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Culture Current Events History Science Technology Theocratic

app

app (a-p-p)

This week’s MEotW, “app” (sometimes written as “APP”), is now the organization’s official way to translate “app” in Mandarin, as much as there is an official way to do so. For example, it’s used in the Mandarin version of the 2024 Governing Body Update #5 video, at around the 11:06 mark—the subtitles say “app”, while the narrator says what sounds like “ay pee pee”.

“app” used in the Mandarin version of the 2024 Governing Body Update #5 video

(By the way, note that in this screenshot, the JW Library app is shown in Dark Mode—afters many years of people being used to using computer displays with white backgrounds that mimick paper, the organization is showing that there is nothing objectionable about the dark or black backgrounds enabled by computing device displays, backgrounds which can be easier on the eyes in some situations. After all, the default mode of the universe that Jehovah created is dark mode!)

An Unexpected Pronunciation

Yes, interestingly, as we can hear from the aforementioned video, when one refers to the JW Library app in Mandarin, in addition to using the English app name “JW Library” instead of a corresponding native Mandarin expression, one spells out the letters of “app” instead of just saying the English word “app”.

Why use three syllables to pronounce this exceedingly simple one-syllable English word in such an unusual and unexpected way? An Internet search turned up a Quora page discussing this question, which page contains the following excerpt that seems to summarize the points made in many of the replies:

Since the the original form “application” is not widely known, app is thought to be an acronym. In the aspect of pronunciation, closed syllables ending with p do not meet the Chinese pronunciation habit.

So, in other words, some believe that:

  • Being unfamiliar with the English word “application” that “app” is an abbreviation for, many Mandarin-speaking people erroneously thought that “app” is an acronym/initialism like “USA” or “PRC”, and acronyms are pronounced by saying the names of the letters in them. [2024-08-21: Thanks to reader SB for bringing up the matter of acronyms vs. initialisms. It seems that there is agreement that initialisms are, or can be, pronounced letter by letter, like “USA” and the Mandarin “app” are. However, there is not agreement about whether expressions pronounced that way count as acronyms, since some hold that only expressions like “NASA” that are pronounced as words should be considered acronyms.]
    • The fact that the Mandarin “app” is sometimes written in all upper case letters as “APP”, like an acronym/initialism would be written, lends credence to this theory.
  • Because Mandarin does not have words that end with a “p” sound, people who have only ever spoken Mandarin are not used to saying such words, and thus were naturally inclined to not just pronounce “app” like it is pronounced in English.
    • Some drag Chinese characters and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) into discussion of this question, but these writing systems are just secondary visual representations of the actual primary factor relating to this issue, which is the system of sounds used in Mandarin speech. (I believe that technically, this is referred to as Mandarin phonology.)
    • Personally, I have doubts about this proposed factor, since other one-syllable English words ending with a “p” sound, like “jeep” (“jípǔ (jeep 吉普)”) and “Trump” (“Tèlǎngpǔ (Trump 特朗普)/Chuānpǔ (Trump (Tw) 川普)”), have been borrowed by Mandarin without requiring Mandarin-speakers to spell out their letters. I suppose it’s possible, as some have said, that putting “app” through this process results in a Mandarin expression that sounds confusingly similar to other expressions.

It’s also interesting that “app”, with its spelled-out letters, is used in Mandarin to correspond with the English word “app”, including in official media published by the organization, even though a native Mandarin expression meaning “app” does indeed exist. As shown in dictionaries, “yìngyòng (yìng·yòng apply · use | applied · used [(instance/etc.)] [→ [applied; for practical application; practical | application; practical use | (computing) app]] 应用 應用) may be used to mean “app”, and just as “app” is short for “application”, “yìngyòng (yìng·yòng apply · use | applied · used [(instance/etc.)] [→ [applied; for practical application; practical | application; practical use | (computing) app]] 应用 應用) is short for “yìngyòng chéngxù ((yìng·yòng applied · used (instance) → [application] 应用 應用) (chéng·xù {journey → [procedure]} · order; sequence → [(computer) programme] 程序) [application programme]) (or “yìngyòng chéngshì ((yìng·yòng applied · used (instance) → [application] 应用 應用) (chéng·shì {journey → [procedure]} · pattern → [(computer) programme (Tw)] 程式) [application programme (Tw)]) in Taiwan).

“Resistance Is Futile”

While Chinese traditionalists may futilely carry on about keeping Chinese culture “pure”, the common use of “app” in Mandarin is yet another example of Chinese culture naturally being influenced by Western culture, since the phenomenon of the modern mobile app followed on from the Western invention of the iPhone. Regarding the influence of Western culture on Chinese people, I have also noticed that some Chinese people seem to consider it “cool” to sprinkle in some English words here and there when they are speaking Mandarin, Cantonese, etc., even when they know the corresponding native Mandarin, Cantonese, etc. expressions.

Speaking of “cool”, a recent Language Log blog post written by Victor Mair and entitled “The Englishization of Chinese enters a new phase” said the following about “cool”, and about our MEotW “app”:

He takes the well-known example of “cool” (I’ll summarize what he says here). Before the year 2000, if somebody mentioned in a praiseworthy way that something was “kù 酷”, which at that time literally meant “cruel; ruthless; brutal; oppressive; savage”, people would consider that he was mixing English “coo[l]” in his Chinese speech, because at that time English “cool” was still in the early stages of being absorbed into Chinese. Standard dictionaries listed only the negative, pejorative meanings of “kù 酷”; there was not a trace of the positive meaning of “neat; nifty” and so forth. However, with the passage of time and with more and more saying “coo[l]” in a positive, approbatory sense, it gradually became a Chinese word. Now, if you say that someone or something is “kù 酷” (i.e., “cool”), no one would think that you’re mixing English in your speech. The positive meanings “cool; neat; nifty” have now become the primary definitions for “kù 酷”.

…people are no longer feeling the need to syllabize, much less hanziize, English words. They just say them flat out, and nobody blinks an eye that they are English words in Chinese. They have already instantly become Chinese terms — at least in speech. Nobody has cared to figure out how they should be written in hanzi [Chinese characters]. Even if you write them, you write them with roman letters…the roman alphabet has become an integral part of the Chinese writing system

There are hundreds of such words in current Chinese discourse, and they are at diverse stages of absorption into Chinese, e.g., “app”, “logo”, and “Ptú P图” (lit. “P picture/image”).

Yes, along with the “JW Library” app name, “app” is yet another example of how English words and Latin alphabet letters—like those used in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)—are being incorporated into how people speak and write Mandarin Chinese “in the wild”, in the real world.

Anyway, as discussed in the 2024 Governing Body Update #5 video mentioned above, we stay neutral with regard to the world’s conflicts. While this obviously includes the world’s wars and political conflicts, in principle, this also applies to the world’s culture wars and its cultural conflicts and competitions. Our focus should be on how we can advance the interests of God’s Kingdom, and promote God’s righteous ways of doing things.—Matthew 6:33.

Categories
Culture Experiences History Technology

shūfǎ

shūfǎ (shū·fǎ writing · methods; ways → [calligraphy; penmanship] 书法 書法) ← Tap/click to show/hide the “flashcard”

Many know “shū (write | writing [→ [book | letter | document | style of calligraphy; script]]) as the Mandarin word for “book”, but it actually has an old meaning of “write”. From “write” is derived “writing”, and from that, it’s easy to see how “shū (write | writing [→ [book | letter | document | style of calligraphy; script]]) has come to have its modern meanings of “book”, “letter”, and “document”. For example, “shūxiě (shū·xiě write | writing 书写 書寫) means “write” or “writing”, “Yǐsàiyàshū (Yǐsàiyà·shū Isaiah · {Writing → [Book]} 以赛亚书 以賽亞書) is the Book of Isaiah, and a “qíngshū (qíng·shū {feelings; affection; emotion → [love]} · {writing → [letter]} 情书 情書) is a love letter. Yet another effective meaning of “shū (write | writing [→ [book | letter | document | style of calligraphy; script]])”, that can be derived from its meaning of “writing”, is “style of calligraphy”, or “script”.

The “fǎ (law | method; way; mode | standard; model | {magic arts} | {follow; model after} 法) in “fāngfǎ (fāng·fǎ direction · method 方法) can mean “methods; ways”, and when it’s combined with “shū (write | writing [→ [book | letter | document | style of calligraphy; script]])”, we get this week’s MEotW, “shūfǎ (shū·fǎ writing · methods; ways → [calligraphy; penmanship] 书法 書法)”. This expression literally means “writing methods/ways”, and it is used to effectively mean “calligraphy”.

Eastern and Western Calligraphy

Calligraphy that involves the artistic writing of Chinese characters, as practised in Asian cultures, is well-known and highly esteemed. However, does calligraphy only exist in Asian cultures? Are beauty, artistry, and craftsmanship the exclusive province of Chinese characters? Is Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) only able to be cold, efficient, and artless, since it lacks the arguably self-indulgently complex visual designs of Chinese characters? No, no, and no! The fact is that there is a long history—and yes, tradition—of calligraphy involving the Latin alphabet, the alphabet that was deliberately chosen for Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) by the Chinese team that developed it.

This reminds us that while the Latin alphabet used by Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) may have originated outside of China, its adoption for use in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) for writing Mandarin Chinese makes it part of Chinese culture. As the article “Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Is a Good, Workable Writing System on Its Own” puts it:

While Pīnyīn uses the Latin alphabet, it does so because the Chinese developers of Pīnyīn of their own free will purposely chose to base it on this international alphabet (it’s not just the English alphabet) so that users of Pīnyīn would benefit from its familiarity. This Chinese design decision has caused the international Latin alphabet to be adopted as part of Chinese culture. As Zhōu Ēnlái (the first Premier of the People’s Republic of China) said, ‘When we adopt the Latin alphabet, in which we make necessary adjustments to suit the needs of the Chinese language, it becomes the phonetic alphabet of our language and is no longer the alphabet of ancient Latin, still less the alphabet of any foreign country.’

So, since Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) has both Eastern and Western aspects, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) calligraphy would be both Eastern and Western calligraphy.

Calligraphy and Computer Fonts

In the modern world of computing, handwritten calligraphy has been augmented by computer fonts, which enable the billions of users of desktop and laptop computers and mobile devices to enjoy and benefit from the work of artists and designers who work with text and typography.

Incidentally, some of you may have noticed that there are way fewer fonts available for Chinese characters, compared to the overflowing cornucopia of fonts available for the Latin alphabet. This is undoubtedly yet another negative consequence of the simple fact that there are literally thousands of characters in common use that would have to be supported by any font for Chinese characters that’s intended to be usable in daily life, never mind the tens of thousands of Chinese characters that exist in total.

An interesting thing that some may not know is that calligraphy influenced the development of modern computer font design and technology. Steve Jobs, one of the founders of Apple, maker of the iPhone, the iPad, the Macintosh personal computer, etc., said the following in the Stanford Commencement address that he gave in 2005:

Much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

Time-Lapse Videos of Calligraphed MEotWs

Another way in which modern computing has augmented handwritten calligraphy is by supplying new tools for this ancient craft. A while ago, I acquired the app Procreate for my iPad, and more recently, I also bought an Apple Pencil on sale. As time allows, I hope to be able to put my old hobby of calligraphy to use, and use Procreate to create time-lapse videos, like the one near the beginning of this post, of certain MEotWs being hand-calligraphed. Hopefully these amateur efforts of mine will add a little artistry and craftsmanship for readers of this blog to enjoy.

The Truly Precious Things of All the Nations

The calligraphy produced of Chinese characters is a major aspect of what some fear would be lost if the hypothetical total replacement of characters with something as “mundane” as an alphabet were ever to take place. However, first of all, with how proud and stubborn worldly Chinese people are when it comes to their precious characters, there is little likelihood of that actually happening in the little time that this old system has left. (There’s probably just about as much likelihood that all the Catholics or all the Buddhists will come into the truth before the end comes!) As the MEotW post on “Yànwén (Yàn·wén {Proverb (Korean: Vernacular)} · Writing → [Hangul/Hankul (modern Korean writing system)] 谚文 諺文) (the modern Korean writing system) said:

If Hangul took hundreds of years to become the dominant writing system in Korea, even with the added nationalistic motivation of it having been invented in Korea to be used instead of the characters invented in China, then Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) could take even longer to become the dominant writing system for Mandarin, if it ever does, and if this old system were hypothetically allowed to last that long—the supporters of invented-in-China Chinese characters are even more proudly and stubbornly resistant to the idea of changing away from Chinese characters in China itself.

At this rate, the current government of China, as long as it lasts, will probably never explicitly officially approve of using Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a full writing system for Mandarin in China, even if it’s just as an alternative to the characters instead of as a total replacement for them. Even if it actually wanted to do so, even this government would hesitate to approve of something like this that would probably be opposed by many of the people of China. (As a historic comparison, in 1977, the PRC promulgated a second round of simplified Chinese characters, but this was rescinded in 1986 following widespread opposition.)

The existence of much calligraphy based on the Latin alphabet that is used by Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and many other writing systems reminds us that art and beauty do exist apart from Chinese characters. As for the precious things of China and Chinese culture, while humans may point to Chinese characters and the calligraphy based on them, what is truly precious about China in Jehovah God’s eyes? This quote from the September 2021 issue of The Watchtower reveals the answer as it discusses Haggai 2:7–9:

He tells us that as a result of the shaking, “the precious things [honesthearted people] of all the nations will come” to worship Jehovah.

Yes, to Jehovah God, the truly precious things of China are the honesthearted people in it, not the cultural products of any part of this old world that is passing away.—1 John 2:15–17.

While culture can definitely influence the people that are exposed to it, ultimately, people don’t come from culture. Rather, culture comes from people. So, let us focus on helping to save honesthearted Chinese people, not on trying to save the old world’s Chinese culture. Then, we will be able to enjoy the beautiful cultural products that these people will produce for eternity, as they live forever in paradise in God’s new system. Those cultural products will greatly surpass anything ever produced by this old world’s Chinese culture in its relatively brief (compared to eternity) and troubled existence, as the Chinese people who are able to live in the new system join the rest of God’s universal family in being “taught by Jehovah”. (Isaiah 54:13) As Haggai 2:9 says, “the future glory…will be greater than the former”.

Categories
Culture Current Events Language Learning

xiǎnyǎn bāo

xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) [attention-seeker; goofball; one who stands out from the crowd to get attention]) ← Tap/click to show/hide the “flashcard”

With 2023 having just recently receded into history, it’s a good time to check out collections of some of the top Mandarin slang expressions used during 2023. A couple of articles that I found that discuss some of these expressions are:

The only expression that appears on both of these lists is “xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) [attention-seeker; goofball; one who stands out from the crowd to get attention])”, this week’s MEotW.

Its Constituent Morphemes

The first morpheme in this expression is “xiǎn (appear; show; display; manifest; {[is] obvious; evident; clear; apparent; noticeable [→ [[is] illustrious; powerful; influential]}顯/顕)”, which here means “appears; shows; displays; manifests; [is] obvious/evident/clear/apparent/noticeable (to)”. Some other expressions that include this morpheme are:

  • míngxiǎn (míng·xiǎn {[is] clear; distinct} · {[is] obvious; evident; clear; apparent; noticeable} → [[is] clear; obvious; evident; distinct; manifest] 明显 明顯)
  • xiǎnrán (xiǎn·rán {[is] evident; obvious; clear}·ly 显然 顯然)
  • xiǎnshì (xiǎn·shì {to be evident/obvious} · show 显示 顯示)

When “xiǎn (appear; show; display; manifest; {[is] obvious; evident; clear; apparent; noticeable [→ [[is] illustrious; powerful; influential]}顯/顕) is put together with “yǎn (eye 眼)”, which means “eye”, the resulting expression “xiǎnyǎn (xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) effectively means “conspicuous; showy; eye-catching; glamorous”.

The last morpheme of this expression, “bāo (wrapping [→ [including; containing | assuring; guaranteeing | bundle; package; pack; packet; parcel | bag; sack | bun (food)]] 包)”, literally means “to wrap”, but one of its effective meanings is “bun”, that is, a bun that’s food, as opposed to, say, a hair bun. Some other expressions that include this morpheme are:

  • bāokuò (bāo·kuò wrap · {draw together} → [include; consist of; comprise; incorporate] 包括)
  • miànbāo (miàn·bāo {[wheat] flour} · {wrapping [→ [bun]]} → [bread] 面包 麵包)
  • bāozi (bāo·zi {wrapping → [bun]} · [suf for nouns] [steamed stuffed bun] 包子)

It’s evident that “bāo (wrapping [→ [including; containing | assuring; guaranteeing | bundle; package; pack; packet; parcel | bag; sack | bun (food)]] 包)”, with its meaning of “bun”, is used as a term of endearment in “xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) [attention-seeker; goofball; one who stands out from the crowd to get attention]).

As a Whole

What are the constituent morphemes of “xiǎnyǎn bāo ((xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) (bāo wrapping → [bun (food)] 包) [attention-seeker; goofball; one who stands out from the crowd to get attention]) being used to mean when they’re put together in this expression? The article in The World of Chinese that’s mentioned above says:

One type of dazi [shallow friend] many prefer these days is the 显眼包 (xiǎnyǎnbāo), or goofball. The term refers to people who stand out from the crowd and constantly seek attention. Although once considered a neutral term, it has gained a positive connotation recently, as many appreciate their vibrant energy in an often ultra-competitive society.

As for the article in Sixth Tone that’s mentioned above, it says this regarding this expression as a whole:

显眼包

Class Clown

Literally meaning “eye-catching,” 显眼包 (xiǎn yǎn bāo) and its variations appear in a number of Chinese dialects. The term became widespread online after Guo Beibei — a phenomenally popular internet celebrity who later lost her account for violating short video platform Kuaishou’s rules on “vulgar” content — began using it to describe herself. Now, it’s become a byword for attention-seekers, goofballs, and anyone who is willing to get weird for a like.

[Regarding the person mentioned in the above quote, I found an article about her on the website of The China Project. The article says that she has many fans who are homosexuals, although it does not mention whether she herself is homosexual. For what it’s worth, I remember that a sister who grew up in San Francisco (which famously has a significant homosexual population) once commented that she has observed that many homosexuals are quite self-centred. Perhaps that contributes to such ones liking standing out and getting attention.]

Good and Bad Ways to Stand Out

The world—which we know is ruled behind the scenes by Satan the Devil—has its celebrity culture, and it has an attention economy. (1 John 5:19) In contrast, in 1 Thessalonians 4:11, the apostle Paul gave Christians this advice:

Make it your aim to live quietly and to mind your own business

So, generally, Christians should not seek to stand out or get attention for themselves. Sometimes, though, true Christians naturally stand out because of being no part of Satan’s world, e.g., when avoiding celebrating holidays with pagan roots, or when refusing to participate in politics or war. More positively, in a world permeated by Satan’s spirit, Christians may also naturally stand out because of reflecting God’s spirit, applying God’s principles, and sticking to God’s standards. As Jesus, said, his true disciples should ‘let their light shine’.—Matthew 5:16.

Standing out because of not following human conventions and traditions is not necessarily a bad thing. Indeed, it’s sometimes necessary, and exactly the right thing to do, with Jesus himself setting the perfect example by his not following the traditions of the scribes and Pharisees of his day, which went beyond God’s requirements. However, actually going beyond God’s standards and requirements, as Satan, the demons, Adam and Eve, the Pharisees, and others who show a similar spirit have done, is indeed bad. So, it’s vitally important for us to cultivate the wisdom to be able to tell the difference.

Standing Out in the Mandarin Field

Comparing the two articles linked to above, I noticed that the The World of Chinese article renders Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) in a much better way than the Sixth Tone article does—the The World of Chinese article properly treats Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a separate, alternate full writing system with spaces between whole words rather than between every syllable, while the Sixth Tone article just treats Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) like a mere pronunciation aid for the characters. Still, in a Language Log blog post of his own, Prof. Victor H. Mair made the following interesting comment regarding the expressions presented in the Sixth Tone article:

Three of the ten items either feature roman letters or consist entirely of English. Remember what Mark Hansell said years ago about roman letters becoming a part of the Chinese writing system:

Mark Hansell, “The Sino-Alphabet: The Assimilation of Roman Letters into the Chinese Writing System,” Sino-Platonic Papers, 45 (May, 1994), 1-28 (pdf)

Roman letters certainly stand out among Chinese characters.

As for characters themselves, one of the possible meanings of “xiǎnyǎn (xiǎn·yǎn {appears; shows; displays; manifests; {[is] obvious; evident; clear; apparent; noticeable} (to)} · eye → [conspicuous; showy; eye-catching; glamorous] 显眼 顯/顕眼) is “glamorous”, and Chinese characters are considered glamorous by some. With their eye-catching visual designs, they are by nature—and probably by design—xiǎnyǎn (xiǎn·yǎn {noticeable (to)} · eye → [glamorous] 显眼 顯/顕眼), as are idols and images used in idolatrous worship.

In the Mandarin field, is it going too far to use Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) at times instead of always using characters? Is that being too xiǎnyǎn (xiǎn·yǎn {noticeable (to)} · eye → [conspicuous] 显眼 顯/顕眼) in a world where so many people use and promote characters? Should we just go along to get along? Well, as has been discussed on this blog and elsewhere, Chinese characters are from humans, not from God, and thus the traditions surrounding characters are no more binding on God’s true servants today than the traditions of the Pharisees were on Jesus, and I hope none of us would have told Jesus to “go along to get along”! (As I recall, the apostle Peter tried to tell Jesus something similar once, and Jesus, um, didn’t respond positively.) So, it is fine to take advantage of the practical benefits of Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) when you can to help you serve God more effectively, and to just use characters when you have to.