in such obvious activities as schooling while expanding the role of kana and rƍmaji in less publicized fields.

The character-based Chinese writing system as presently constituted does not permit the Japanese option of limiting the number of characters in the basic system or of dispensing with them entirely in some areas. It is not clear how much support there would be for the idea of developing a Japanese-like writing system by using a limited number of characters interspersed with alphabetic symbols such as Zhuyin Zimu or Pinyin. Zhou Youguang (1979:337-338) thinks worthy of serious consideration the suggestion made by a fellow language reformer that interspersing Pinyin with characters could serve as a means for effecting a gradual transition to Pinyin. On the other hand, an American delegation to China reported that “when we raised this question, it was glossed over by our Chinese hosts” (CETA 1980:23). This means that the all-character Chinese writing system must be recognized as incomparably more difficult than the mixed writing of Japan. Apart from the greater difficulty in determining what goes with what in a given text, a knowledge of twice the number of characters is essential for an equivalent level of literacy. And all this in turn means that it is superficial in the extreme to view Japan’s “success” as providing any sort of model of what China too can accomplish.

TAIWAN AS A MODEL FOR LITERACY

Taiwan has also been advanced as a model for achieving literacy via Chinese characters. There is more relevance to this contention, but not much more, since it needs to be qualified by noting the special conditions that set Taiwan apart from Mainland China. In Taiwan, speakers of Min or Taiwanese and Hakka are intermixed with speakers of Mandarin in a fashion quite different from the situation on the mainland with its huge blocs of regionalect speakers only thinly diluted by speakers of Putonghua. The small size of the island and the ease of communication, both physically and by radio and television, contribute to continual contact among members of different linguistic groups. A relatively efficient educational system, based in part on the fifty-year experience under Japanese occupation, made it easy to shift the medium of instruction from one foreign-imposed language to another form of speech imposed by the dominant group of Mandarin speakers, the majority quite well educated, who took over control of the island in 1945. The latter, in order to survive as an intrusive minority, were forced to promote their own speech among the whole island population with an intensity that is utterly beyond the capacity of the PRC. One result of this situation is that after only a few decades “more than 80 percent of the population is bilingual, speaking both Taiwanese and Mandarin” (Cheng 1978:308). This successful promotion of Mandarin in Taiwan has provided the means to promote literacy in a system of writing based on this standard language. The much higher standard of living in Taiwan, which is unlikely to be matched on the mainland for many years to come, is a major cause of whatever success has been achieved in literacy based on characters. Finally, although the conditions peculiar to Taiwan have undoubtedly aided literacy in characters, a careful assessment of success in more specific terms of level of achievement and particularly of retention of literacy would be desirable before making projections elsewhere, especially in view of the reality behind the myth of 99 percent literacy in Japan.

“Time and Cost”

In his book, DeFrancis thus concludes the chapter on the Successfulness Myth:

TWO CRUCIAL FACTORS: TIME AND COST

It is essential to give special consideration to the two crucial factors of time and cost in considering the potential for success in Mainland China. One major cost—the added time necessary for literacy in characters—has been a constant theme in discussion of Chinese writing reform and is receiving new emphasis in connection with China’s drive for the Four Modernizations. It is frequently remarked that Chinese children must devote at least two more years than do their Western counterparts to the task of learning to read and write. In an article pointedly entitled “We Can No Longer Waste Time,” one writer cites the frequently mentioned calculation that “if we do not change our Chinese characters, with our population of close to a billion people, if each person wastes two years, then in every generation 2 billion [man-] years are lost” (Li Yisan 1979:4). The Declaration of the Chinese Language Reform Association of Institutions of Higher Learning adds to this wastage another three years in each lifetime due to the inefficiency of characters relative to alphabetic writing (Association 1981:284). For a population of a billion literates this would bring the total wastage to 5 billion man-years in each generation, a figure which is probably a gross underestimation.




Some people give optimistic answers to these questions. They minimize the difficulties that need to be overcome to achieve success. Literate themselves, and forgetful of the generally favored circumstances which enabled them to become literate, they feel little sense of urgency in pressing for an effective policy that would enable others less favored also to become literate. Wang Li (1981:4–5) is highly critical of such attitudes. He takes to task literates who point to their own command of characters as evidence that these are not difficult, charges them with disregarding the needs of the masses in emphasizing their own need for access to China’s literary heritage, and calls on intellectuals to think of the masses by promoting Pinyin. Such views have been expressed repeatedly. The inability of Chinese characters to meet modern needs has been apparent to many Chinese for almost a hundred years. Beginning in the 1890s, and increasingly in recent years, the demand has been growing for what the Chinese call wĂ©nzĂŹ gǎigĂ©: language reform.

A View from the Mandarin Field

For what it’s worth, in the corner of the worldwide Mandarin field that I have been in for decades, where there is a significant minority of publishers who were educated in China, Taiwan, Hong Kong, Korea, Japan, etc., I have observed that it is indeed a common view that of course the characters are a successful writing system, and of course they are not too difficult to learn.

However, while many who have spent many long years to learn the characters “the hard way” have successfully used them to learn about or teach Bible truth, I have also seen many Mandarin field language learners, many of whom were ordinary people just trying to help out in the Mandarin field, struggle to learn and also remember the characters. (One estimate I have heard is that only about 1 in 10 Chinese field language learners seem to get along just fine with the characters—the rest struggle.) Sadly, many of them eventually left the Mandarin field, citing difficulties with the language, even though spoken Mandarin is actually not especially difficult to learn compared to other spoken languages. That leaves the characters writing system as the evident actual main difficulty.

While it is not impossible to use Chinese characters to read and write Mandarin, and while the literacy situation in China has according to official figures improved significantly since DeFrancis’ book The Chinese Language: Fact and Fantasy was published in 1984, the inherent unnecessary extraordinary complexity of the characters has obviously made it much more difficult and time-consuming than it should be to learn and to remember how to read and write Mandarin. Really, it’s apparent that any real success that the characters have had as a learnable and usable writing system (as opposed to phony success resulting from lowered standards and expectations, etc.) in places like Hong Kong, Taiwan, Japan, etc. has been in spite of the characters, not because of the characters, and has only been achieved with great, unnecessary difficulty through heroically persistent efforts. However, something as basic as reading and writing shouldn’t universally require such heroic efforts to achieve. As pioneering computer scientist Alan Kay said, “simple things should be simple”. Also, as well-known jazz musician Charles Mingus said, “Making the simple complicated is commonplace. Making the complicated simple—awesomely simple—that’s creativity.”

Common things should be easy. Complex things should be possible.

To illustrate, consider that it was not impossible to use punched cards to control computers, and that it could be said that punched cards could successfully be used to accomplish the goal of controlling computers. However, who would agree that punched cards were so successful that they are the ultimate way of controlling computers, and that they should be enshrined as the only way in which people should ever control computers? If such an attitude had ever become entrenched in the culture, would anyone have ever invented or been allowed to distribute the personal computer or the smartphone, with their far more intuitive and easy-to-use graphical user interfaces?

Unfortunately, instead of allowing for the adoption of an easier-to-use writing system more suitable for ordinary people, China’s approach to literacy has been to just force everyone to continue learning the basic existing system that the educated elite had already invested much time and effort into, but that unfortunately is the writing system equivalent of punched cards for controlling computers.

Punched card used to load software into an old mainframe computer

Creative Commons Attribution License logo BinaryApe [source]

Chinese characters are the punched cards of writing systems. Punched cards were not totally impossible to use, but there are now much better and easier-to-use ways to control computers.

This is not a question of mere convenience—recall the vital role our personal computers and mobile devices played during the COVID-19 pandemic, during which these devices allowed the vast majority of Jehovah’s people to continue attending and participating in meetings through Zoom videoconferencing. In that trying situation, computing devices that had to be controlled by punched cards just would not have worked successfully! (Imagine having to fill out a stack of punched cards, and then having to put them through your card reader, just to tell your mainframe computer that takes up most of your living room to invoke the Zoom command that would indicate to your Watchtower Study conductor that you want to make a comment. Just, NO! Okay then, how about using the newer, slightly simplified punched cards? 
)

Similarly, how well we can communicate with and give spiritual assistance to Mandarin-speaking sheeplike ones can have a big impact on their spiritual health and welfare. So, whether Chinese characters help or hinder our ability to learn how to successfully communicate in Mandarin, or whether a simpler system like PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) would enable us to be more successful in this regard, are questions of vital importance.

The ZT Experiment

The article “PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) Was Plan A” has a section about the ZT experiment, an experimental program that “encouraged students to read and write in pinyin for longer periods than was stipulated by the conventional curriculum.” How successful was using more PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) found to be, compared to the traditional method of focusing on characters?

It is actually not necessary to rely merely on personal opinion when considering whether or not it would be a good idea for Mandarin-learners to use Pīnyīn more than it has traditionally been used. For one thing, many of us have seen and experienced much evidence for this ourselves in recent years, during which Jehovah has blessed the worldwide Mandarin field with explosive growth as Pīnyīn has been used more and more for training and helping Mandarin-learners. This is in striking contrast to the agonizingly slow growth experienced in the Chinese field in earlier years, when Chinese language training was more focused on characters.

Strong additional evidence was provided by an experimental program that was conducted in many elementary schools throughout China to explore what would result from expanded use of PÄ«nyÄ«n. Under the Z.T. subheading there, the article “The Prospects for Chinese Writing Reform”, mentioned above, discusses this interesting experimental program. 





Basically, compared to those in the standard program who were just taught Pīnyīn for a couple of months or so purely as a phonetic aid for pronouncing characters, the students who were allowed to use Pīnyīn on its own as a writing system for a couple of years or so not only did significantly better in learning the language and in learning the Chinese characters, they also did significantly better overall academically. This is not surprising to me, since language is needed to learn and progress in any and every other field of learning.

So, the ZT experiment has shown that while those who focused on characters as per the traditional “hard way” had some success, those who used more PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) had more success in various ways!

Considering all the above, it can be seen that while Chinese characters have been successful in some ways, the myth of the complete, unqualified, incomparable, overwhelming successfulness of the inhumanly numerous and complex Chinese characters is
BUSTED!

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Culture History Language Learning Science

bĂŹyĂ o

bĂŹyĂ o (bÏ·yĂ o certainly · {[being] needed; required; essential} [→ [need | necessary; indispensable]] ćż…èŠ) đŸ‘ˆđŸŒ Tap/click to show/hide the “flashcard”

As part of a series of posts about some common myths about Chinese characters, this post discusses the Indispensability Myth. So, this week’s MEotW is “bĂŹyĂ o (bÏ·yĂ o certainly · {[being] needed; required; essential} [→ [need | necessary; indispensable]] ćż…èŠ)”, which can effectively mean “indispensable”.

Can Chinese Characters Be Replaced?

æ±‰ć­— / æŒąć­—? PÄ«nyÄ«n?

In the book The Chinese Language: Fact and Fantasy, linguist and sinologist John DeFrancis introduces the chapter entitled “The Indispensability Myth” with the following:

The belief that Chinese characters are indispensable exists on several levels that range from the most shallow mindlessness to the most serious thoughtfulness. As usual, much of the mythology is based on a confusion of terms and on mixing up speech and writing. In its most general form the Indispensability Myth holds that Chinese cannot be written in an alphabetic script. This seemingly straightforward statement turns out on closer examination to involve a great deal of ambiguity centering on the meaning of the two terms “Chinese” and “cannot.” As I have stressed repeatedly in the previous chapters, the term “Chinese” covers a wide range of meanings. The indispensability thesis needs to be tested against each of them.





scientific linguists have repeatedly demonstrated in actual practice the validity of their thesis that the speech of any individual can be written in an alphabetic script. The overall approach in such an undertaking is the same for all forms of speech in that it involves direct observation and analysis. The specific solutions vary according to the linguistic details (phonemic, morphemic, lexical, syntactical, and so forth) for each form of speech. Any student of linguistics with a modicum of competence can create an alphabetic system of writing for any form of speech in the world. To deny this elementary truth in general or in specific application to Chinese is to reject science and embrace mythology.

DeFrancis goes on to discuss different approaches that have been tried to create alphabetic writing systems for the languages spoken in China. Regarding the most successful approach so far, he writes:

The third solution was adopted in the Latinization movement of the thirties and forties, and by Protestant missionaries and Chinese reformers earlier, to create as many separate schemes of romanization as there are instances of mutually unintelligible forms of speech. The basis for this approach was largely the practical one of creating as simple a system as possible for a given group of speakers in order to facilitate their acquisition of literacy. There was never an overall attempt to determine the exact number of schemes that should be created or to relate the schemes to each other as part of an integrated plan of writing reform. The more or less ad hoc empirical approach is therefore all the more impressive with respect to the results that were actually achieved. Publication in various alphabetic schemes in the century from the initiation of missionary work to the cessation of Latinization activities in the 1940s is significant both for its quantity and for its quality since it includes such diverse items as the Bible, Lewis Carroll’s Through the Looking-glass, Tolstoi’s “The Prisoner of the Caucasus,” Pushkin’s poems, Lu Xun’s “Diary of a Madman” and “Story of Ah Q,” the Soviet Constitution, communist land laws, miscellaneous biographies of Westerners, newpapers and journals, and much additional literature. All this provides practical proof of the theoretical truth that the alleged impossibility of using an alphabetic script in place of Chinese characters to represent spoken Chinese is a bit of unmitigated nonsense. It also provides support for the theoretical assumption that there is in fact no significant limit to the subject matter that can be written in Pinyinized versions of the various regionalects [(the mutually unintelligible varieties of Chinese)].

As the article “Pīnyīn Is a Good, Workable Writing System on Its Own” says:

Pīnyīn can indeed be used to write anything that can be spoken in Modern Standard Mandarin, from the simplest expressions to the most advanced, complex, and deeply meaningful expressions, so it qualifies as a full writing system in that fundamental sense as well—Pīnyīn is indeed “a method of representing the sounds of a language by written or printed symbols”.

Indeed, PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) can be used to represent the key, indispensable factor in communication on spiritual matters, that Mandarin field language learners should be striving for. This key, indispensable factor is explained to us in the Bible itself at 1 Corinthians 14:8–11:

For if the trumpet sounds an indistinct call, who will get ready for battle? In the same way, unless you with the tongue use speech that is easily understood, how will anyone know what is being said? You will, in fact, be speaking into the air. It may be that there are many kinds of speech in the world, and yet no kind is without meaning. For if I do not understand the sense of the speech, I will be a foreigner to the one speaking, and the one speaking will be a foreigner to me.

Yes, while traditional worldly human Mandarin teachers generally say that characters are indispensable, and that extensive knowledge of characters is thus the goal that Mandarin learners should strive for, the Bible itself tells us that the actual key, indispensable factor required for communication on spiritual matters is “speech that is easily understood”. In that regard, we should note that PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) can simply and directly represent any and all understandable modern Mandarin speech, no characters required. Besides “speech that is easily understood”, everything else language-related is of lesser or even little importance, and perhaps even to be actively avoided, in our vital work of praising Jehovah and trying to help save lives in the Mandarin field. We should keep this principle in mind as we consider what DeFrancis calls the Speakability Test, and what he goes on to say about various kinds of traditional Chinese writings.

The Speakability Test

What is the Speakability Test? Note how DeFrancis tells us what he means by that:

The preceding discussion of the Indispensability Myth has been based on a definition of “Chinese” that is limited to its spoken manifestation. Strictly speaking, this is the only acceptable definition of the term. Yet this limitation is very often ignored—sometimes deliberately, sometimes out of sheer ignorance in muddling speech and writing. A popular formulation of the Indispensability Myth holds that because homonyms are so numerous in “Chinese,” characters must be used to avoid the unsupportable ambiguity that would result from writing alphabetically. This view has been advanced in a typically exaggerated form by writers.




Now we are asked to consider quite a different question based on some quite different and not entirely clear definitions of “Chinese.” The term is variously used to refer to such concepts as Chinese characters, Chinese characters in a dictionary, written Chinese, the Chinese language written in characters, perhaps even spoken Chinese written in characters. Our new question is: Can “Chinese” as thus loosely defined be written in an alphabetic script? One possible answer to this question is that it should never have been asked in the first place. “Chinese,” we might insist, must mean spoken Chinese. Whether it has been traditionally written in Chinese characters, cuneiform symbols, hieroglyphics, or anything else is totally irrelevant to the question [of] whether Chinese (that is, current spoken Chinese) can be written in an alphabetic script.

However much we might like to adopt this entirely justifiable stand, the need to confront the Indispensability Myth in its various forms requires further discussion of the issues. Actually the answer to the new question, or rather to the new series of questions, is quite simple. It is based on the eminently practical approach of asking another, quite simple question: Can the “Chinese” you have in mind be understood if spoken aloud? If the answer is yes, then this Chinese can be Pinyinized. If the answer is no, then it cannot. We can test this approach, which consists of what might be called the Speakability Test, by applying it to various kinds of Chinese.

Homophones and Homographs

Continuing on, DeFrancis says:

Those who think of “Chinese” in terms of Chinese characters often invoke such imaginary problems as the ninety words pronounced li (without tone indication) or the more modest thirty-eight words pronounced yì (with tone indication). Most of these “words,” as pointed out in the earlier chapter on the Monosyllabic Myth, exist only in dictionaries. To apply our basic question is in error on two counts. The first is that it is methodologically incorrect to pick out of a dictionary—in any language—a bunch of homophonous expressions and then parade them in isolation to show how ambiguous they are. Such a procedure could also be applied to English to show that it cannot be written alphabetically. See how ambiguous “can” is! On hearing it one cannot tell which of the half dozen or so homophonous words is intended—actually as many as ten or more if we include the slang terms for prison, buttocks, toilet, and the like as well as the standard terms for metal container, to be able to, and so forth.

Yes, the homophones bogeyman that is often trotted out by advocates of characters is an imaginary problem, because in reality, people generally don’t talk in continuous strings of ambiguous homophones (different words that sound the same) because that would be stupid, when the goal of talking to people is generally to communicate understandably! In reality, Mandarin speakers just use sufficient context to clarify the meanings of any homophones and get on with their lives.

DeFrancis continues regarding the second way in which it is in error to question whether Mandarin, with all its homophones, can be written with an alphabet instead of with characters:

The second error in this approach stems from the fact that many entries in Chinese dictionaries, in general contrast to those in English, are not even words. Most of those thirty-eight entries pronounced yĂŹ are not real words. YĂŹ is simply a transcription for thirty-eight characters, and characters in Chinese dictionaries are at best morphemes and at worst might mean nothing at all—as in the case of the two characters 珊瑚 in shānhĂș (“coral”) if we follow Chao and Yang (1962:140) in refusing to give separate meanings to each of the characters. To cite yĂŹ as a problem in Chinese is therefore even more nonsensical than tearing one’s hair over the problem of “can” in English.

Many thus use the Monosyllabic Myth to support the Indispensability Myth, and fall deeper into error. In contrast, as the Bible says at Proverbs 4:18, “the path of the righteous is like the bright morning light that grows brighter and brighter until full daylight.”

Another thing that we can note is that while many have gotten into the habit of using characters as a crutch to disambiguate Mandarin homophones (different words that sound the same), characters have the corresponding problem of homographs, characters that look the same, but that represent different words with different meanings and pronunciations. For example, as the MEotW post on “zhĂĄole huǒ ((zhĂĄo·le {having caught} · {to completion} 着äș† 著äș†) (huǒ fire 火) → [having caught fire; burning; being on fire])” pointed out,

the characters “着/著” can represent 5 different expressions, each with its own pronunciation and set of meanings:

  • zhāo – add; put in | measure word for tricks, devices, moves in chess or martial arts, etc.
  • zhĂĄo – touch; come in contact with [→ [feel; be affected by]] | catch; ignite; light (fire); burn | hitting the mark; accomplishing; succeeding (This is the one used in this week’s MEotW.)
  • zhe – being (indicating continuing progress/state)
  • zhĂč – prominent; outstanding | book; work
  • zhuĂł – apply | put on/wear (clothes)

“Unspeakable Chinese”

What about written Chinese that doesn’t pass the Speakability Test? DeFrancis continues:

Taking up next the somewhat broader and more legitimate question [of] whether “Chinese” defined as written Chinese or as the Chinese language written in characters can be written alphabetically, here too we can apply our simple Speakability Test to discover whether such “Chinese” is intelligible if read aloud. Much of Chinese writing incorporates many elements alien to speech—at times to such an extent as to make it incomprehensible when read orally. For more reasons than one this might be called unspeakable writing. In the case of such unspeakable Chinese, the Chinese characters are indeed indispensable. Only if written Chinese really conforms to the definition of spoken Chinese written in characters is it possible for the characters to be replaced by alphabetic writing.

Why are many Chinese scholars so hung up on “unspeakable Chinese”? DeFrancis goes on to discuss what they really mean when they say that Chinese “cannot” be written alphabetically:

There are doubtless many purists who would insist on the original regardless of whether or not the hoi polloi [the common people] are capable of handling it.




A dilemma exists in the fact that the work of Pinyinization must be undertaken by people who are already literate—which means literate in characters—and Chinese literati, even of the newer generation, have displayed even less capacity than their Western counterparts to write in a style capable of ready comprehension by ordinary people. The contention that materials written in Chinese characters cannot be written alphabetically therefore has a certain sad validity because to date most Chinese scholars cannot accept the notion that the written style should be determined by its capacity for Pinyinization. They cannot bear the thought of the cultural upheaval involved in the transition from character-based to alphabet-based writing.

CANNOT = SHOULD NOT

With these attitudes the notion that Chinese cannot be written alphabetically has now shifted ground to “should not.” It is this interpretation of “cannot” that forms the basis for much of the contention that Chinese characters are indispensable. The shift in emphasis is not always apparent to unwary readers who fail to note that the approach is often based on unwillingness to place speech before writing and to consider the needs of people who might be unable to master the character-based system of writing.

Latin Bibles and Horses

Making an interesting comparison, DeFrancis writes:

Karlgren’s elitist defense not only of characters, but of the classical style as well, has the musty odor of a defense of Latin against such a break with the European cultural past as upstart writing in Italian and French and English.

If we compare traditional Chinese writings to see if they pass the Speakability Test, and to see if they measure up to the Bible-provided standard of corresponding to easily understandable speech, we’ll find that they often don’t. Indeed, because of not a little cultural and nationalistic snobbery and pride, many Chinese scholars, and even many regular Chinese people, like it that way!

However, even if many traditional Chinese writings are revered and highly valued in the world for their cultural or historical value, they show themselves to be of limited or even negative value among us fellow workers with Jehovah in today’s Mandarin field. As an object lesson on this, consider how Jehovah’s organization depicts the false version of Christianity that insisted that Latin Bibles were indispensable, and that viciously persecuted those who tried to translate the Bible into languages like English that the common people could read, and that corresponded well with how they usually spoke.

In contrast to classical Chinese writings and even many modern ones, it is evident that modern Mandarin versions of the publications of Jehovah’s organization seek to represent easily understandable modern Mandarin speech. In fact, much writing that appears in our publications, such as writing from Mandarin versions of The Watchtower and the Bible, is regularly read aloud at our meetings and easily understood. That could not be the case if it were made up of what DeFrancis calls “unspeakable Chinese”!

It’s no wonder then that Jehovah’s organization is evidently successfully proceeding at maximum practical speed to add PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) to its Mandarin writings, since, as DeFrancis points out, writing that corresponds to understandable Mandarin speech can be written in an alphabetic writing system like PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł). Also, the unofficial PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) Plus material based on certain Mandarin publications of Jehovah’s organization achieves functional success in using PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) as the default full writing system instead of characters, rather than as just a pronunciation aid for the characters.

Even while it is diligently adding PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) to its Mandarin writings, we can observe that Jehovah’s organization is not getting rid of its writings written in Chinese characters, just as the world in general is not anytime soon getting rid of Chinese characters, an extreme scenario that many supporters of Chinese characters seem to fear. In reality, such an extreme scenario is extremely unlikely to come to pass—people can even still read Latin Bibles if they really want to, and also, people have not killed all the horses even though most now prefer cars. 🐮

Anyway, we can see that when it comes to representing the actual key, indispensable factor for spiritual communication in the Mandarin field—understandable Mandarin speech—and when it comes to the writings that really matter to us Mandarin field language learners, the Indispensability Myth about Chinese characters is
BUSTED!

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pĂștao

pĂștao (grape è‘Ąè„) đŸ‘ˆđŸŒ Tap/click to show/hide the “flashcard”

As part of a series of posts about some common myths about Chinese characters, this post discusses the Monosyllabic Myth. So, this week’s MEotW is pĂștao (grape è‘Ąè„)”, since the very existence of this simple, well-known Mandarin word, with its two inseparable syllables that together express a single meaning, handily disproves this myth.

A bunch of grapes hanging on a vine

Creative Commons Public Domain logo Michael Pardo [source]

Monosyllabic?

In the book The Chinese Language: Fact and Fantasy, linguist and sinologist John DeFrancis thus introduces the chapter entitled “The Monosyllabic Myth”:

“In this language there is neither an alphabet nor any definite number of letters, but there are as many characters as there are words or expressions.” So said the sixteenth-century Catholic missionary Michele Ruggieri, one of the first Westerners to undertake what he called the “semi-martyrdom” of studying Chinese (quoted in Bernard 1933:149). Ruggieri’s views were similar to those of his superior, Father Matteo Ricci, as paraphrased by Father Nicola Trigault, who also transmitted the opinion that in Chinese “word, syllable, and written symbol are the same” and that the words “are all monosyllabic; not even one disyllabic or polysyllabic word can be found” (Trigault 1615:25-26).

Even these early observations reveal one of the main reasons for the confusion leading to the Monosyllabic Myth—namely, the failure to distinguish between speech and writing. It is the despair of linguists, who insist on keeping the two apart, that they have so little success in achieving their aim and hence must do incessant battle against the practice of using an observation about writing to reach a conclusion about speech.

Just as with the Emulatability Myth, it seems that missionaries of Christendom were involved in spreading the Monosyllabic Myth, the erroneous idea that each Chinese character represents a one-syllable word. Yes, the list of erroneous ideas that Christendom has been involved in spreading is certainly a long one!

As for speech and writing, the article “PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) Was Plan A” says the following about their relative importance:

Jehovah built right into us the specialized equipment we need to directly produce speech, but we can only produce writing indirectly through the general purpose tools that are our hands, which generally must do so using external, man-made tools and media such as pens and keyboards and paper and computer screens. If even us humans can design and build things with screens that can dynamically display writing, then Jehovah certainly could have designed our bodies to be able to do so as well, but he didn’t. Instead, Jehovah himself designed our bodies so that “speech is primary, writing secondary”.

Chinese Characters, Chinese Speech, and Monosyllabism

Having reminded us of the important distinction between speech and writing when it comes to any human language, including Mandarin, DeFrancis goes into some detail about how the views of many about Chinese writing and about Chinese speech have contributed to the pervasiveness of the Monosyllabic Myth:

MONOSYLLABISM DERIVED FROM WRITING

In alphabetic writing systems such as English the separation of graphic units by white space, a relatively late development in the history of writing (Gelb 1963:19), is a popular means of defining a word despite the somewhat haphazard way in which many of the demarcations came about. In Chinese the fact that the characters in a running text are normally set off from each other by the same amount of space between adjacent characters regardless of how closely they may be tied together in meaning is also an important factor in defining characters as words.

It is individual characters that form the basis for dictionary entries. Each character is provided with a dictionary listing which gives its pronunciation, consisting always of a single syllable, and its meaning, which may be single or multiple. The conventional dictionary pronunciation of a character does not always correspond with the sound in speech that the syllable is supposed to represent. 


A more serious objection to the handling of characters in ordinary dictionaries involves semantics. Each character is presented as an independent unit and is defined as having at least one meaning. The assumption that each character represents an independent meaningful syllable leads to the conclusion that each character represents a monosyllabic word.

MONOSYLLABISM SURMISED FROM SPEECH

The notion of monosyllabism derived from the writing system is further reinforced by the generally held view of Chinese speech. The syllable in Chinese is often considered phonologically distinct in that it is more rigidly determined than is the case in many other languages, such as English. Chinese syllables, with some exceptions that can be disregarded here, are invariant in the sense that they do not undergo the kind of internal change exhibited by English man-men, his-him, love-loved. In itself this is not a particularly distinctive or particularly significant feature. It has, however, helped to create a situation in which “the syllable is accorded a special status in Chinese
as a psychological unit” (Arlotto 1968:521). The syllable is held to be the type of unit between phoneme and sentence that in English is called a “word” (Chao 1968a:136). Since the syllable is represented by a character, the latter too is held to represent a word. The equating of syllable with character, the notion that both represent a word, and the fact that each individual character, and hence each individual syllable attached to it, has individual meaning, all combine to characterize both speech and writing as “monosyllabic.”

Commenting on the extent to which the Monosyllabic Myth has spread because of factors such as those mentioned above, DeFrancis speaks of

the popular view that the syllable always has meaning and is not a mere morpheme [e.g., the “er” in “teacher”] but a full-fledged word.

He goes on to say:

The popular misconception of the Chinese speaking entirely in words of one syllable is reinforced by some specialists who exaggerate
either because they lack
understanding or because in the interest of popularization they oversimplify to the point of error.

Sweet Grapes

Providing a well-known example of a Mandarin word which definitely has more than one syllable, DeFrancis discusses “pĂștao (grape è‘Ąè„)”, this week’s MEotW:

Assiduous scholarly research may sometimes succeed in tracing the provenance of a specific term, such as pĂștao (“grape”). The usual dictionary handling of this term, similar to that for “butterfly,” presents a two-character expression meaning “grape” under both the character è‘Ą (pĂș) defined as “grape” and the character 萄 (tao) also defined as “grape.” In fact, however, the two syllables are inseparable and meaningless in themselves. They actually constitute a phonetic loan derived from an Iranian word *badag(a) that entered into Chinese when the grapevine was brought back from Ferghana in Central Asia by the Chinese general Zhang Qian in 126 B.C. (Chmielewski 1958). This precise dating of the origin of a disyllabic expression in Chinese further illustrates how misleading is the dictionary procedure that gives independent meanings for each of the characters used to write the two syllables in such terms.

Not Created Equal

It’s true that in the Chinese characters writing system, each character represents a Mandarin syllable. However, all Mandarin syllables are not created equal. DeFrancis gives us a breakdown about the different types of Mandarin syllables:

There are thus three types of Chinese syllables:

1. F: free, meaningful
2. SB: semibound, meaningful
3. CB: completely bound, meaningless

These three categories are roughly comparable in English to the free form teach, the semibound form er in “teacher” and “preacher,” and the completely bound forms cor and al in “coral.” The first two categories are morphemes, the third is not, as is the case also with their counterparts in Chinese.




A random sample of two hundred characters reveals the following distribution:

44% free (includes 7% literary)
45% semibound
11% completely bound
100%

So, while the Monosyllabic Myth holds that “each character represents a monosyllabic word”, the reality is that, as shown above, fewer than half of characters stand on their own as free, monosyllabic words—the rest are bound as components of multisyllable words. DeFrancis goes on to share what Zhƍu Yǒuguāng ((Zhƍu {Circumference; Circle (surname)} 摹 摹/週) (Yǒu·guāng Has · Light æœ‰ć…‰) (Chinese linguist, etc., known as “the father of PÄ«nyÄ«n”)), who led the team that developed PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł), had to say on the matter:

Zhou Youguang, using a different corpus of characters than the approximately 4,800 of the Chao and Yang dictionary, and also perhaps having a different opinion as to whether a specific character is free or bound, says that “44 percent free is too much!” In his opinion, only 2,000 or so, or about 30 percent, of the 6,800 “modern standard characters” needed to write contemporary Chinese are free words (Zhou 1982:personal communication).

Where’s the Harm?

Is the Monosyllabic Myth merely of academic concern? Has it resulted in any real, practical harmful effects? Note how DeFrancis concludes his chapter on the Monosyllabic Myth:

HARMFUL ASPECTS OF “MONOSYLLABIC”

As in the case of the Ideographic Myth, the Monosyllabic Myth has fostered a kind of clichĂ© thinking about Chinese. Because of its application to both speech and writing it has helped to obscure the difference between the two. Moreover, it has distracted scholarly attention from pursuing certain meaningful lines of research, such as a closer examination of the possible relationship between speech and writing as revealed in China’s voluminous literature.

But the worst aspect of the myth is when it is taken up in a distorted version by the public at large, as for example by the illustrious and authoritative Oxford English Dictionary, in which “monosyllabic” is glossed as a philological term “used as the distinctive epithet of those languages (e.g., Chinese) which have a vocabulary wholly of monosyllables.”


For the impact of the term “monosyllabic” on the general public has been generally bad. The notion of speaking wholly in words of one syllable, or of reading and writing in the same fashion, in many minds carries with it a connotation of inadequacy and backwardness or at best of childish simplicity. 






This is unfortunate because, apart from denigrating a language and a script of enormous complexity and sophistication, it reveals our failure to get across to the public at large the idea that the real world of Chinese speech and writing is much more fascinating than the mythological world of Chinese monosyllabism.

Reverberations Beyond Characters

The Monosyllabic Myth about characters has even reverberated in the world of PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł), which some have insisted on writing as if each syl la ble was a sep a rate word, in slav ish de vo tion to the sup pos ed ly mon o syl lab ic na ture of the char ac ters.

At the other extreme, in their efforts to properly move past the erroneously perceived monosyllabism of the Chinese characters when they write PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł), some seem to have overcompensated for the Great Wall of spaceless, faceless, seemingly monosyllabic text written in characters by often smooshing multiple syllables together into long, unbroken, hard-to-read expressions. For example, some would write “dānyÄ«njiĂ©â€ as one continuous string.

However, breaking up long, multisyllable expressions with spaces or hyphens can often significantly improve readability, as in the case of “dān‐yÄ«njiĂ©â€ ((dān single 捕 於)‐(yÄ«n·jiĂ© sound · node; knot → [syllable] éŸłèŠ‚ 音節) → [monosyllabic | monosyllable]) compared to “dānyÄ«njiĂ©â€, “wĂčlǐ‐xué‐jiā” ((wĂč·lǐ things’ · {logic → [laws]} [→ [physics]] 物理)‐(xuĂ© studying ć­Š ć­ž)‐(jiā -ist ćź¶) → [physicist]) compared to “wĂčlǐxuĂ©jiā”, or “wĂč‐rĂč‐qĂ­tĂș” ((wĂč {by mistake}; mistakenly; {by accident} èŻŻ èȘ€/悞)‐(rĂč enter; {go into}; join ć…„)‐(qí·tĂș {fork; branch → [different; divergent | wrong]} · road; route; journey; way 歧途) → [go astray; be misled; take a wrong step in life]) compared to “wĂčrĂčqĂ­tĂș” or even “wĂčrĂč‐qĂ­tĂș”. So, PÄ«nyÄ«n (PÄ«n·yÄ«n {Piecing Together of} · Sounds → [Pinyin] æ‹ŒéŸł) Plus material now often uses spaces and hyphens as appropriate to enhance readability when rendering multisyllable Mandarin expressions, especially those with three or more syllables.

Anyway, to conclude, the Monosyllabic Myth about Chinese characters is
BUSTED!