Tag: Chinese Characters

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Culture Language Learning Technology Theocratic

Yēsū Xīshēng Jìniàn Jùhuì

Yēsū (Jesus’ 耶稣 耶穌)
Xīshēng (Xī·shēng {Sacrifice (n)} · {(as with a) Domestic Animal} → [Sacrifice] 牺牲 犧牲)
Jìniàn Jùhuì ((Jì·niàn Remembering · {Thinking Of} → [Commemorating] 记/纪念 記/紀念) (Jùhuì Meeting 聚会 聚會) → [Memorial]) ← Tap/click to show/hide the “flashcard”

This year’s Memorial is scheduled for this week, so this week’s MEotW is “Yēsū (Jesus’ 耶稣 耶穌) Xīshēng (Xī·shēng {Sacrifice (n)} · {(as with a) Domestic Animal} → [Sacrifice] 牺牲 犧牲) Jìniàn Jùhuì ((Jì·niàn Remembering · {Thinking Of} → [Commemorating] 记/纪念 記/紀念) (Jùhuì Meeting 聚会 聚會) → [Memorial])”. This is currently the official way to translate “the Memorial of Jesus’ death” into Mandarin, as can be seen by comparing the English and Mandarin pages for the Memorial on jw.org.

It’s worth noting that this is a simple, straightforward, functional translation, free of unnecessary sentimentality or ceremony. As one dictionary puts it, “ceremony”, in this case, refers to:

The formalities observed on some solemn or important public or state occasion in order to render it more imposing or impressive: as, the ceremony of crowning a king, or of laying a foundation-stone; the ceremony of inaugurating the President of the United States.

Indeed, for those of us who appreciate Jesus’ ransom sacrifice, the Memorial is about this appreciation, not about ceremony or empty or showy rituals.

What Price Ceremony?

The matter of unnecessary ceremony reminds me of something I heard in a podcast a while ago:

Here is a clip of the podcast referred to in the tweet above, in which Mr. Cohen speaks of the core goal to make Swift ceremony-free:

As the above tweet also mentions, Chinese characters have oodles and gobs of unnecessary, time-and-energy-consuming ceremony, especially compared to the simple, straightforward, and elegant Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) writing system. And, echoing Mr. Cohen’s observation that ceremony can weigh programmers down and rob them of the joy that they could otherwise feel when coding, many have found that the unnecessary, traditionally mandated complexity and ceremonial baggage of Chinese characters can weigh down Mandarin learners and take away much of the joy that they should be able to feel from learning how to really communicate with Mandarin-speaking people.

Is it appropriate for us to look at the Chinese characters writing system through the same lens that we use to look at a technological system like the Swift programming language? It really is, because while the Chinese characters writing system is indeed a matter of culture, all writing systems are simultaneously technologies, applications of skills and knowledge for practical purposes.

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Culture Language Learning Science Theocratic

Yètèluó

Yètèluó (Jethʹro 叶特罗 葉特羅) ← Tap/click to show/hide the “flashcard”

Appendix A2 of the English New World Translation of the Holy Scriptures (Study Edition), entitled “Features of This Revision”, discusses vocabulary changes that have been made in the current revision, words that have been translated differently than before. As noted in various entries in the excellent resource Referenced Theo. Expressions (RTE), Appendix A2 of the current Mandarin version of the New World Translation Bible (nwtsty) correspondingly discusses words that have been translated differently in the current revision of the Mandarin NWT Bible, compared to how they had been translated before.

Since we base what we say in Jehovah’s service on his Word the Bible, the vocabulary used in it—and the way those vocabulary words are translated—should be reflected in how we speak in our ministry, at our meetings, etc. So, it is beneficial for us Mandarin field language learners to be familiar with the latest thinking from the organization on how Bible terms should be translated into Mandarin.

Avoiding Rarely‐Used, Hard‐to‐Recognize Characters

Appendix A2 of the current Mandarin version of the New World Translation Bible (nwtsty) mentions that one of the goals for this version was to reduce the number of hard-to-recognize, hard-to-read Chinese characters used, and to replace them with more commonly used characters. The first example it provides is that “Yètèluó (Jethʹro (old way of writing with characters) 叶忒罗 葉忒羅)” was changed to this week’s MEotW, “Yètèluó (Jethʹro 叶特罗 葉特羅)”.—Exodus 3:1.

Exodux 3:1 (WOL CHS+Pinyin Parallel Translations)

While the pronunciation and the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) were kept the same, a relatively rarely-used, hard-to-recognize character (“忒”) was replaced with a different, more common and recognizable character (“特”). As we can see, the translators who worked on the current version of the Mandarin NWT recognized that it was good to preserve the spoken pronunciation of the expression, an expression that as a whole was not changed. At the same time, they did not consider the particular character that was replaced to be sacred. This reinforces to us the basic principle of linguistics (language science) that SPEECH is primary, not writing, which shows up the traditional and ongoing Chinese cultural emphasis on characters as being fundamentally misplaced.

A Real-Life Example

The importance of avoiding unnecessarily hard-to-recognize characters was well demonstrated by the incident discussed in the tiandi.info blog post “An Avoidable Minefield of Human Tradition and Cultural Pride” (Email me if you need login information, and include information on who referred you and/or what group/cong. you are in.):

A few nights ago, my Mandarin congregation had a Memorial meeting that went well overall. However, there was a momentary hiccup that I think we Chinese field publishers can learn from.

The speaker who gave the talk is a fluent, eloquent native Mandarin speaker originally from mainland China, and he is one of the best Mandarin speakers in a city of several Mandarin congregations. In fact, he was one of the instructors in the very first official Mandarin class ever held in this country. However, while reading a scripture from his paper Bible as he was giving the Memorial talk, he, of all people, just…got…stuck…on…a…Chinese…character…. He struggled with it for what felt like quite a while, and eventually, a young brother who was serving as an attendant at the side of the stage approached and gave him a hint, and he was able to carry on.

…

While not a showstopper, this unfortunate incident was indeed an awkward showpauser, during the very meeting, out of all the meetings in the entire service year, at which the highest proportion of interested ones from the field was present—truly a nightmare scenario for anyone who gives Chinese talks!

FYI, in this case, the character that the brother couldn’t read was the “虺” in “虺蛇”, which has been replaced in the current version of the Mandarin NWT with “眼镜蛇”. (Isaiah 11:8) (While not being especially visually complex compared to some other Chinese characters, “虺” is relatively rarely used, ranking way down at #5543 on Prof. Dá Jùn (Dá {Tow Rope} (surname) 笪) ((Jùn {Fine Horse} 骏 駿) (Associate Professor of Linguistics, Director of the Media Center for Language Acquisition Department of Foreign Languages and Literatures, Middle Tennessee State University))’s character frequency list of Modern Chinese. “眼” is #281 on that list, and “镜” is #1251.)

Mitigations and Alternatives

In a way, though, even such fine efforts on the part of the NWT translators, working with what they have, are mere mitigations. On a more basic level, the incident mentioned above also highlights the problematic nature of the Chinese characters writing system itself, which makes it all too possible for such hard-to-recognize characters to exist, without any reasonable, consistent, and reliable system to work out their pronunciations. This makes any block of Chinese characters a potential minefield that can blow up in the face of even the most knowledgeable and experienced native speaker, because even such a one is still a mere imperfect human contending with the inhumanly complex and numerous Chinese characters, of which there are over 100,000.

In contrast, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), with its Latin alphabet letters and four tone symbols, is a simple, elegant full writing system for Modern Standard Mandarin that is eminently learnable by mere imperfect humans. Thus, it is an eminently good thing that Jehovah, through his organization, has made official Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) available for the current version of the Mandarin NWT Bible, unlikely and uncommon though such a provision is from a worldly, human viewpoint. (Work is also ongoing to provide unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material for the current version of the Mandarin NWT, as language-learning material, not as spiritual food.)

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Culture Language Learning Languages Science Technology

fā yǔyīn

fā ({send out} 发 發)
yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音) ← Tap/click to show/hide the “flashcard”

While doing research for the MEotW post on “tíbǐ (tí·bǐ {carry (hanging down from the hand) → [raise; lift]} · pen; pencil; {writing brush} [→ [start writing; write]] 提笔 提筆)‐wàng (forget 忘)‐zì (character 字)”, I came across the web article “Why is character amnesia in China considered problematic?”. One of the points it makes involves this week’s MEotW, “fā ({send out} 发 發) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音)” (send voice message):

Another feature that has gained huge popularity in China recently is that of ‘sending voice messages’ (发语音, fā yǔyīn). Chinese Whatsapp equivalent ‘WeChat’ was the first in the world to introduce this feature in its app. Social media research by University College London has shown that Chinese WeChat users find voice messaging convenient because it eliminates the need to text. Informants have reported that sending written messages always takes more time, and that inputting Chinese characters was a struggle (Wang & McDonald, 2013). With voice messaging, or even with pinyin input, people do not need to memorize the exact order of each stroke of a character when typing a text. They can just rely on knowing the pronunciation and recognizing the character. The prevalence of typing and texting on cellular devices has been correlated to reduced active-character knowledge by Chinese natives, leading to the tibiwangzi-phenomenon (Williams, 2016).

Sending, Language, Sounds

The “fā ({send out}; issue; emit [→ [deliver | utter; express | become rich]] 发 發)” in “fā ({send out} 发 發) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音)” literally means “send out; issue; emit”, and it can also be used to mean various things such as “deliver”, “utter; express”, and “become rich”. With such a variety of meanings, it shows up in various expressions, such as:

  • fāchū (fā·chū issue; send; emit · out 发出 發出)
  • fāchòu (fā·chòu emit · {being stinking} → [smell bad; stink] 发臭 發臭)
  • fāshēng (fā·shēng {issue forth} · {come to life} → [happen] 发生 發生)
  • fācái (fā·cái {issue forth} · wealth; riches → [get rich; make a fortune] 发财 發財) (“Fā ({issue forth (riches)} → [become rich] 发 發)” used on its own to mean “become rich” is probably an abbreviation of this expression.)
  • fāyīn (fā·yīn {sending out; issuing → [uttering] [of]} · sound → [pronouncing/articulating/enunciating | pronunciation; articulation; enunciation] 发音 發音)
  • etc.

The “yǔ (language; speech; tongue | saying; proverb | words; expression | speak; say 语 語)” in “fā ({send out} 发 發) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音)” basically means “language”. It can also particularly mean “speech”—according to a basic principle of linguistics, speech is the primary aspect of human language. This “yǔ (language; speech; tongue | saying; proverb | words; expression | speak; say 语 語)” is used in:

  • yǔyán (yǔ·yán language; tongue · {(type of) speech} 语言 語言)
  • Guóyǔ (Guó·yǔ National · Language → [(Modern Standard) Mandarin (term commonly used in Taiwan)] 国语 國語)
  • Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language [→ [(Modern Standard) Mandarin]] 汉语 漢語)
  • Hányǔ (Hán·yǔ Korean · Language 韩语 韓語)
  • Yīngyǔ (Yīng·yǔ English · Language 英语 英語)
  • etc.

(Note that while “Yīngyǔ (Yīng·yǔ English · Language 英语 英語)”, for example, refers to English language speech, “Yīngwén (Yīng·wén English · Writing 英文)” refers, not to English speech, but to English language writing.)

The “yīn (sound [→ [musical note/sound; tone; pronunciation | syllable | news; tidings]] 音)” in “fā ({send out} 发 發) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音)” basically means “sound”, and it can also be used to mean “musical note/sound”, “tone”, “pronunciation”, “syllable”, and “news; tidings”. It is used in:

  • shēngyīn (shēng·yīn sound; voice · sound 声音 聲音)
  • yīnyuè (yīn·yuè {(musical) sound} · music → [music] 音乐 音樂)
  • Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)
  • Zhùyīn (Zhù·yīn {Annotating of} · Sounds → [Zhuyin] 注音 註/注音)
  • Mǎtài (Matthew 马太 馬太) Fúyīn (Fú·yīn Blessings · News 福音)
  • etc.

Speech is Natural, Characters, Not So Much

Writing is by now an age-old technology for recording and transmitting human speech. Now, in 2023, audio recording and transmitting technology has been available for a long time that actually allows one to directly hear the recorded speech pretty much as it originally sounded. Additionally, such technology is getting more and more common and accessible, to the point that many are finding that it often is faster and easier to send audio voice messages than to write and send written messages, especially when using as complex and cumbersome a writing system as Chinese characters.

True, in some situations, writing has some advantages over speech, but overall, the linguistic principle remains true that when it comes to human language, speech is primary and writing is secondary. Indeed, if God had meant for us humans to mainly use writing to communicate, then he could easily have designed our bodies with built-in screens that are able to dynamically display writing, like even humans know how to make. Instead, God designed our brains and bodies such that parts of them are specialized for directly understanding and producing speech.

Thus, it is quite natural that people would often take advantage of technology that has become available that allows one to actually hear recorded speech, instead of always settling for the visual abstractions of writing. And, when writing is appropriate, it is similarly relatively natural for people to make use of writing systems like Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) that are primarily phonetic, that is, focusing on directly representing the sounds of speech.

The National, the Political, the Universal(?), the Individual, the Rituals

On the other hand, rather than naturally reflecting divine wisdom, the attachment of many to Chinese characters instead reflects some human shortcomings. On a national level, the justification that characters are helpful in politically unifying China in spite of it being comprised of groups speaking different languages is yet another example of a human ruling authority prioritizing its own political power and survival over what’s actually good for the people. Besides, there’s actually nothing special about characters when it comes to being usable by people who speak different languages. As John DeFrancis put it in his book The Chinese Language: Fact and Fantasy, in the chapter entitled “The Universality Myth” (p. 159),

Chinese characters used by Asians speaking different languages are no more universal than are Latin letters used by Europeans who also speak different languages.

For example, while it’s true that the character “台” is recognized by both Mandarin-speakers and Cantonese-speakers as meaning “table”, it’s also true that “table”, written in Latin alphabet letters, is recognized by both English-speakers and French-speakers as meaning “table”.

(In China specifically, rather than characters, say, allowing Mandarin-speakers who don’t know Cantonese to understand written-out Cantonese speech, with its unique vocabulary and characters, and vice versa, what has actually happened is that the politically dominant Mandarin-speakers have basically forced speakers of Cantonese, Shanghainese, etc. to learn and use written Mandarin instead of actual written Cantonese, Shanghainese, etc.)

On a more individual level, many who are attached to characters show that they cling to what is old and familiar, even if it is problematic, instead of reaching out for and embracing positive change and progress. Also, many who cling to characters and the intricate procedures required to handwrite them show that they prioritize traditions, rituals, and procedures over what really brings better results. As Jesus said, though, “wisdom is proved righteous by its works”, not by its traditions, rituals, and procedures.—Matthew 11:19.