Tag: Latin Alphabet

Categories
Culture History Language Learning Names Technology

jiǎntǐ‐zì

jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體)‐zì (characters 字) 👈🏼 Tap/click to show/hide the “flashcard”

[This is a reposting of a post that was originally posted on December 7, 2020. I took the opportunity to flesh out the original post and this repost with additional material.]

For a long, long, long time, Chinese characters were just Chinese characters. Then, in 1956, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

On the matter of what simplified Chinese characters are called in Mandarin, Wikipedia provides this summary:

Simplified Chinese characters may be referred to by their official name above [(简化字; jiǎnhuàzì)[source]] or colloquially (简体字; jiǎntǐzì). In its broadest sense, the latter term refers to all characters that have undergone simplifications of character “structure” or “body”[source], some of which have existed for millennia alongside regular, more complicated forms. On the other hand, the official name refers to the modern systematically simplified character set, which (as stated by then-Chairman Mao Zedong in 1952) includes not only structural simplification but also substantial reduction in the total number of standardized Chinese characters.[source]

For reference, this is the term used on jw.org when referring to Mandarin written using simplified Chinese characters:

jw.org referring to Mandarin written using simplified Chinese characters

jw.org refers to simplified Chinese characters as “jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體)” characters.

The Great Simplified vs. Traditional Debate

While it seems obvious that simpler is generally better, there is actually much, much debate about the pros and cons of simplified characters vs. traditional characters, as discussed in these articles:

The following posts summarize how many feel about traditional and simplified characters:

Standards and Compromises

While the simplified characters themselves are indeed easier to learn and remember compared to the traditional characters, for many, they have become another set of characters in addition to the traditional characters that has to be learned and remembered. (There is, at least, some overlap between the two systems. Where do they overlap? That is yet more information that has to be learned and remembered…) And while simplified characters have been simplified, they are still characters, and characters are inherently extraordinarily complex and hard to learn and remember.

xkcd: Standards

Creative Commons Attribution-NonCommercial Licence logo Randall Munroe [source]

The simplified characters became a new standard that many have had to learn in addition to that of the traditional characters.

While Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is also a different system to be learned and remembered, it is in a whole different league compared to any system of Chinese characters when it comes to ease of learning and remembering. One of the scholars who helped create Hangul (or Hankul), the Korean alphabet, said of it: “The wise can learn it in one morning, and even the unwise can learn it in ten days.” Being also a phonetic alphabet, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) can be reasonably said to be in the same ballpark (with the added advantage that the Latin alphabet letters used in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) are already familiar to many people)—downright revolutionary compared to the years (decades?) required to learn even simplified characters.

Simplified characters are thus a compromise that mainland China, Singapore, etc. have settled on—simpler than traditional characters, but perhaps thus not as good at being characters. Meanwhile, they are still characters, still having many of the complexities and vagaries of characters. They fall short of the fundamental reform envisioned by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article), Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) (Wikipedia article), and others, that would have involved eventually moving on from any kind of characters to alphabetic writing.

Letter from Máo Zédōng endorsing a transition from Chinese characters to alphabetic writing

A letter written by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) endorsing “a basic reform” involving a transition from Chinese characters to alphabetic writing1

 

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. ii. ^

Categories
Culture Current Events History Science Technology Theocratic

app

app (a-p-p)

This week’s MEotW, “app” (sometimes written as “APP”), is now the organization’s official way to translate “app” in Mandarin, as much as there is an official way to do so. For example, it’s used in the Mandarin version of the 2024 Governing Body Update #5 video, at around the 11:06 mark—the subtitles say “app”, while the narrator says what sounds like “ay pee pee”.

“app” used in the Mandarin version of the 2024 Governing Body Update #5 video

(By the way, note that in this screenshot, the JW Library app is shown in Dark Mode—afters many years of people being used to using computer displays with white backgrounds that mimick paper, the organization is showing that there is nothing objectionable about the dark or black backgrounds enabled by computing device displays, backgrounds which can be easier on the eyes in some situations. After all, the default mode of the universe that Jehovah created is dark mode!)

An Unexpected Pronunciation

Yes, interestingly, as we can hear from the aforementioned video, when one refers to the JW Library app in Mandarin, in addition to using the English app name “JW Library” instead of a corresponding native Mandarin expression, one spells out the letters of “app” instead of just saying the English word “app”.

Why use three syllables to pronounce this exceedingly simple one-syllable English word in such an unusual and unexpected way? An Internet search turned up a Quora page discussing this question, which page contains the following excerpt that seems to summarize the points made in many of the replies:

Since the the original form “application” is not widely known, app is thought to be an acronym. In the aspect of pronunciation, closed syllables ending with p do not meet the Chinese pronunciation habit.

So, in other words, some believe that:

  • Being unfamiliar with the English word “application” that “app” is an abbreviation for, many Mandarin-speaking people erroneously thought that “app” is an acronym/initialism like “USA” or “PRC”, and acronyms are pronounced by saying the names of the letters in them. [2024-08-21: Thanks to reader SB for bringing up the matter of acronyms vs. initialisms. It seems that there is agreement that initialisms are, or can be, pronounced letter by letter, like “USA” and the Mandarin “app” are. However, there is not agreement about whether expressions pronounced that way count as acronyms, since some hold that only expressions like “NASA” that are pronounced as words should be considered acronyms.]
    • The fact that the Mandarin “app” is sometimes written in all upper case letters as “APP”, like an acronym/initialism would be written, lends credence to this theory.
  • Because Mandarin does not have words that end with a “p” sound, people who have only ever spoken Mandarin are not used to saying such words, and thus were naturally inclined to not just pronounce “app” like it is pronounced in English.
    • Some drag Chinese characters and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) into discussion of this question, but these writing systems are just secondary visual representations of the actual primary factor relating to this issue, which is the system of sounds used in Mandarin speech. (I believe that technically, this is referred to as Mandarin phonology.)
    • Personally, I have doubts about this proposed factor, since other one-syllable English words ending with a “p” sound, like “jeep” (“jípǔ (jeep 吉普)”) and “Trump” (“Tèlǎngpǔ (Trump 特朗普)/Chuānpǔ (Trump (Tw) 川普)”), have been borrowed by Mandarin without requiring Mandarin-speakers to spell out their letters. I suppose it’s possible, as some have said, that putting “app” through this process results in a Mandarin expression that sounds confusingly similar to other expressions.

It’s also interesting that “app”, with its spelled-out letters, is used in Mandarin to correspond with the English word “app”, including in official media published by the organization, even though a native Mandarin expression meaning “app” does indeed exist. As shown in dictionaries, “yìngyòng (yìng·yòng apply · use | applied · used [(instance/etc.)] [→ [applied; for practical application; practical | application; practical use | (computing) app]] 应用 應用)” may be used to mean “app”, and just as “app” is short for “application”, “yìngyòng (yìng·yòng apply · use | applied · used [(instance/etc.)] [→ [applied; for practical application; practical | application; practical use | (computing) app]] 应用 應用)” is short for “yìngyòng chéngxù ((yìng·yòng applied · used (instance) → [application] 应用 應用) (chéng·xù {journey → [procedure]} · order; sequence → [(computer) programme] 程序) → [application programme])” (or “yìngyòng chéngshì ((yìng·yòng applied · used (instance) → [application] 应用 應用) (chéng·shì {journey → [procedure]} · pattern → [(computer) programme (Tw)] 程式) → [application programme (Tw)])” in Taiwan).

“Resistance Is Futile”

While Chinese traditionalists may futilely carry on about keeping Chinese culture “pure”, the common use of “app” in Mandarin is yet another example of Chinese culture naturally being influenced by Western culture, since the phenomenon of the modern mobile app followed on from the Western invention of the iPhone. Regarding the influence of Western culture on Chinese people, I have also noticed that some Chinese people seem to consider it “cool” to sprinkle in some English words here and there when they are speaking Mandarin, Cantonese, etc., even when they know the corresponding native Mandarin, Cantonese, etc. expressions.

Speaking of “cool”, a recent Language Log blog post written by Victor Mair and entitled “The Englishization of Chinese enters a new phase” said the following about “cool”, and about our MEotW “app”:

He takes the well-known example of “cool” (I’ll summarize what he says here). Before the year 2000, if somebody mentioned in a praiseworthy way that something was “kù 酷”, which at that time literally meant “cruel; ruthless; brutal; oppressive; savage”, people would consider that he was mixing English “coo[l]” in his Chinese speech, because at that time English “cool” was still in the early stages of being absorbed into Chinese. Standard dictionaries listed only the negative, pejorative meanings of “kù 酷”; there was not a trace of the positive meaning of “neat; nifty” and so forth. However, with the passage of time and with more and more saying “coo[l]” in a positive, approbatory sense, it gradually became a Chinese word. Now, if you say that someone or something is “kù 酷” (i.e., “cool”), no one would think that you’re mixing English in your speech. The positive meanings “cool; neat; nifty” have now become the primary definitions for “kù 酷”.

…people are no longer feeling the need to syllabize, much less hanziize, English words. They just say them flat out, and nobody blinks an eye that they are English words in Chinese. They have already instantly become Chinese terms — at least in speech. Nobody has cared to figure out how they should be written in hanzi [Chinese characters]. Even if you write them, you write them with roman letters…the roman alphabet has become an integral part of the Chinese writing system

…

There are hundreds of such words in current Chinese discourse, and they are at diverse stages of absorption into Chinese, e.g., “app”, “logo”, and “Ptú P图” (lit. “P picture/image”).

Yes, along with the “JW Library” app name, “app” is yet another example of how English words and Latin alphabet letters—like those used in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)—are being incorporated into how people speak and write Mandarin Chinese “in the wild”, in the real world.

Anyway, as discussed in the 2024 Governing Body Update #5 video mentioned above, we stay neutral with regard to the world’s conflicts. While this obviously includes the world’s wars and political conflicts, in principle, this also applies to the world’s culture wars and its cultural conflicts and competitions. Our focus should be on how we can advance the interests of God’s Kingdom, and promote God’s righteous ways of doing things.—Matthew 6:33.

Categories
Culture Experiences History Technology

shūfǎ

shūfǎ (shū·fǎ writing · methods; ways → [calligraphy; penmanship] 书法 書法) ← Tap/click to show/hide the “flashcard”

Many know “shū (write | writing [→ [book | letter | document | style of calligraphy; script]] 书 書)” as the Mandarin word for “book”, but it actually has an old meaning of “write”. From “write” is derived “writing”, and from that, it’s easy to see how “shū (write | writing [→ [book | letter | document | style of calligraphy; script]] 书 書)” has come to have its modern meanings of “book”, “letter”, and “document”. For example, “shūxiě (shū·xiě write | writing 书写 書寫)” means “write” or “writing”, “Yǐsàiyàshū (Yǐsàiyà·shū Isaiah · {Writing → [Book]} 以赛亚书 以賽亞書)” is the Book of Isaiah, and a “qíngshū (qíng·shū {feelings; affection; emotion → [love]} · {writing → [letter]} 情书 情書)” is a love letter. Yet another effective meaning of “shū (write | writing [→ [book | letter | document | style of calligraphy; script]] 书 書)”, that can be derived from its meaning of “writing”, is “style of calligraphy”, or “script”.

The “fǎ (law | method; way; mode | standard; model | {magic arts} | {follow; model after} 法)” in “fāngfǎ (fāng·fǎ direction · method 方法)” can mean “methods; ways”, and when it’s combined with “shū (write | writing [→ [book | letter | document | style of calligraphy; script]] 书 書)”, we get this week’s MEotW, “shūfǎ (shū·fǎ writing · methods; ways → [calligraphy; penmanship] 书法 書法)”. This expression literally means “writing methods/ways”, and it is used to effectively mean “calligraphy”.

Eastern and Western Calligraphy

Calligraphy that involves the artistic writing of Chinese characters, as practised in Asian cultures, is well-known and highly esteemed. However, does calligraphy only exist in Asian cultures? Are beauty, artistry, and craftsmanship the exclusive province of Chinese characters? Is Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) only able to be cold, efficient, and artless, since it lacks the arguably self-indulgently complex visual designs of Chinese characters? No, no, and no! The fact is that there is a long history—and yes, tradition—of calligraphy involving the Latin alphabet, the alphabet that was deliberately chosen for Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) by the Chinese team that developed it.

This reminds us that while the Latin alphabet used by Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) may have originated outside of China, its adoption for use in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) for writing Mandarin Chinese makes it part of Chinese culture. As the article “Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Is a Good, Workable Writing System on Its Own” puts it:

While Pīnyīn uses the Latin alphabet, it does so because the Chinese developers of Pīnyīn of their own free will purposely chose to base it on this international alphabet (it’s not just the English alphabet) so that users of Pīnyīn would benefit from its familiarity. This Chinese design decision has caused the international Latin alphabet to be adopted as part of Chinese culture. As Zhōu Ēnlái (the first Premier of the People’s Republic of China) said, ‘When we adopt the Latin alphabet, in which we make necessary adjustments to suit the needs of the Chinese language, it becomes the phonetic alphabet of our language and is no longer the alphabet of ancient Latin, still less the alphabet of any foreign country.’

So, since Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) has both Eastern and Western aspects, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) calligraphy would be both Eastern and Western calligraphy.

Calligraphy and Computer Fonts

In the modern world of computing, handwritten calligraphy has been augmented by computer fonts, which enable the billions of users of desktop and laptop computers and mobile devices to enjoy and benefit from the work of artists and designers who work with text and typography.

Incidentally, some of you may have noticed that there are way fewer fonts available for Chinese characters, compared to the overflowing cornucopia of fonts available for the Latin alphabet. This is undoubtedly yet another negative consequence of the simple fact that there are literally thousands of characters in common use that would have to be supported by any font for Chinese characters that’s intended to be usable in daily life, never mind the tens of thousands of Chinese characters that exist in total.

An interesting thing that some may not know is that calligraphy influenced the development of modern computer font design and technology. Steve Jobs, one of the founders of Apple, maker of the iPhone, the iPad, the Macintosh personal computer, etc., said the following in the Stanford Commencement address that he gave in 2005:

Much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

Time-Lapse Videos of Calligraphed MEotWs

Another way in which modern computing has augmented handwritten calligraphy is by supplying new tools for this ancient craft. A while ago, I acquired the app Procreate for my iPad, and more recently, I also bought an Apple Pencil on sale. As time allows, I hope to be able to put my old hobby of calligraphy to use, and use Procreate to create time-lapse videos, like the one near the beginning of this post, of certain MEotWs being hand-calligraphed. Hopefully these amateur efforts of mine will add a little artistry and craftsmanship for readers of this blog to enjoy.

The Truly Precious Things of All the Nations

The calligraphy produced of Chinese characters is a major aspect of what some fear would be lost if the hypothetical total replacement of characters with something as “mundane” as an alphabet were ever to take place. However, first of all, with how proud and stubborn worldly Chinese people are when it comes to their precious characters, there is little likelihood of that actually happening in the little time that this old system has left. (There’s probably just about as much likelihood that all the Catholics or all the Buddhists will come into the truth before the end comes!) As the MEotW post on “Yànwén (Yàn·wén {Proverb (Korean: Vernacular)} · Writing → [Hangul/Hankul (modern Korean writing system)] 谚文 諺文)” (the modern Korean writing system) said:

If Hangul took hundreds of years to become the dominant writing system in Korea, even with the added nationalistic motivation of it having been invented in Korea to be used instead of the characters invented in China, then Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) could take even longer to become the dominant writing system for Mandarin, if it ever does, and if this old system were hypothetically allowed to last that long—the supporters of invented-in-China Chinese characters are even more proudly and stubbornly resistant to the idea of changing away from Chinese characters in China itself.

At this rate, the current government of China, as long as it lasts, will probably never explicitly officially approve of using Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a full writing system for Mandarin in China, even if it’s just as an alternative to the characters instead of as a total replacement for them. Even if it actually wanted to do so, even this government would hesitate to approve of something like this that would probably be opposed by many of the people of China. (As a historic comparison, in 1977, the PRC promulgated a second round of simplified Chinese characters, but this was rescinded in 1986 following widespread opposition.)

The existence of much calligraphy based on the Latin alphabet that is used by Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and many other writing systems reminds us that art and beauty do exist apart from Chinese characters. As for the precious things of China and Chinese culture, while humans may point to Chinese characters and the calligraphy based on them, what is truly precious about China in Jehovah God’s eyes? This quote from the September 2021 issue of The Watchtower reveals the answer as it discusses Haggai 2:7–9:

He tells us that as a result of the shaking, “the precious things [honesthearted people] of all the nations will come” to worship Jehovah.

Yes, to Jehovah God, the truly precious things of China are the honesthearted people in it, not the cultural products of any part of this old world that is passing away.—1 John 2:15–17.

While culture can definitely influence the people that are exposed to it, ultimately, people don’t come from culture. Rather, culture comes from people. So, let us focus on helping to save honesthearted Chinese people, not on trying to save the old world’s Chinese culture. Then, we will be able to enjoy the beautiful cultural products that these people will produce for eternity, as they live forever in paradise in God’s new system. Those cultural products will greatly surpass anything ever produced by this old world’s Chinese culture in its relatively brief (compared to eternity) and troubled existence, as the Chinese people who are able to live in the new system join the rest of God’s universal family in being “taught by Jehovah”. (Isaiah 54:13) As Haggai 2:9 says, “the future glory…will be greater than the former”.