Tag: Music

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Culture Language Learning Science Technology Theocratic

cì’ěr

cì’ěr (cì’·ěr {stabs; pricks → [irritates; pierces]} · ear → [grating on the ear; jarring; ear-piercing] 刺耳) ← Tap/click to show/hide the “flashcard”

I have long especially liked 1 Corinthians 13. It contains counsel on what really does and doesn’t matter in life, an extensive description and definition of the most important kind of love, and a sublime discussion about the need to become complete, mature, as a person. As these apply to life in general, so too do they apply to our lives as Mandarin field language learners.

As Mandarin field language learners, it can benefit us greatly to consider what we can learn from 1 Corinthians 13, and along the way, we can also consider some of the Mandarin expressions used in that chapter in the current version of the Mandarin New World Translation Bible (nwtsty).

“Clashing”

This week’s MEotW, “cì’ěr (cì’·ěr {stabs; pricks → [irritates; pierces]} · ear → [grating on the ear; jarring; ear-piercing] 刺耳)”, occurs in verse 1 (WOL, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus) of 1 Corinthians 13:

Screenshot of “cì’ěr” in 1 Co. 13:1 (nwtsty, CHS+_Pīnyīn_ WOL)

(Dark mode for the Watchtower ONLINE LIBRARY (WOL) website, as shown in the above image, can be enabled in the Safari web browser by using the Noir Safari extension.)

“Cì’ěr (Cì’·ěr {stabs; pricks → [irritates; pierces]} · ear → [grating on the ear; jarring; ear-piercing] 刺耳)” literally means “stabs ear”, and is used in the Mandarin New World Translation Bible’s rendering of 1 Corinthians 13:1 to translate the “clashing” in “clashing cymbal”. In this context, “cì’ěr (cì’·ěr {stabs; pricks → [irritates; pierces]} · ear → [grating on the ear; jarring; ear-piercing] 刺耳)” effectively means “grating on the ear; jarring; ear-piercing”.

Mandarin Field Need-Greater? Or Ear-Grater 😬?

First, let me establish that of course Jehovah and we who are in the Mandarin field deeply appreciate those who have been moved by love to come and try to learn Mandarin and help out in the Mandarin field. Given that, sometimes things do happen that can literally and figuratively grate on the ears of those who truly serve in this field out of love, and who have become acquainted with what good Mandarin sounds like.

The Tone Beast…

One time, a brother I know whose mother tongue is English gave a Mandarin talk during which so many of his tones were off that at times I was genuinely having trouble making out what words he was saying, even when I was listening closely. After that meeting, when I tried to kindly advise him that this was the case, he jokingly quipped something like ‘Well, at least I made you listen closely!’

Maybe this brother really did try his best, and maybe his reply was just an attempt to lighten the mood with some humour. He may also have felt safe using some humour because we know each other and generally get along fairly well. However, his words in this case might also be taken to show that he took his responsibility to give a good Mandarin talk a bit lightly. If so, things said with such a flippant attitude could grate on the ears of someone who views with appropriate seriousness the God-honouring and life-saving work that needs to be done in the Mandarin field.

It is true that especially for those whose mother tongue is, say, English, the tones can be one of the most difficult aspects of Mandarin for them to master, since that way of using pitch (how high or low a “note” is) is so different from how they use pitch in English. The sincere efforts of Mandarin field language learners in this regard are much appreciated!

…And How to Tame It

For those of us who are trying to learn Mandarin for the Mandarin field, it should help if we keep the following points in mind regarding Mandarin tones:

  • Tones are just as important to conveying meaning in Mandarin as vowels are to conveying meaning in English. In English, if someone says a wrong vowel, that person is not actually saying the word that person meant to say, and that person is not expressing the meaning that person meant to express. For example, there’s a world of difference between “I love you” and “I leave you”, even though it’s “only” the matter of a single vowel. Similarly, in Mandarin, if someone uses a wrong tone, that person is saying a whole different word from what that person meant to say, as shown by the classic example of “mā (ma; mom; mummy; mother 妈 媽)/má (hemp; flax; linen | (surname) | {[is] pocked; pockmarked; pitted; spotty} [→ [[is] rough; coarse]] | numbed; tingling | sesame 麻 麻/蔴)/mǎ (horse [(surname)] [→ [knight chess piece; horse piece in Chinese chess | [is] big; large]] 马 馬)/mà ({verally abuse}; curse; swear; {call names} [→ [condemn; rebuke; reprove; scold]] 骂 罵/駡)/ma ([? ptcl for “yes/no” questions] 吗 嗎)”.
  • In languages like English, we may change the pitch of what we are saying to do things like add emphasis, ask a question, etc. In Mandarin, though, as explained above, the tone of a syllable—which involves how pitch is used while saying it—is an essential part of how that syllable represents meaning. So, while in English the way we use pitch while saying a word may be negotiable based on how we want to emphasize it, etc., in Mandarin, tones are non-negotiable, like our stand on blood transfusions is non-negotiable. A first tone, for example, must always be recognizable as a first tone and must not be changed into a fourth tone or something, no matter how much we want to emphasize a Mandarin word with a first tone in it!
    • How can we add emphasis in Mandarin, then? Study 10 of the Teaching (th) brocure, entitled “Modulation”, tells us that ‘we can convey ideas clearly and stir emotion by varying our volume, pitch, and pace’. So, while the pitches of Mandarin tones are non-negotiable, we can still add emphasis in Mandarin by varying volume—by speaking softer or louder—and/or by varying pace—by speaking slower or faster.
  • Wrong tones can be really cì’ěr (cì’·ěr {stabbing → [irritating]} · ear → [grating on the ear] 刺耳) because, as mentioned above, tones are made of pitch, and when one speaks with wrong pitches, it’s a lot like singing off-key—very grating to the ears of those who know how the music of the language should sound! 🎵

With the above points in mind, do the following:

  • Practise recognizing the different tones and telling them apart when listening to Mandarin speech. This is especially important if you have just recently started to learn Mandarin, and are not used to what Mandarin tones sound like yet. Such practice is needed to gradually train your hearing. As it is with determining if a musical instrument is in tune or not, eventually, with focus and practice, recognizing Mandarin tones will become easier, even second nature.
    • As you get better at being able to recognize good Mandarin tones when you hear them, that will in turn help you to make sure you speak with good Mandarin tones. Speaking of which…
  • Practise speaking with correct Mandarin tones. This is also especially important if you have just recently started to learn Mandarin, and are not used to speaking with Mandarin tones yet. Such practice is needed to gradually train your body’s system for producing speech. Beware: If you let yourself get into bad habits early on involving the tones, then you’ll have to walk a long, hard road to get rid of these bad habits later. As it is with playing a musical instrument well, eventually, with focus, study, and practice, speaking with correct Mandarin tones will become easier, even second nature. 🎸

The Cantonese Twist

As discussed in the MEotW post on “fāngyán (fāng·yán {direction → [place]} · speech → [topolect; dialect (common but misleading translation)] 方言)”, to those who know Mandarin well, Cantonese that is twisted to try to make it sound like Mandarin sounds awful:

Well, as someone who along with many others has come to the Mandarin field from the Cantonese field, I have had the dubious pleasure of observing how some have tried to speak Mandarin by just taking the Cantonese they knew and twisting it a little, since they were relying on the conventional wisdom that Mandarin and Cantonese are just different dialects of the same language. As well-meaning as they may have been, the results were often just as bad as when someone sings badly off-key, or as Star Trek fans may say, they often sounded like the language equivalent of a transporter accident 🙀. Even after decades in the Mandarin field, some publishers who had come over from the Cantonese field still say some Mandarin words with Cantonese-y pronunciations.

Any Cantonese-speakers who help out in the Mandarin field are very much appreciated, but it would be good for everyone involved if they realized that, contrary to worldly political propaganda, Mandarin and Cantonese are not just different dialects of the same Chinese language. Rather, as linguists recognize, Mandarin and Cantonese, being mutually unintelligible, are really different languages, like French and English are different languages. So, we should all understand and expect that as different languages, Mandarin and Cantonese have different phonologies. That is, they basically sound different, not just like slightly twisted versions of each other. Some, in fact, have compared how different Mandarin and Cantonese sound to how different chickens and ducks sound.

Avoiding Being “a Clashing Cymbal”

If I speak in the tongues of men and of angels but do not have love, I have become a clanging gong or a clashing cymbal.
—1 Corinthians 13:1.

Chinese people are known for being very appreciative of Westerners who try to speak Mandarin or one of the other Chinese languages, and for often praising the spoken results of such efforts as being much better than they actually are. Beginning Chinese language learners especially are often given lots of leeway when it comes to how they sound.

After a few years or even decades, though, does our Mandarin speech, for example, still sound not much better than it did when we started learning Mandarin? Some have observed that those who focus on Chinese characters and pay relatively little attention to Mandarin speech often—unsurprisingly—don’t speak Mandarin very well. Some may say that their focusing on Chinese characters shows their love for Chinese culture, but is it not more important for Christians especially to show love for Chinese people by learning to actually understand what they say and learning to speak to them understandably? And as Witnesses of Jehovah, is it not more important to show love for Jehovah by being able to speak clearly, understandably, and movingly in Mandarin about him and the good news of his Kingdom?

While a lot of leeway is rightly given to beginning Mandarin language leaners, one not progressing after learning Mandarin for a long time might in some cases give at least the impression of a lack of caring, a lack of love on the part of that one. (Hebrews 5:12) As humans, we can often tell if something has not been made, done, or said lovingly, with care, for example, if not much attention to “details” like tones is evident. On the other hand, even if some music is performed or something is said in a way that may show only a modest amount of skill or talent, but that does show a lot of love, people often appreciate that more than if one is displaying great skill or talent, but is only doing so to show off or something. Such a one would indeed seem like “a clanging gong or a clashing cymbal”, or, as the Mandarin NWT Bible says, a “chǎonào ({(disturbing by) making noise} 吵闹 吵鬧) de (’s 的) luó (gong 锣 鑼), cì’ěr (cì’·ěr {stabbing → [irritating]} · ear → [grating on the ear] 刺耳) de (’s 的) bó (cymbal 钹 鈸)”.—1 Corinthians 13:1 (English, Mandarin).

Categories
Culture History

kǎlā’OK

kǎlā’OK (karaoke 卡拉OK) ← Tap/click to show/hide the “flashcard”

The selection of this week’s MEotW, “kǎlā’OK (karaoke 卡拉OK)”, was inspired by a Twitter thread of epic linguistic and etymological nerdery that I recently came across, which begins with this tweet:

Here are some of the tweets in this thread, which summarize how “kǎlā’OK (karaoke 卡拉OK)” became a word in Mandarin:

Borrowed Culture

In addition to “kǎlā’OK (karaoke 卡拉OK)”, another Mandarin word which borrowed from Japanese culture, which borrowed from Western culture, is “wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] | {(with) writing} · transformed → [cultural] 文化)”, the Mandarin word for culture itself. As the MEotW post about that word says:

To translate the Western concept of culture, the Japanese coined the word bunka, which is written 文化 (see Liu, Zhengtan et al. 1984, s.v. wenhua). The Chinese imported this character combination from Japan and pronounced it according to the rules of their own language: wénhuà.
—“Two Steps Toward Digraphia in China”, by Xieyan Hincha

So, people going on about “pure” Chinese culture are ignorant or in denial about the reality of how other cultures have influenced Chinese culture, and about what a great, enriching thing that can be. Anyone who has been in a group or congregation with people predominantly from a single cultural background, and who has also had the pleasure of being in a group or congregation with people from a variety of cultural backgrounds, has had the opportunity to see how the atmosphere of the latter situation can be a breath of fresh air compared to the relatively narrow—and potentially narrow-minded—cultural worldview that is sometimes allowed to be present in the former situation. Some parts of the world too are starting to realize the advantages of considering various cultural inputs, compared to trying to be productive or creative in a monocultural bubble.

Indeed, the proud “not invented here” logic of Chinese cultural purists who would, for example, reject Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) because it uses letters from the Latin alphabet would also require us to reject things like European-style punctuation, Arabic numerals, and kǎlā’OK (karaoke 卡拉OK) because of their foreign-to-China origins. But, Chinese culture without kǎlā’OK (karaoke 卡拉OK)? How dreary! Next, they’ll be wanting us to do long division using Chinese characters—十一, 九十九, 一千八百三十六, …—instead of Arabic numbers, and they’ll be wanting us to read and decipher Chinese writings the old-fashioned way, without the “crutch” of those decadent European punctuation marks! 😱

(Of course, with kǎlā’OK (karaoke 卡拉OK), as with anything that may involve worldly culture and music—which can possibly include some bad things along with the good things—Christians must be selective, exercising good spiritual judgement and following their Bible-trained consciences.)

As members of the international brotherhood of Jehovah’s people, and as ones “taught by Jehovah” himself, we need not be content with, let alone proud of, a particular way of doing things prescribed by human, worldly Chinese cultural tradition.—1 Peter 5:9; Isaiah 54:13; 1 Corinthians 1:31; 1 John 2:17; Mark 7:1–13.

Categories
Culture Theocratic

xīnlíng

xīnlíng (xīn·líng heart · spirit [→ [spiritual]] 心灵 心靈) ← Tap/click to show/hide the “flashcard”

Appendix A2 of the English New World Translation of the Holy Scriptures (Study Edition), entitled “Features of This Revision”, discusses vocabulary changes that have been made in the current revision, words that have been translated differently than before. As noted in various entries in the excellent resource Referenced Theo. Expressions (RTE), Appendix A2 of the current Mandarin version of the New World Translation Bible (nwtsty) correspondingly discusses words that have been translated differently in the current revision of the Mandarin NWT Bible, compared to how they had been translated before.

Since we base what we say in Jehovah’s service on his Word the Bible, the vocabulary used in it—and the way those vocabulary words are translated—should be reflected in how we speak in our ministry, at our meetings, etc. So, it is beneficial for us Mandarin field language-learners to be familiar with the latest thinking from the organization on how Bible terms should be translated into Mandarin.

Being Spiritual in Mandarin

For a long time, we in the Mandarin field had been using the Mandarin word “shǔlíng (shǔ·líng {(in the) category (of)} · spirit → [spiritual (nwtsty-CHS Appx. A2 notes change from “shǔlíng” to “xīnlíng”, etc.)] 属灵 屬靈)” to correspond with the English word “spiritual”. However, Appendix A2 of the current Mandarin version of the New World Translation Bible (nwtsty) points out that many beginning readers of the Mandarin NWT Bible find the word “shǔlíng (shǔ·líng {(in the) category (of)} · spirit → [spiritual (nwtsty-CHS Appx. A2 notes change from “shǔlíng” to “xīnlíng”, etc.)] 属灵 屬靈)” to be hard to understand. So, the current revision of the Mandarin NWT Bible (nwtsty) instead uses expressions with clearer meanings, with the context determining which expression is used.

One example that the appendix provides is that Matthew 5:3 now uses “xīnlíng (xīn·líng heart · spirit [→ [spiritual]] 心灵 心靈)”, this week’s MEotW, instead of “shǔlíng (shǔ·líng {(in the) category (of)} · spirit → [spiritual (nwtsty-CHS Appx. A2 notes change from “shǔlíng” to “xīnlíng”, etc.)] 属灵 屬靈)”:

Matthew 5:3 (WOL CHS+Pinyin Parallel Translations)

I have heard that “xīnlíng (xīn·líng heart · spirit [→ [spiritual]] 心灵 心靈)”, which connects spiritual matters with the heart, is indeed more familiar to modern-day native Mandarin-speakers and easier for them to understand, compared to “shǔlíng (shǔ·líng {(in the) category (of)} · spirit → [spiritual (nwtsty-CHS Appx. A2 notes change from “shǔlíng” to “xīnlíng”, etc.)] 属灵 屬靈)”.

An example I remember of “xīnlíng (xīn·líng heart · spirit [→ [spiritual]] 心灵 心靈)” being used by a worldly Mandarin-speaking person is that a few years ago, while answering an interview question about why she was taking so long to come out with new music, well-known singer Faye Wong said that “xīnlíng (xīn·líng heart · spirit [→ [spiritual]] 心灵 心靈) de (’s 的) shì (matters 事)”, like those touched upon in her music, take time to process.

(While some may wonder about connecting spirituality with any kind of worldly popular music, we should keep in mind that there are different kinds of popular music in the world, some being less focused on physical matters and comparatively more spiritual than others. Musicians are humans too, made in God’s image, so some of them may at times reflect, if imperfectly, some of God’s qualities and concerns. And as another well-known singer, Bono, has observed about music in general, “music is the language of the spirit”. We in the Mandarin field also know that the gift of music itself ultimately came from the Great Spirit Jehovah God himself, and we know that music is an important part of his worship.)