Categories
Culture Current Events Language Learning Science Technology Theocratic

jiǎ xiāoxi

jiǎ (false; fake假/叚)
xiāoxi (xiāo·xi disappearing · news → [news; information] 消息) ← Tap/click to show/hide the “flashcard”

At the time of this writing, jw.org was featuring the whiteboard animation video “Protect Yourself From Misinformation”. The English and Mandarin versions of this video match the English word “misinformation” with this week’s MEotW, “jiǎ (false; fake假/叚) xiāoxi (xiāo·xi disappearing · news → [news; information] 消息)”:

Screenshot from the video “Protect Yourself From Misinformation”, 0:32 mark, showing “Misinformation” in the subtitle

Screenshot from the video “消息满天飞,如何辨真假”, 0:32 mark, showing “假消息 (jiǎ xiāoxi)” in the subtitle

[Note: The MEotW post on “shèjiāo wǎngzhàn ((shè·jiāo {god of the land → [society] → [social]} · {meeting → [associating]} → [social contact/interaction] 社交) (wǎng·zhàn {net → [web]} · {stand → [station]} → [website] 网站 網站) [social networking website; social network]) contains information about how to add unproofread computer-generated Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) to the subtitles of Mandarin videos on jw.org in most browsers.]

“Jiǎ (false; fake假/叚) xiāoxi (xiāo·xi disappearing · news → [news; information] 消息) can also be translated as “false news”, “false information”, or perhaps even “fake news”, as confirmed by the entry for this expression in the excellent Referenced Theo. Expressions (RTE) resource.

Disappearing?

“Jiǎ ({[is] false; fake; phony; artificial} | if; supposing; assume; presume | borrow; {avail oneself of}假/叚) means “false” or “fake”, and “xiāoxi (xiāo·xi disappearing · news → [news; information] 消息)”, while used to effectively mean “news” or “information”, actually literally means “disappearing news”. Why “disappearing”? Perhaps that is a nod to the fleeting nature of news—relatively quickly, when it’s not new anymore, it’s not news anymore.

The Wiktionary entry for “xiāoxi (xiāo·xi disappearing · news → [news; information] 消息) seems to bear this out, as it says:

消息 (xiāoxi) refers to news as in new information; to express the meaning of news as in reports of current events, use 新聞/新闻 (xīnwén).

“Xiāoxi (Xiāo·xi disappearing · news → [news; information] 消息) also appears in the expression “hǎo (good 好) xiāoxi (xiāo·xi disappearing · news → [news] 消息)”, meaning “good news”, which we use often in the Mandarin field. In fact, “Hǎo (Good 好) Xiāoxi (Xiāo·xi Disappearing · News → [News] 消息)”! is the title of the concluding song for this year’s Mandarin conventions! (English, Mandarin, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus) Also, we will say “Wángguó (Wáng·guó King’s · Nation → [Kingdom] 王国 王國) de (’s 的) hǎo (good 好) xiāoxi (xiāo·xi disappearing · news → [news] 消息) when we want to refer to “the good news of the Kingdom”. Of course, while the message of this good news will “disappear” as news when it is not news anymore, the Kingdom itself “will stand forever”!—Daniel 2:44.

Myths and Misinformation About Chinese Characters, Etc.

As Mandarin field language learners, we need to be aware that many myths and much misinformation have been spread about the Chinese languages, especially when it comes to Chinese characters. Indeed, there is so much misinformation about Chinese characters that Victor Mair wrote the following in the foreword of the book Ideogram: Chinese Characters and the Myth of Disembodied Meaning, by J. Marshall Unger:

There is probably no subject on earth concerning which more misinformation is purveyed and more misunderstandings circulated than Chinese characters (漢字, Chinese hanzi, Japanese kanji, Korean hanja), or sinograms.

Also, in his book The Chinese Language: Fact and Fantasy, John DeFrancis lists the following myths regarding Chinese characters, that many believe:

  • The Ideographic Myth
    • The MEotW post on “Hāmǐjíduōdùn (Armageddon 哈米吉多顿 哈米吉多頓) contains a discussion of this myth, with some selected excerpts on this subject from DeFrancis’ book.
  • The Universality Myth
  • The Emulatability Myth
  • The Monosyllabic Myth
  • The Indispensability Myth
  • The Successfulness Myth

Regarding these myths, in p. 2–3 of his aforementioned book, J. Marshall Unger provides this summary:

Passing for the moment over the history of how the hunt for the perfect language unfolded, let us jump ahead to the result: the intellectual baggage about Chinese characters that we have inherited from the Renaissance and Enlightenment. John DeFrancis, in his classic book The Chinese Language (1984), sums up that weighty legacy under six headings, and a better summary would be hard to find. The source of all the confusion is what DeFrancis calls the Ideographic Myth, the notion that Chinese characters represent meaning directly, without reference to language (that is, speech) in any way. Its logical extension is the Universality Myth, according to which Chinese script allows for communication between mutually uninteligible dialects and languages. This leads in turn to the Emulatability Myth, which holds that Chinese script can serve as a model for a general system of signs that transcends natural language. These first three myths have little to do with the actual structure or history of the Chinese language or its writing system, in contrast with the remaining three: the Monosyllabic Myth, Indispensability Myth, and Successfulness Myth. Each of these—the names are more or less self-explanatory—makes a strong claim about language and the writing system, claims that have had significant social and political consequences.

At least some of the political consequences referred to above have been deliberate, meaning that at least some of the myths and misinformation spread about Chinese languages and Chinese characters qualify as political propaganda. If we’re not careful, we could end up parroting this political propaganda. (We could also end up parroting worldly human cultural propaganda, which is also a bad thing for people who seek to be no part of the world.) Also, all the difficulties and confusion caused by all the myths and misinformation surrounding Chinese languages and Chinese characters massively hinder the efforts of Mandarin field language learners to stay spiritually strong and to reach the hearts of Mandarin-speakers with Bible truth. This can result in deeply negative spiritual consequences that should be of great concern to us. To complete the sentence quoted from the video mentioned at the beginning of this post:

Misinformation isn’t just inaccurate; it can also be dangerous!

Categories
Culture Theocratic

liángshàn

liángshàn ({[is] good} [→ [goodness]] 良善) ← Tap/click to show/hide the “flashcard”

The sixth part of the fruitage of the spirit listed is goodness.— Jiālātàishū (Jiālātài·shū Galatia · Book → [Galatians] 加拉太书 加拉太書) 5:22, 23.

Galatians 5:22, 23 (WOL nwtsty-CHS+Pinyin)

The English word “goodness” is translated into Mandarin in the above scripture as “liángshàn ({[is] good} [→ [goodness]] 良善)”, this week’s MEotW.

Note that the Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus information for “liángshàn ({[is] good} [→ [goodness]] 良善)” (← tap/click to show/hide the “flashcard”) shows that when put together in this context, both of the morphemes that make up “liángshàn ({[is] good} [→ [goodness]] 良善)” individually basically mean “good” or “goodness”, and so the resulting whole word also means “good” or “goodness”.

Of the two morphemes that make up “liángshàn ({[is] good} [→ [goodness]] 良善)”, “shàn ({[is] good [at]} [→ [charitable; kind; friendly; virtuous]] 善)” is sometimes used as a word on its own, but the other morpheme “liáng (good; fine; desirable; virtuous (bound form) 良)” is not used as a word on its own—it’s what’s known as a bound form.

Bound Forms

The ABC Chinese-English Dictionary, edited by John DeFrancis and Victor H. Mair, among others, tells us the following about the entries in it that are marked as bound forms:

B.F. (Bound Form, Niánzhuó Císù 粘着词素).

Morphemes which do not function as free words in a sentence and cannot be handled using one of the other bound category labels, such as prefix, suffix, measure word, or particle. A given character may represent a free word in one or more of its meanings but a bound morpheme in other meanings. E.g. qiǎng 抢 is a bound form meaning ‘take emergency measures’ in qiǎngshòu 抢收 but a free form as a verb meaning ‘pillage’.)

In addition to these meaningful bound forms, which we define and illustrate with one or more examples, there are many characters which have no meaning of their own but simply represent a syllabic sound. E.g. 8 葡 and 6táo 萄 in pútao 葡萄 ‘grapes’. For these entries we provide neither entry label nor definition but simply note words in which the character occurs.

The Monosyllabic Myth

This seems to be a good place to mention the Monosyllabic Myth. This is the mistaken belief that in Chinese, every word is monosyllabic (one syllable), represented by a character, and that conversely, every syllable is a word.

One factor that contributes to this mistaken belief is that unlike how words are obviously separated by spaces in English writing, the Chinese characters writing system puts all characters the same distance apart from each other regardless of word boundaries—the main units below sentences seem to be characters, not words. Another contributing factor is that in good old paper Chinese dictionaries, the main entries are each based on a single character, not on a single word, which may contain more than one syllable—while English dictionaries are dictionaries of words, traditional Chinese dictionaries have been dictionaries of characters.

The Reality of Mandarin Syllables

The reality, though, as newer Chinese dictionary apps like Pleco make obvious, is that in Mandarin there are syllables like “liáng (good; fine; desirable; virtuous (bound form) 良)”, which is not a word on its own, but which combine with other syllables to form words like “liángshàn ({[is] good} [→ [goodness]] 良善)”, which have two or more syllables. While text written in Chinese characters all runs together into a single hard-to-parse mass, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) text uses word separation to clearly show word boundaries, like how in the above image it’s clear that “liángshàn ({[is] good} [→ [goodness]] 良善)” is a separate word from the words before and after it.

John DeFrancis, in his book The Chinese Language: Fact and Fantasy (pp. 184–185), explains the different types of syllables in Mandarin, with regard to how free they are to stand on their own as words:

DEGREES OF SYLLABIC FREEDOM

Syllables like that are intelligible even in isolation are at the opposite extreme from syllables like , allegedly “butterfly” but actually a mere phonetic element devoid of meaning and tightly bound as part of the two-syllable expression hùdiǎr. Between these two extremes are meaningful syllables that are semibound in the sense that they always occur bound but have a certain flexibility in joining with other syllables. There are thus three types of Chinese syllables:

  1. F: free, meaningful
  2. SB: semibound, meaningful
  3. CB: completely bound, meaningless

These three categories are roughly comparable in English to the free form teach, the semibound form er in “teacher” and “preacher,” and the completely bound forms cor and al in “coral.”