Tag: Word Separation

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Language Learning Science Technology Theocratic

gāogē

gāogē (gāo·gē {(at) high (volume)} · sing 高歌) ← Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 📘 icons mean 📖 Reveal All, 📄 Reveal Advanced, and 📘 Reveal None re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

Ah, spring, when thoughts of Mandarin field language learners turn to “Where can I find Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) for this year’s convention song?” (Unfortunately, at the time of this writing, there was no official Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) available on the official page for the Mandarin version of this song.) I am happy to report that proofread Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) lyrics or better and proofread musical notation 🎼 with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) lyrics for this year’s convention song are now available at this unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource:

2024 convention song “‘Hǎo Xiāoxi’!” (music+_Pīnyīn_), on iPhone 13 mini

[Note: As with all the other Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resources, the above-mentioned Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource is made to be supplementary language-learning material for those learning the Mandarin language to help others in the Mandarin field. For spiritual food (which is for you yourself to learn spiritual things from, and which ideally should be in your own mother tongue), please go to jw.org.]

Singing Like Angels

This week’s MEotW, “gāogē (gāo·gē {(at) high (volume)} · sing 高歌)”, comes from the beginning of the Mandarin version of this song:

English:

“Glory in the heights above”—
Good news for all men—

Mandarin:

📖 📄 📘 “Róngyào (glory 荣耀 榮耀) guī ({belongs to} 归 歸) Zhìgāo (Zhì·gāo Most · High 至高) Shàngdì (Shàng·dì Above’s · {Emperor → [God]} → [God] 上帝)!”
Chénxīng (Chén·xīng {early morning} · stars 晨星) dōu (all 都) gāogē (gāo·gē {(at) high (volume)} · sing 高歌).

The first line is taken from Luke 2:13, 14:

Suddenly there was with the angel a multitude of the heavenly army, praising God and saying: “Glory in the heights above to God, and on earth peace among men of goodwill.”

The second line in the Mandarin lyrics, which mentions “chénxīng (chén·xīng {early morning} · stars 晨星)”, is undoubtedly an allusion to the current Mandarin New World Translation Bible’s rendering of Job 38:7 (WOL, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus), which uses this expression (“morning stars” in the English NWT Bible) in connection with the angels:

📖 📄 📘 Dāngshí (Dāng·shí {at that} · {(particular) time} 当时 當時) chénxīng (chén·xīng {early morning} · stars 晨星) yìtóng (yì·tóng {(as) one} · together 一同) huānhū (huān·hū joyously · {cried out} 欢呼 歡呼),
Shàngdì (Shàng·dì Above’s · {Emperor → [God]} → [God] 上帝) de (’s 的) érzimen (ér·zi·men sons · [suf for nouns] · [pl] 儿子们 兒子們) quándōu (quán·dōu completely · all 全都) hècǎi (hè·cǎi {shouted loudly} · {(in) applause} 喝彩 喝彩/采).

When the earth was founded and when Jesus was born, did the angels sing quietly and timidly, as if hoping no one would hear them? No! As the Mandarin lyrics say, these angels undoubtedly gāogē (gāo·gē {(at) high (volume)} · sang 高歌), that is, “sang (at) high (volume)”.

Imitating the Angels

How can we imitate the angels when it comes to singing in our worship, even though we are imperfect humans, most of us have not been trained as singers, and many of us don’t feel especially talented at singing? This Watchtower article about our current songbook “Sing Out Joyfully” to Jehovah helps us with this:

Check it out!

Helpful Features

The unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource mentioned above now includes a link to the above-mentioned Watchtower article in the Tips: section at the bottom of its index (starting) page. It has other features as well that are designed to be especially helpful for Mandarin field language learners.

One of these features is that, except for the minority of Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus lyrics that have been partially proofread (as indicated by a grey background), most of the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) lyrics in this resource (including all of the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) lyrics in the musical notation) have been fully proofread, and furthermore, have been fully proofread from the viewpoint of Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) being a full writing system (which it actually is), not just a pronunciation aid. That involves word grouping, capitalization, punctuation, etc.

Also, as shown in the picture near the beginning of this post and as mentioned above, this resource combines fully proofread Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) lyrics with musical notation. No doubt many will find this material with musical notation helpful, especially when singing songs that are relatively rarely used, and that thus may not yet be familiar. (For those who are not yet familiar with musical notation, there are a couple of links about how to read musical notation in the Tips: section at the bottom of the index (starting) page of the resource.) This Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)+music material is currently available for most of the songs, and is gradually being completed as time allows.

Some features of this Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)+music material are:

  • Prezoomed to use full screen width
    • This means that this material will automatically zoom out to make best use of the screen of your mobile device—no fiddling with manual zooming is necessary when the music is starting and you need to be ready to sing soon.
  • Easy-to-read font
    • The font used for the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) lyrics was specifically chosen to be easy to read, even on smaller mobile devices.
  • Guitar chords included
    • While guitar chords are (generally) not required for singing at meetings, assemblies, etc., they may come in handy at social gatherings, when one is practising or singing and/or playing guitar for pleasure, etc.

Hopefully, features like those above will help you to gāogē (gāo·gē {(at) high (volume)} · sing 高歌) like the angels, to sing out joyfully and loudly at Mandarin meetings, conventions, etc., even though you are “just” a Mandarin field language learner.

For convenience:

The direct link for the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource for the “Sing Out Joyfully” book is:

The short link for Chinese field language-learning links for the “Sing Out Joyfully” book is:

More Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material based on the Mandarin “Sing Out Joyfully” book will be made available in the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web resource as time allows.

Categories
Culture Current Events Language Learning Science Technology Theocratic

yì‐nián‐yí‐dù

yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually]) ← Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 📘 icons mean 📖 Reveal All, 📄 Reveal Advanced, and 📘 Reveal None re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

This week’s MEotW, “yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually])”, occurs in the following sentence, which, at the time of this writing, jw.org is featuring to invite people to attend the Memorial:

English:

We invite you to attend our annual event to remember the death of Jesus Christ.

Mandarin:

📖 📄 📘 Wǒmen (Wǒ·men we · [pl] 我们 我們) yāoqǐng (invite 邀请 邀請) nǐ (you 你) cānjiā (cān·jiā {to take part in} · {to add to} → [to attend] 参加 參加) zhèige (zhèi·ge this · [mw] 这个 這個) yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending (of time)} → [mw for occasions/times] 度) → [annual]) de (’s 的) jìniàn (jì·niàn remembering · {thinking of} → [commemorating] 记/纪念 記/紀念) jùhuì (meeting 聚会 聚會), jìniàn (jì·niàn {to remember} · {to think of} → [to commemorate] 记/纪念 記/紀念) Yēsū (Jesus 耶稣 耶穌) Jīdū (Christ 基督) wèi (for 为 為/爲) rénlèi (rén·lèi human·kind 人类 人類) xīshēng (xī·shēng sacrificed · {(as with a) domestic animal} → [sacrificed] 牺牲 犧牲) shēngmìng (life 生命).

“Yì‐nián‐yí‐dù ((Yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually])” on one level of literalness means “one year one occasion/time”, which effectively means “annual”. Its final morpheme “dù (degree; extent; {degree of intensity} | {spending; passing (of time)} [→ [mw for occasions/times]] 度)” in this expression serves as a measure word for occasions or times, which likely derives from its meaning of “spending; passing (of time)”. In other expressions, “dù (degree; extent; {degree of intensity} | {spending; passing (of time)} [→ [mw for occasions/times]] 度)” can also mean “degree; extent; degree of intensity”:

  • 📖 📄 📘 dùguò (dù·guò {spend; pass (time)} · pass; cross → [spend; pass (time/etc.) | pull/get through; survive] 度过 度過)
  • 📖 📄 📘 tàidu (tài·du state · degree → [attitude; manner] 态度 態度)
  • 📖 📄 📘 wēndù (wēn·dù {(of) being warm} · {degree of intensity} → [temperature] 温度 溫度)
  • 📖 📄 📘 zhìdù (zhì·dù system · extent → [system] 制度)

Same Character, Different Tones

Note that in “yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually])”, the morpheme meaning “one” is first pronounced “yì (one 一)”, with a fourth tone, and then it’s pronounced “yí (one 一)”, with a second tone. This is tone sandhi, and as the MEotW post on “diǎnliàng (diǎn·liàng {dot → [light (v); ignite]} · {to be bright} [→ [illuminate; shine light on]] 点亮 點亮)” said:

On the other hand, the unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resources join the official Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) publications, old and new, in explicitly indicating tone sandhi for “bù (not 不)” and “yī (one 一)” (e.g., “búzài (bú·zài not · again; further; continuing; anymore 不再)” instead of the standard “bùzài (bù·zài not · again; further; continuing; anymore 不再)”) to make things easier for readers, even though this practice is not included in the GB/T 16159-2012 [PRC national] standard’s recommendations.

In the end, what matters most re how anything is written is not just what is officially recommended or what happens to be popular among changing, imperfect humans. Rather, what matters most is what really works best to accomplish the goal of writing: To communicate to readers. This is especially true when God-honouring and life-saving Bible truths need to be communicated. So, this blog and the other Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resources will continue to seek to render Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) in ways that maximize how clearly, easily, effectively, and appropriately it communicates with readers.

Same Characters, Different Word Boundaries

Another interesting thing to note is that the last two morphemes in “yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually])” can in some contexts form the expression “yídù (yí·dù [(at)] one · {spending; passing (of time) → [mw for occasions/times]} → [once; at one time; on one occasion; for a time] 一度)”, which is appropriately written in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) without a space or other word divider between the two morphemes. Why then, does this blog post render “yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually])” with a hyphen (that acts as a word divider) between its last two morphemes?

The reason for the different renderings of the same two morphemes in the two different expressions is, well, because we are indeed dealing with two different expressions. Whereas “yì‐nián‐yí‐dù ((yì one 一)‐(nián year 年 年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) → [once a year; annual | annually])” uses its last two morphemes in a “one-[word divider]-[measure word]” pattern, as does “yí (one 一) ge ([mw] 个 個/个)”, “yídù (yí·dù [(at)] one · {spending; passing (of time) → [mw for occasions/times]} → [once; at one time; on one occasion; for a time] 一度)”, treated as one word without a space in it, is used to effectively mean “once; at one time; on one occasion; for a time”. The ABC Chinese-English Dictionary, edited by John DeFrancis and Victor H. Mair, among others, provides these examples of this expression in use:

📖 📄 📘 Wǒmen (Wǒ·men we · [pl] 我们 我們) yídù (yí·dù (at) one · {passing (of time) → [mw for occasions/times]} → [once] 一度) shì (were 是) hǎo (good 好) péngyou (friends 朋友).
We were once good friends.

📖 📄 📘 Tā (she 她) yídù (yí·dù (at) one · {passing (of time) → [mw for occasions/times]} → [for a time] 一度) duì (towards 对 對) huìhuà (huì·huà painting · paintings 绘画 繪畫) gǎn (felt 感) xìngqù (interest 兴趣 興趣).
She was interested in painting for a time.

Context Is the Key, Not Characters

The above points about how the characters “一” and “度” can have different pronunciations or meanings in different contexts remind us that Chinese characters are NOT the ultimate clarifiers of meaning in Mandarin. This excerpt from the MEotW post on “yǔjìng (yǔ·jìng language · {(set of) boundaries → [(bounded) place; area] → [condition; situation; circumstances]} → [context] 语境 語境)” explains further:

Context and Mandarin Writing Systems

Research into the importance of context turned up a couple of interesting sayings from the business world:

Content is king.
—Bill Gates

Content is king, but context is God.
—Gary Vaynerchuk

Mandarin field language-learners may hear the assertion from Chinese culture traditionalists that it is necessary to use Chinese characters to clarify the ambiguity that results from Mandarin having so many homophones, words that sound the same but that have different meanings. The insinuation, or even the outright accusation, is that the upstart Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) system is thus unusable as a writing system for Mandarin, that the Chinese characters writing system is still the rightful king. Besides, there is so much existing content written in Chinese characters, and content is king!

However, a little consideration of the yǔjìng (yǔ·jìng language · {(set of) boundaries → [(bounded) place] → [situation]} → [context] 语境 語境), the language situation or context, shows up the fallacy of this assertion. The Chinese characters writing system exists along with Mandarin speech, and if Chinese characters are truly required to clearly communicate meaning in Mandarin, then that would mean that Mandarin speech on its own, without the help of visible characters, is unusable as a means of communication. That, however, is obviously not true—people who are proficient in spoken Mandarin communicate clearly with each other all the time, undoubtedly pretty much as clearly as proficient English speakers communicate with each other.

The key reason why proficient Mandarin speakers can communicate clearly with each other despite all of the homophones in Mandarin is not that they are constantly referring to Chinese characters, although people do occasionally do that in the current characters-saturated cultural climate. No, the key reason why Mandarin-speakers routinely communicate clearly with each other is because they use sufficient context to clarify any potentially ambiguous homophones. And, since Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is a simple and direct representation of Mandarin speech, anything that is understandable when spoken in Mandarin is understandable when written in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)—1 Corinthians 14:8–11.

So, while Chinese characters-based content may be so predominant in the Chinese world that it’s king there, context is God, relatively and metaphorically speaking, and Mandarin speech and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) rightly rely on context, not on Chinese characters, just like we rightly rely on God, not on merely human kings.

Categories
Culture Current Events Language Learning

xiǎnyǎn bāo

xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) → [attention-seeker; goofball; one who stands out from the crowd to get attention]) ← Tap/click to show/hide the “flashcard”

With 2023 having just recently receded into history, it’s a good time to check out collections of some of the top Mandarin slang expressions used during 2023. A couple of articles that I found that discuss some of these expressions are:

The only expression that appears on both of these lists is “xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) → [attention-seeker; goofball; one who stands out from the crowd to get attention])”, this week’s MEotW.

Its Constituent Morphemes

The first morpheme in this expression is “xiǎn (appear; show; display; manifest; {[is] obvious; evident; clear; apparent; noticeable [→ [[is] illustrious; powerful; influential]} 显 顯/顕)”, which here means “appears; shows; displays; manifests; [is] obvious/evident/clear/apparent/noticeable (to)”. Some other expressions that include this morpheme are:

  • míngxiǎn (míng·xiǎn {[is] clear; distinct} · {[is] obvious; evident; clear; apparent; noticeable} → [[is] clear; obvious; evident; distinct; manifest] 明显 明顯)
  • xiǎnrán (xiǎn·rán {[is] evident; obvious; clear}·ly 显然 顯然)
  • xiǎnshì (xiǎn·shì {to be evident/obvious} · show 显示 顯示)

When “xiǎn (appear; show; display; manifest; {[is] obvious; evident; clear; apparent; noticeable [→ [[is] illustrious; powerful; influential]} 显 顯/顕)” is put together with “yǎn (eye 眼)”, which means “eye”, the resulting expression “xiǎnyǎn (xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼)” effectively means “conspicuous; showy; eye-catching; glamorous”.

The last morpheme of this expression, “bāo (wrapping [→ [including; containing | assuring; guaranteeing | bundle; package; pack; packet; parcel | bag; sack | bun (food)]] 包)”, literally means “to wrap”, but one of its effective meanings is “bun”, that is, a bun that’s food, as opposed to, say, a hair bun. Some other expressions that include this morpheme are:

  • bāokuò (bāo·kuò wrap · {draw together} → [include; consist of; comprise; incorporate] 包括)
  • miànbāo (miàn·bāo {[wheat] flour} · {wrapping [→ [bun]]} → [bread] 面包 麵包)
  • bāozi (bāo·zi {wrapping → [bun]} · [suf for nouns] → [steamed stuffed bun] 包子)

It’s evident that “bāo (wrapping [→ [including; containing | assuring; guaranteeing | bundle; package; pack; packet; parcel | bag; sack | bun (food)]] 包)”, with its meaning of “bun”, is used as a term of endearment in “xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) → [attention-seeker; goofball; one who stands out from the crowd to get attention])”.

As a Whole

What are the constituent morphemes of “xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) → [attention-seeker; goofball; one who stands out from the crowd to get attention])” being used to mean when they’re put together in this expression? The article in The World of Chinese that’s mentioned above says:

One type of dazi [shallow friend] many prefer these days is the 显眼包 (xiǎnyǎnbāo), or goofball. The term refers to people who stand out from the crowd and constantly seek attention. Although once considered a neutral term, it has gained a positive connotation recently, as many appreciate their vibrant energy in an often ultra-competitive society.

As for the article in Sixth Tone that’s mentioned above, it says this regarding this expression as a whole:

显眼包

Class Clown

Literally meaning “eye-catching,” 显眼包 (xiǎn yǎn bāo) and its variations appear in a number of Chinese dialects. The term became widespread online after Guo Beibei — a phenomenally popular internet celebrity who later lost her account for violating short video platform Kuaishou’s rules on “vulgar” content — began using it to describe herself. Now, it’s become a byword for attention-seekers, goofballs, and anyone who is willing to get weird for a like.

[Regarding the person mentioned in the above quote, I found an article about her on the website of The China Project. The article says that she has many fans who are homosexuals, although it does not mention whether she herself is homosexual. For what it’s worth, I remember that a sister who grew up in San Francisco (which famously has a significant homosexual population) once commented that she has observed that many homosexuals are quite self-centred. Perhaps that contributes to such ones liking standing out and getting attention.]

Good and Bad Ways to Stand Out

The world—which we know is ruled behind the scenes by Satan the Devil—has its celebrity culture, and it has an attention economy. (1 John 5:19) In contrast, in 1 Thessalonians 4:11, the apostle Paul gave Christians this advice:

Make it your aim to live quietly and to mind your own business

So, generally, Christians should not seek to stand out or get attention for themselves. Sometimes, though, true Christians naturally stand out because of being no part of Satan’s world, e.g., when avoiding celebrating holidays with pagan roots, or when refusing to participate in politics or war. More positively, in a world permeated by Satan’s spirit, Christians may also naturally stand out because of reflecting God’s spirit, applying God’s principles, and sticking to God’s standards. As Jesus, said, his true disciples should ‘let their light shine’.—Matthew 5:16.

Standing out because of not following human conventions and traditions is not necessarily a bad thing. Indeed, it’s sometimes necessary, and exactly the right thing to do, with Jesus himself setting the perfect example by his not following the traditions of the scribes and Pharisees of his day, which went beyond God’s requirements. However, actually going beyond God’s standards and requirements, as Satan, the demons, Adam and Eve, the Pharisees, and others who show a similar spirit have done, is indeed bad. So, it’s vitally important for us to cultivate the wisdom to be able to tell the difference.

Standing Out in the Mandarin Field

Comparing the two articles linked to above, I noticed that the The World of Chinese article renders Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) in a much better way than the Sixth Tone article does—the The World of Chinese article properly treats Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a separate, alternate full writing system with spaces between whole words rather than between every syllable, while the Sixth Tone article just treats Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) like a mere pronunciation aid for the characters. Still, in a Language Log blog post of his own, Prof. Victor H. Mair made the following interesting comment regarding the expressions presented in the Sixth Tone article:

Three of the ten items either feature roman letters or consist entirely of English. Remember what Mark Hansell said years ago about roman letters becoming a part of the Chinese writing system:

Mark Hansell, “The Sino-Alphabet: The Assimilation of Roman Letters into the Chinese Writing System,” Sino-Platonic Papers, 45 (May, 1994), 1-28 (pdf)

Roman letters certainly stand out among Chinese characters.

As for characters themselves, one of the possible meanings of “xiǎnyǎn (xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼)” is “glamorous”, and Chinese characters are considered glamorous by some. With their eye-catching visual designs, they are by nature—and probably by design—xiǎnyǎn (xiǎn·yǎn {noticeable (to)} · eye → [glamorous] 显眼 顯/顕眼), as are idols and images used in idolatrous worship.

In the Mandarin field, is it going too far to use Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) at times instead of always using characters? Is that being too xiǎnyǎn (xiǎn·yǎn {noticeable (to)} · eye → [conspicuous] 显眼 顯/顕眼) in a world where so many people use and promote characters? Should we just go along to get along? Well, as has been discussed on this blog and elsewhere, Chinese characters are from humans, not from God, and thus the traditions surrounding characters are no more binding on God’s true servants today than the traditions of the Pharisees were on Jesus, and I hope none of us would have told Jesus to “go along to get along”! (As I recall, the apostle Peter tried to tell Jesus something similar once, and Jesus, um, didn’t respond positively.) So, it is fine to take advantage of the practical benefits of Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) when you can to help you serve God more effectively, and to just use characters when you have to.