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gòngtōng

gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通) 👈🏼 Tap/click to show/hide the “flashcard”

As part of a series of posts about some common myths about Chinese characters, this post discusses the Universality Myth. So, this week’s MEotW is “gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通)”, an expression that seems to express well the supposed universality that is the subject of this myth.

In “gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通)”, “gòng (share | common | together | altogether 共) means “share | common | together | altogether”. This morpheme also appears in other well-known expressions such as “gòngtóng (gòng·tóng shared · {same | together} 共同)”, “gònghé‐guó ((gòng·hé shared · harmony → [republic] 共和)‐(guó country; nation; state) [republic])”, and “Gòngchǎn (Gòng·chǎn {Commonly Possessing} · {Produced (Things) → [Property]} → [Communist] 共产 共產)Dǎng (Party黨/党)”.

As for “tōng ({[(going)] through[(out)]; open [to]} [→ [common; general | connecting/communicating [to/with] [→ [logical; coherent]]]] 通)”, it here literally means “through”, and effectively means “connecting” or “in common”. It also appears in well-known expressions such as “gōutōng (gōu·tōng {(through) channel} · {(going) through → [communicating]} → [communicating; communication | linking up] 沟通 溝通)”, “jiāotōng (jiāo·tōng crossing; intersecting; meeting; joining · {(going) through → [connecting; communicating]} → [traffic; communications; transportation] 交通)”, “pǔtōng (pǔ·tōng common; general; universal; widespread · {through(out) → [general; common]} → [ordinary; common; average; general] 普通)”, and “tōngguò (tōng·guò through · passing → [passing through] → [through] 通过 通過)”.

When put together, the morphemes in “gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通) can effectively mean “shared; common; universal”, which in itself can generally be good. In fact, in our ministry, we look for “gòngtōng (gòng·tōng shared · {through → [in common]} → [common] 共通) diǎn (points) (common ground) with those with whom we speak. How universal, though, are Chinese characters? Are they really more universal than, say, alphabets?

Basis and Beliefs

In the book The Chinese Language: Fact and Fantasy, linguist and sinologist John DeFrancis writes the following in the chapter entitled “The Universality Myth”:

The Universality Myth is the logical extension of the Ideographic Myth. It is based on the threefold belief that:

1. Chinese characters enable a speaker from Beijing and another from Canton to communicate in writing even though they cannot understand each other’s speech. …
2. Chinese characters make it possible to read today’s newspapers as well as poems written a thousand years ago and philosophical essays written long before Christ. …
3. Chinese characters can function as a universal means of communication among people speaking totally unrelated languages. …

Implicitly or explicitly, the statements are meant to contrast Chinese characters with the familiar alphabetic scripts of the West. Chinese characters, it is believed, can do all these things, whereas alphabetic scripts cannot.

In other words, the Universality Myth regarding Chinese characters is that these visible, supposedly ideographic (representing meaning visually, without dependence on speech sounds) symbols of worldly Chinese culture can function across barriers of space, time, and language as universal enablers of communication. That seems amazing, if true. But, is it true? And, is it any more true for Chinese characters than it is for alphabets?

Testing the Relative Universality

DeFrancis goes on to test the Universality Myth by examining what it would take for an illiterate Mandarin speaker and an illiterate Cantonese speaker to learn how to communicate with each other by writing in characters, compared to what it would take for an illiterate French speaker and an illiterate Spanish speaker to learn how to communicate with each other by writing in French (which, as is widely known, is written using the Latin alphabet):

My Chinese colleagues estimate on the basis of their own experience and direct contact with the Chinese educational system that it takes seven to eight years for a Mandarin speaker to learn how to read and write three thousand characters and another year or two for a speaker of Cantonese to reach the same level in Standard Chinese. …My colleagues in French and Spanish estimate it would take the two imagined European illiterates less than half the time to reach a comparable level of proficiency in French.

…The overall picture is clear. It seems incontestable that both Europeans will find it easier to learn to read and write French than it be for either Cantonese or Mandarin speakers to learn to read and write Chinese. If we could add up the combined number of hours needed for the two members of each group to accomplish the same thing, the total would be enormously greater in the case of Chinese written in characters than in the case of French written in an alphabetic script. Even more significant, it would also be enormously greater for Chinese written in characters than for Chinese written in Pinyin. That is to say, it would be much easier for illiterates from Peking and those from Canton, even if the latter remain incapable of speaking Mandarin, to acquire the ability to communicate with each other by learning to read and write Standard Chinese written in Pinyin rather than in characters. Where, then, is the vaunted marvel of tongue-tied Chinese o’er-leaping barriers in speech by communicating with each other by means of those magical Chinese characters?

So, it’s possible for speakers of Mandarin, Cantonese, Japanese, Korean, English, French, Spanish, etc. to learn Chinese characters and use these as a means of communication. However, they could also do this with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)! Also, it would actually be much faster and easier to do this with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) than it would be to do it with the crazy complex characters!

Going Back in Time

What about the claim that characters allow us to still be able to read Chinese writings from long ago? Concerning this, DeFrancis writes:

Apart from learning the characters in their current meanings, Chinese must also learn the frequently different meanings of characters in earlier usage and the definitely different syntactical structures of classical versus contemporary written Chinese. This ability involves considerable training in tasks notorious for their difficulty—tasks that involve mastering differences at least as great as those between current English and the language of Chaucer. Without going into great detail, it should be readily apparent that an illiterate Chinese, regardless of whether he speaks Cantonese or Mandarin, will have a much greater task in learning to read classical Chinese than will an illiterate European, regardless of whether he speaks Spanish or French, in learning to read Latin. In the case of those already literate in current Chinese or French, it is doubtful that Chinese readers would enjoy any advantage over Europeans in respect to the amount of additional effort required to read classical Chinese in contrast to Latin.

So, it would probably be harder for a Chinese person to learn characters and then learn classical Chinese, than it would be for a European person to learn the Latin alphabet, and then learn Latin!

For us Mandarin field language learners specifically, since Jehovah’s organization is continually moving forward with ever broader, deeper, and clearer understandings of various truths, we in contrast seek to use the newest, most up-to-date writings from the organization whenever possible. Even with regard to the Bible itself, first written long ago, we seek, as a rule, to use the most up-to-date translations available. For specific examples in this regard, Appendix A2 (English, Mandarin) of the New World Translation Bible lists ways in which the current version of this Bible has been carefully revised to be more beneficial for modern readers.

It’s worth noting that the Chinese versions of the organization’s publications used to be written only in Chinese characters, but the most recent versions of the organization’s important writings generally have Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) available for them as well now.

Sunk Costs and Future Investments

Of course, those who have already spent years of hard work learning characters wouldn’t have to start that particular long and difficult process from zero (although, tíbǐ (tí·bǐ {carry (hanging down from the hand) → [raise; lift]} · pen; pencil; {writing brush} [→ [start writing; write]] 提笔 提筆)wàng (forget 忘) (character 字) (character amnesia) is real thing that takes constant ongoing effort to ward off). And, if they happen to meet others, even others who don’t speak the same language, who have also already spent years of hard work learning characters, then, yes, they might be able to use characters to imperfectly communicate with these others, to a limited extent—that is indeed one imperfect benefit arising from the massive sunk costs they have incurred in the process of learning characters.

However, those who have not already poured enormous amounts of time and effort into learning characters still have the opportunity to objectively weigh how much time and effort it is reasonable and worthwhile to sink into the characters going forward. As they consider this, they can keep in mind the inescapable reality that, due to the inherent extraordinary complexity of the characters, and due to the way that Jehovah actually designed us humans to use language, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and other sound-prioritizing writing systems (like Hangul, for those learning Korean) offer much greater ROI (return on investment) than characters do for those considering investing time and effort into learning how to actually communicate with others. Dedicated servants of Jehovah should also keep in mind that the time and energy they have are not theirs alone to spend or waste—their time, energy, etc. actually belong to Jehovah, and should thus be used and invested accordingly.

Anyway, to summarize, the Universality Myth regarding Chinese characters is…BUSTED!

Categories
Culture Experiences History Language Learning Technology Theocratic

cùnbù‐bù‐lí

cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) (not 不) (leave; {part/depart [from]}; {[is] away/apart/distant/far apart from}離/离) 👈🏼 Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 📘 icons mean 📖 Reveal All, 📄 Reveal Advanced, and 📘 Reveal None re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

Rather than dismissively thinking to ourselves that the songs produced by the organization are “just songs”, we should remember that the slave class takes seriously its responsibility to provide spiritual food to God’s people, and so it is going to make sure that the lyrics in its songs are spiritually correct, while also being emotionally moving.—Ezekiel 33:32; Matthew 24:45.

Not Deviating an Inch

“cùnbù‐bù‐lí” _Pīnyīn_ Plus info, Song 161 (music+_Pīnyīn_), on iPhone 13 mini (landscape orientation)

This week’s MEotW in the unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource “Sing Out Joyfully” Bk. (Pīnyīn+Music, Pīnyīn Plus, Web)

This week’s MEotW, “cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) (not 不) (leave; {part/depart [from]}; {[is] away/apart/distant/far apart from}離/离)”, comes from the chorus of song 161, which is entitled “To Do Your Will Is My Delight” in English and “Wǒ (I 我) Lèyú (Lè·yú {Am Happy} · to 乐于 樂於) Zūnxíng (Zūn·xíng {Abide by} · {Walk → [Do]} 遵行) Nǐ de ((Nǐ You 你) (de ’s 的) [Your]) Zhǐyì (Zhǐ·yì Will · {Meaning → [Will]} → [Will] 旨意) in Mandarin:

English:

To do your will is my delight.
I give you all my strength and might.
This joy I feel; this joy is real.
I will walk on in your light.

Mandarin (WOL, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus):

📖 📄 📘 (I 我) lèyú (lè·yú {am happy} · to 乐于 樂於) zūnxíng (zūn·xíng {abide by} · {walk → [do]} 遵行) (your 你) zhǐyì (zhǐ·yì will · {meaning → [will]} → [will] 旨意)!”
Chíshǒu (Chí·shǒu {to hold → [to support]} · {to defend → [to abide by]} → [to hold fast to] 持守) zhēnlǐ (zhēn·lǐ true · reasoning → [the truth] 真理), cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) (not 不) ({to depart}離/离),
Gānxīn (Gān·xīn {to be (of) sweet → [to be of willing]} · heart → [to be willing] 甘心) lèyì (lè·yì {to be (of) happy} · {meaning → [intention]} → [to be willing] 乐意 樂意), wúwèi (wú·wèi {to be without} · {fearing of} 无畏 無畏) jiānxīn (jiān·xīn {(things being) arduous} · {(things being) hot (in taste) → [(things being) hard]} → [hardships] 艰辛 艱辛),
Jìn ({to expend to the limit}) quánlì (quán·lì whole · strength 全力), zài‐suǒ‐bùxī ((zài in 在)‐(suǒ place 所)‐(bù·xī not · {to cherish → [to stint]} 不惜) [not to balk]).

While not being a direct translation, “Chíshǒu (Chí·shǒu {to hold → [to support]} · {to defend → [to abide by]} → [to hold fast to] 持守) zhēnlǐ (zhēn·lǐ true · reasoning → [the truth] 真理), cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) (not 不) ({to depart}離/离) seems to correspond with “I will walk on in your light” in the above example. For those who are interested, a more literal translation of “Chíshǒu (Chí·shǒu {to hold → [to support]} · {to defend → [to abide by]} → [to hold fast to] 持守) zhēnlǐ (zhēn·lǐ true · reasoning → [the truth] 真理), cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) (not 不) ({to depart}離/离) would be “to hold fast to the truth, (even) a step of an inch not to depart (from it)”. To get even further into the weeds, while the expression “cùn ({Ch. inch (3⅓ cm)} [→ [inch | very little/short; small; tiny]] 寸) that is used above is now often used to mean the British Imperial inch (2.54 cm), it actually originally referred to the Chinese inch (3⅓ cm). Either way, a “cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) is a tiny step indeed.

Regarding the other morphemes in “cùnbù (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) (not 不) (leave; {part/depart [from]}; {[is] away/apart/distant/far apart from}離/离)”, it may be helpful to note that the “bù” (step; pace (v or n) [→ [condition; situation; state]] 步) in “cùnbù” (cùn·bù {Ch. inch (3⅓ cm) → [tiny]} · step 寸步) also appears in the well-known expressions “bùzhòu” (bù·zhòu step · {to be trotted} → [step; move; measure; phase] 步骤 步驟) and “jìnbù (jìn·bù {advancing [of]} · steps → [progress[ing]; advancing; improvement] 进步 進步)”, and that this “lí” (leave; {part from}; {[is] away/apart/distant/far apart from}離/离) is the one in “líkāi (lí·kāi leave · {to be opened [from] → [away [from]; apart [from]; clear [of]]} 离开 離開).”

Musical Notation 🎼 and the Mandarin Field

In this post about a Mandarin expression found in our songbook, another subject that I want to touch on is: Is musical notation 🎼 too hard to be worth the trouble of producing it and using it? Are fewer and fewer people able to read it? I was fortunate enough to have been taught how to read musical notation in school. I have never thought of musical notation as being particularly difficult to use (it’s much easier to learn than characters, which many unquestioningly try to learn), and I find that it helps me to sing Kingdom songs more correctly (according to the intended melody, message, etc.) and more confidently more of the time. However, I am aware that not everyone in the Mandarin field has the same experience with musical notation. For example, a while ago, an older brother told me that he didn’t know how to read musical notation. Also, some people in the Mandarin field may have been affected by how education systems in this old world have been facing significant challenges relating to providing music education for younger ones.

Regardless of how the world may be failing in many cases to equitably provide good music education, Jehovah’s organization has pointed out that music is important in Jehovah’s worship. For example, not long ago, a Meeting Workbook said:

Music can have a powerful influence on the mind and body. Singing is an important part of our worship of Jehovah.

In accordance with the importance of music in Jehovah’s worship, Mandarin field language learners used to have available to them official material from the organization containing musical notation with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) in the lyrics. However, perhaps at least partially because of the technical difficulty and costliness of producing material with musical notation and both Chinese characters and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) in the lyrics, as of this writing, there is no official material currently available from the organization that shows Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and musical notation on the same page or screen.

Screenshot of Sis. Margarita Königer and others using official _Pīnyīn_ _Sing to Jehovah_ songbooks with musical notation

A screenshot from an official video, of Sis. Margarita Königer and others using official Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Sing to Jehovah songbooks with musical notation

The organization continues to publish official songbook material for different languages in general that contains musical notation, so it evidently still considers musical notation to generally be worthwhile to produce. It continues to produce official material for the current songbook that uses musical notation along with lyrics rendered only in Chinese characters, without Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), and it has even produced official material that uses jiǎnpǔ (jiǎn·pǔ simple · {register or record for reference → [musical notation]} → [numbered musical notation] 简谱 簡譜) (a kind of musical notation also known as numbered musical notation) and Chinese characters.

For those who find it helpful in their Mandarin field activities to put musical notation together with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), the unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource “Sing Out Joyfully” Bk. (Pīnyīn+Music, Pīnyīn Plus, Web) exists and is continuing to be improved. As shown in the screenshot near the beginning of this post, this resource aids Mandarin field language learners by breaking with tradition and featuring lyrics in the musical notation that are only in relatively large-print Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) by default—characters are relegated to Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus “flashcards” that are added as time allows.

Unlike the traditionally-used but unnecessarily extraordinarily complex characters that need to be accompanied by Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) before many are able to read them, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) itself is a simple, elegant alphabetical full writing system for Mandarin that is easy to learn and remember. Also, it is no harder to typeset than other alphabetical writing systems with diacritics, such as the writing systems now used for French, Czech, Vietnamese, etc.*

In its Tips: section at the bottom of its home page, the “Sing Out Joyfully” Bk. (Pīnyīn+Music, Pīnyīn Plus, Web) resource contains these links that some may find helpful:


For convenience:

The direct link for the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource for the “Sing Out Joyfully” book is:

The short link for Chinese field language-learning links for the “Sing Out Joyfully” book is:

More Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material based on the Mandarin “Sing Out Joyfully” book will be made available in the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web resource as time allows.

 

* Thanks to ongoing advancements in personal computing hardware and software, producing material that contains things like musical notation and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) text at reasonable cost is quicker and easier than ever. At this time, production of the musical notation in the “Sing Out Joyfully” Bk. (Pīnyīn+Music, Pīnyīn Plus, Web) resource begins in free open source software called MuseScore Studio, running on a Mac. Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) text for the lyrics in the musical notation is entered using macOS’s ABC – Extended input source (keyboard layout). (Just using Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) text only here simplifies things so much compared to having to somehow input characters with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) ruby text!) When it’s ready, the musical notation for a song is exported from MuseScore Studio into SVG format, which is a plain text format that allows for the inclusion of links that activate Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus flashcards on webpages. The coding for the SVG links is currently done using the text editor BBEdit, in which editing large text files is quite performant. For Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material production in general, my current favourite tool is Nova, but such web material can be produced in any application suitable for web development, such as Visual Studio Code, etc. ^

Categories
Culture Experiences History Language Learning Science Theocratic

zháole huǒ

zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) [having caught fire; burning; being on fire]) 👈🏼 Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 📘 icons mean 📖 Reveal All, 📄 Reveal Advanced, and 📘 Reveal None re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

A few years back, I wrote up a brief web page listing reasons for producing Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), etc. material for the Imitate (ia) book. Some, especially some who grew up in the West, may have felt that this book is made up of “just stories”, and ones that they were already quite familiar with, at that. However, we must remember that Chinese Bible students may often have a different perspective regarding the Bible accounts that are made to come to life in the Imitate book. As that web page said:

  • Many Chinese people in the world have not been exposed to Bible accounts the way many Westerners have.
  • Also, I have heard that some, perhaps many, Chinese Bible students tend to approach their Bible studies like intellectual exercises for accumulating chōuxiàng (abstract) head knowledge as if for a school exam, rather than as training for their hearts for their own real lives.

Later, the web page touches on how some of the real-world benefits of good storytelling like that found in the Imitate book involve empathy:

    • The actress Natalie Portman once said, “I love acting. I think it’s the most amazing thing to be able to do. Your job is practicing empathy. You walk down the street imagining every person’s life.”
  • The Imitate book helps build Bible students’ empathy towards Bible characters, which in turn helps Bible students realize that others would feel empathy towards them as well if they imitated these Bible characters—not everyone will just think they’re crazy, like many worldly friends or family members might think.

While even fictional stories can have the benefits described in the links and the quote above, true stories from the Bible can have even greater benefits, including spiritual ones.

Besides the Imitate book, another book from Jehovah’s organization that relates Bible accounts is the Learn From the Bible (lfb) book. The letter from the Governing Body in this book says that, similarly to the Imitate book, the Learn From the Bible book also “brings the Bible accounts to life and captures the feelings of those depicted”, while, unlike the Imitate book, it “tells the story of the human family from creation onward”. While the Learn From the Bible book is especially suitable for children, the letter from the Governing Body in this book says that “it can also be used to help adults who desire to learn more about the Bible”. So, it would be good to consider on this blog some of the expressions used in the Mandarin Learn From the Bible book.

On Fire 🔥

This week’s MEotW, “zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) [having caught fire; burning; being on fire])”, appears in the first paragraph of Lesson 18 of the Mandarin Learn From the Bible book, which is entitled “Ránshāo (Rán·shāo Ignited · {to Be Burning} 燃烧 燃燒) de (’s 的) Jīngjí‐Cóng ((Jīng·jí Brambles · Thorns 荆棘 荊棘)‐(Cóng Clump) [Bush]) (“The Burning Bush”):

English:

A thornbush was on fire, but it was not burning up!

Mandarin:

📖 📄 📘 Móxī (Moses 摩西) kànjian (kàn·jian {looked at} · {to be seeing} → [saw] 看见 看見) jīngjí‐cóng ((jīng·jí brambles · thorns 荆棘 荊棘)‐(cóng clump) [bush]) zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) [being on fire]), dàn (but 但) yìzhí (yì·zhí one · {being straight} → [all the while] 一直) méiyǒu (méi·yǒu (it) not · {was having → [was]} → [(it) was not] 没有 沒有) shāodiào (shāo·diào {being burned} · {to be falling → [up]} 烧掉 燒掉).

The Mandarin Learn From the Bible book here uses “zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) [having caught fire; burning; being on fire]) to correspond with the English expression “on fire”. “Zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) [having caught fire; burning; being on fire]) is the past participle of “zháohuǒ (zháo·huǒ catch; ignite; light · fire 着火 著火), which corresponds to “catch fire” in English.

Morphemic Breakdown

Going in reverse order, the “huǒ (fire [→ [fiery anger/temper | get fiery with anger]] | fiery; flaming 火) in “zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) [having caught fire; burning; being on fire]) is a well-known expression that means “fire”. As for “le (-ed | {to completion} | [(at the end of a phrase/sentence) indicates a change] 了)”, when it’s used as it is in this week’s MEotW, it’s considered an aspect marker, as was discussed extensively in the MEotW post for “jiéle hūn ((jié·le {tied (a knot of)} · {to completion} 结了 結了) (hūn marrying → [marriage] 婚) [[got] married])”. That brings us to “zháo ({touch; come in contact with} [→ [feel; be affected by]] | {catch; ignite; light (fire)}; burn | {hitting the mark}; accomplishing; succeeding)”, the pronunciation and meaning of which are obvious in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), but not so much when one just sees “着” (Simplified) or “著” (Traditional), the characters used to write it.

The Many Faces of “着/著”

According to the dictionaries loaded in my Pleco app, the characters “着/著” can represent 5 different expressions, each with its own pronunciation and set of meanings:

  • zhāo – add; put in | measure word for tricks, devices, moves in chess or martial arts, etc.
  • zháo – touch; come in contact with [→ [feel; be affected by]] | catch; ignite; light (fire); burn | hitting the mark; accomplishing; succeeding (This is the one used in this week’s MEotW.)
  • zhe – being (indicating continuing progress/state)
  • zhù – prominent; outstanding | book; work
  • zhuó – apply | put on/wear (clothes)

While advocates of characters complain about the homophones (different words with the same pronunciation) in Mandarin that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) would write the same way, the above illustrates the corresponding problem of homographs (different words that are written the same way) that plagues the characters.

Don’t Fall For the FUD!

How can we deal with homophones and homographs? For both of these contrasting linguistic challenges, the best solution is that which is used in speech, the original, primary aspect of human language, as created by Jehovah God: Use sufficient clarifying context. Contrary to the unjustified FUD (Fear, Uncertainty, and Doubt) spread by many advocates of characters, many millions of people have been speaking modern Mandarin to each other for decades, homophones and all, and because people have learned to use sufficient clarifying context when speaking it, it’s been fine! Similarly, so long as one gives oneself a chance to get used to it, using Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) to write Mandarin is also fine, since Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is just a simple way to represent Mandarin speech.

Of course, if one has a poor understanding of Mandarin speech, then one will thus also have a poor understanding of Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音). Unfortunately, experience has shown that Mandarin learners who just go along with traditional imperfect human culture and focus on the visible, visually elaborate characters often end up neglecting invisible Mandarin speech. The thing is, though, according to both the science of linguistics and the Bible itself, speech is actually the primary aspect of human language, and no matter how exceptional worldly Chinese people may think they are, that applies to Mandarin and all the other Chinese languages as well.—1 Corinthians 14:8–11.


For convenience:

The direct link for the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource for the Learn From the Bible book is:

The short link for Chinese field language-learning links for the Learn From the Bible book is:

More Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material based on the Mandarin Learn From the Bible book will be made available in the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web resource as time allows.