Tag: Writing Systems

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Culture Experiences History Language Learning Science Theocratic

zháole huǒ

zháole huǒ+ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) → [having caught fire; burning; being on fire]) 👈🏼 Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 ➕ icons mean 📖 Reveal All, 📄 Reveal Advanced, and ➕ Reveal + Symbols re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

A few years back, I wrote up a brief web page listing reasons for producing Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), etc. material for the Imitate (ia) book. Some, especially some who grew up in the West, may have felt that this book is made up of “just stories”, and ones that they were already quite familiar with, at that. However, we must remember that Chinese Bible students may often have a different perspective regarding the Bible accounts that are made to come to life in the Imitate book. As that web page said:

  • Many Chinese people in the world have not been exposed to Bible accounts the way many Westerners have.
  • Also, I have heard that some, perhaps many, Chinese Bible students tend to approach their Bible studies like intellectual exercises for accumulating chōuxiàng (abstract) head knowledge as if for a school exam, rather than as training for their hearts for their own real lives.

Later, the web page touches on how some of the real-world benefits of good storytelling like that found in the Imitate book involve empathy:

  • …
    • The actress Natalie Portman once said, “I love acting. I think it’s the most amazing thing to be able to do. Your job is practicing empathy. You walk down the street imagining every person’s life.”
  • The Imitate book helps build Bible students’ empathy towards Bible characters, which in turn helps Bible students realize that others would feel empathy towards them as well if they imitated these Bible characters—not everyone will just think they’re crazy, like many worldly friends or family members might think.

While even fictional stories can have the benefits described in the links and the quote above, true stories from the Bible can have even greater benefits, including spiritual ones.

Besides the Imitate book, another book from Jehovah’s organization that relates Bible accounts is the Learn From the Bible (lfb) book. The letter from the Governing Body in this book says that, similarly to the Imitate book, the Learn From the Bible book also “brings the Bible accounts to life and captures the feelings of those depicted”, while, unlike the Imitate book, it “tells the story of the human family from creation onward”. While the Learn From the Bible book is especially suitable for children, the letter from the Governing Body in this book says that “it can also be used to help adults who desire to learn more about the Bible”. So, it would be good to consider on this blog some of the expressions used in the Mandarin Learn From the Bible book.

On Fire 🔥

This week’s MEotW, “zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) → [having caught fire; burning; being on fire])”, appears in the first paragraph of Lesson 18 of the Mandarin Learn From the Bible book, which is entitled “Ránshāo (Rán·shāo Ignited · {to Be Burning} 燃烧 燃燒) de (’s 的) Jīngjí‐Cóng+ ((Jīng·jí Brambles · Thorns 荆棘 荊棘)‐(Cóng Clump 丛 叢) → [Bush])” (“The Burning Bush”):

English:

A thornbush was on fire, but it was not burning up!

Mandarin:

📖 📄 ➕ Móxī (Moses 摩西) kànjian (kàn·jian {looked at} · {to be seeing} → [saw] 看见 看見) jīngjí‐cóng+ ((jīng·jí brambles · thorns 荆棘 荊棘)‐(cóng clump 丛 叢) → [bush]) zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) → [being on fire]), dàn (but 但) yìzhí (yì·zhí one · {being straight} → [all the while] 一直) méiyǒu (méi·yǒu (it) not · {was having → [was]} → [(it) was not] 没有 沒有) shāodiào (shāo·diào {being burned} · {to be falling → [up]} 烧掉 燒掉).

The Mandarin Learn From the Bible book here uses “zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) → [having caught fire; burning; being on fire])” to correspond with the English expression “on fire”. “Zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) → [having caught fire; burning; being on fire])” is the past participle of “zháohuǒ (zháo·huǒ catch; ignite; light · fire 着火 著火)”, which corresponds to “catch fire” in English.

Morphemic Breakdown

Going in reverse order, the “huǒ (fire [→ [fiery anger/temper | get fiery with anger]] | fiery; flaming 火)” in “zháole huǒ ((zháo·le {having caught} · {to completion} 着了 著了) (huǒ fire 火) → [having caught fire; burning; being on fire])” is a well-known expression that means “fire”. As for “le (-ed | {to completion} | [(at the end of a phrase/sentence) indicates a change] 了)”, when it’s used as it is in this week’s MEotW, it’s considered an aspect marker, as was discussed extensively in the MEotW post for “jiéle hūn ((jié·le {tied (a knot of)} · {to completion} 结了 結了) (hūn marrying → [marriage] 婚) → [[got] married])”. That brings us to “zháo+ ({touch; come in contact with} [→ [feel; be affected by]] | {catch; ignite; light (fire)}; burn | {hitting the mark}; accomplishing; succeeding 着 著)”, the pronunciation and meaning of which are obvious in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), but not so much when one just sees “着” (Simplified) or “著” (Traditional), the characters used to write it.

The Many Faces of “着/著”

According to the dictionaries loaded in my Pleco app, the characters “着/著” can represent 5 different expressions, each with its own pronunciation and set of meanings:

  • zhāo – add; put in | measure word for tricks, devices, moves in chess or martial arts, etc.
  • zháo – touch; come in contact with [→ [feel; be affected by]] | catch; ignite; light (fire); burn | hitting the mark; accomplishing; succeeding (This is the one used in this week’s MEotW.)
  • zhe – being (indicating continuing progress/state)
  • zhù – prominent; outstanding | book; work
  • zhuó – apply | put on/wear (clothes)

While advocates of characters complain about the homophones (different words with the same pronunciation) in Mandarin that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) would write the same way, the above illustrates the corresponding problem of homographs (different words that are written the same way) that plagues the characters.

Don’t Fall For the FUD!

How can we deal with homophones and homographs? For both of these contrasting linguistic challenges, the best solution is that which is used in speech, the original, primary aspect of human language, as created by Jehovah God: Use sufficient clarifying context. Contrary to the unjustified FUD (Fear, Uncertainty, and Doubt) spread by many advocates of characters, many millions of people have been speaking modern Mandarin to each other for decades, homophones and all, and because people have learned to use sufficient clarifying context when speaking it, it’s been fine! Similarly, so long as one gives oneself a chance to get used to it, using Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) to write Mandarin is also fine, since Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is just a simple way to represent Mandarin speech.

Of course, if one has a poor understanding of Mandarin speech, then one will thus also have a poor understanding of Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音). Unfortunately, experience has shown that Mandarin learners who just go along with traditional imperfect human culture and focus on the visible, visually elaborate characters often end up neglecting invisible Mandarin speech. The thing is, though, according to both the science of linguistics and the Bible itself, speech is actually the primary aspect of human language, and no matter how exceptional worldly Chinese people may think they are, that applies to Mandarin and all the other Chinese languages as well.—1 Corinthians 14:8–11.

For convenience:

The direct link for the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource for the Learn From the Bible book is:

The short link for Chinese field language-learning links for the Learn From the Bible book is:

More Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material based on the Mandarin Learn From the Bible book will be made available in the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web resource as time allows.

Categories
Culture History Language Learning Names Technology

fántǐ‐zì

fántǐ+ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體)‐zì+ (characters 字) 👈🏼 Tap/click to show/hide the “flashcard”

[This is a reposting of a post that was originally posted on November 30, 2020. I took the opportunity to flesh out the original post and this repost with additional material.]

For a long, long, long time, Chinese characters were just Chinese characters. Then, in 1956, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

Name?

To distinguish these newfangled official simplified Chinese characters from the Chinese characters that had existed before, and that continue to be used by many people in many parts of the world, retronyms were coined to refer to these pre-existing Chinese characters, just as the term “acoustic guitar” was coined to refer to a regular non-electric guitar after electric guitars came along.

In the English-speaking world, the pre-official simplification characters have come to be called “traditional Chinese characters”, as opposed to the “simplified Chinese characters”. In the Chinese-speaking world, as is true of many things regarding Chinese characters, the situation is…complicated. Wikipedia summarizes the situation thusly:

Traditional Chinese characters (the standard characters) are called several different names within the Chinese-speaking world. The government of Taiwan officially calls traditional Chinese characters standard characters or orthodox characters (traditional Chinese: 正體字; simplified Chinese: 正体字; pinyin: zhèngtǐzì; Zhuyin Fuhao: ㄓㄥˋ ㄊㄧˇ ㄗˋ).[source] However, the same term is used outside Taiwan to distinguish standard, simplified and traditional characters from variant and idiomatic characters.[source]

In contrast, users of traditional characters outside Taiwan, such as those in Hong Kong, Macau and overseas Chinese communities, and also users of simplified Chinese characters, call them complex characters (traditional Chinese: 繁體字; simplified Chinese: 繁体字; pinyin: fántǐzì; Zhuyin Fuhao: ㄈㄢˊ ㄊㄧˇ ㄗˋ). Users of simplified characters sometimes informally refer to them as “old characters” (Chinese: 老字; pinyin: lǎozì; Zhuyin Fuhao: ㄌㄠˇ ㄗˋ).

Users of traditional characters also sometimes call them “full Chinese characters” (traditional Chinese: 全體字; simplified Chinese: 全体字; pinyin: quántǐ zì; Zhuyin Fuhao: ㄑㄩㄢˊ ㄊㄧˇ ㄗˋ) to distinguish them from simplified Chinese characters.

In my experience in the Chinese fields in Canada, I have always heard traditional Chinese characters referred to using this week’s MEotW, “fántǐ+ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體)‐zì (characters 字)”. For reference, this is also the term used on jw.org when referring to Mandarin written using traditional Chinese characters:

jw.org referring to Mandarin written using traditional Chinese characters

jw.org refers to traditional Chinese characters as “fántǐ+ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體)” characters.

Beloved by Traditionalists and Purists, But Complicated

Many feel that traditional characters are the best characters of all, since, in their estimation, the official simplified characters have lost some of the heart and soul of characters. As a symbolic example, some point to how the simplified character for “love”, “爱”, omits the “heart” radical (“心”), which is appropriately in the traditional character for “love”, “愛”.

Yes, as the above post mentions, the obvious, glaring issue with traditional characters is—aggravated by the fact that there are tens of thousands of them—their extreme, extraordinary complexity, the result of their problematically complex basic nature, along with thousands of years of accumulated occasionally arbitrary design decisions and developmental cruft. For example, note the below excerpt from p. 82 of the book The Chinese Language: Fact and Fantasy, by John DeFrancis:

In the case of the rendition for the huáng meaning “sturgeon” we have two variants, one written with the “yellow” phonetic and the other with the “emperor” phonetic, both combined with the semantic element for “fish”:

魚 “fish”
鱑 “fish” + huáng “yellow” = huáng “sturgeon”
鰉 “fish” + huáng “emperor” = huáng “sturgeon”

While etymological research might succeed in clarifying the basis for some of the variation, in many cases, as one specialist in Chinese paleography concludes, “it is simply a matter of the whim of the writer” (Barnard 1978:203).

Scribal whim goes far to explain a diversity bordering on chaos in the forms of the Chinese characters as they evolved in the Shang dynasty and during the long years of political and administrative disunity in the Zhou dynasty (ca. 1028–221 B.C.). The situation was aggravated by the fact that characters were created by writers living in different historical periods, which inevitably meant changes in sounds over the years, and speaking different dialects, which inevitably affected their choice of phonetic elements in the creation of new characters.

Their inherent extraordinary complexity, exacerbated by an accumulated millennia-long history of design decisions made on a whim, out-of-date phonetic elements, etc., causes especially the traditional characters, and even the (moderately) simplified characters, to be extremely difficult for us imperfect humans to learn and to remember. This has lead to character amnesia and the Great Wall of unfamiliar characters being real things, even among those who have been studying characters for decades. How complex can traditional characters get? Theoretically, there is no upper limit!

The extreme, extraordinary complexity of traditional characters undoubtedly contributed greatly to illiteracy having been widespread in China for much of its history. Even for those who are privileged to be able to devote the extraordinary amount of time and effort needed to learn traditional characters, it’s a long, hard slog, compared to learning a comparatively simple and compact alphabetical writing system. It’s little wonder, then, that there have been serious, concerted efforts to simplify and even replace traditional Chinese characters.

Categories
Culture History Language Learning Names Technology

Hànzì

Hànzì+ (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) ← Tap/click to show/hide the “flashcard”

[This is a reposting of a post that was originally posted on November 23, 2020. It discusses how, in the big picture, we Mandarin field language learners should view Chinese characters, those seemingly essential but maddeningly difficult-to-learn-and-remember icons of worldly Chinese culture.]

“Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)” is what Chinese characters are called in Mandarin. Actually, “Hànzì+ (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)” literally means “Han characters”, but as discussed in the MEotW post on “Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language [→ [(Modern Standard) Mandarin]] 汉语 漢語)”, the Han are by far the largest ethnic group in China, and they are the dominant cultural force in China. Thus, Han characters are, in effect, Chinese characters.

漢字 汉字

Han culture has affected not only China, but also many of the surrounding nations. The words used by some of these nations to refer to “Chinese characters” are obvious echoes of “Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)”:

  • Japanese: kanji
  • Korean: Hanja
  • Vietnamese: hán tự

Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are still used a lot in modern Japanese writing. However, although Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) used to be the dominant writing system in Korea and in Vietnam, those nations have moved on to mainly use alphabetic writing systems.

The Korean Connection

Regarding the situation in Korea, the Awake! article “Let’s Try Writing in Hankul!” says:

BEFORE Hankul [or Hangul] was created, the Korean language did not have its own script. For more than a thousand years, educated Koreans wrote their language using Chinese characters. Over the years, however, various attempts were made to devise a better writing system. But since all of them were based on Chinese characters, only the well-educated could use them.

…

King Sejong spearheaded the creation of an alphabet that would both suit spoken Korean and be easy to learn and use.

…

Sadly, some scholars opposed Hankul, precisely because it was so easy to learn! They derisively called it Amkul, meaning “women’s letters.” They disdained a system that could be learned even by women, who back then were not taught to read in the schools. This prejudice against Hankul persisted among upper-class Koreans for some time. In fact, more than 400 years elapsed before the Korean government declared that Hankul could be used in official documents.

The Chinese Conundrum

How about the writing system situation in China itself? Do the Chinese languages need to be written using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)? Chinese traditionalists have influenced many people to assume so, but there is actually no technical linguistic requirement that any Chinese language be written using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)—writing Chinese languages using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is purely and merely a deeply embedded tradition.

Proof that the use of Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is merely a tradition and not a technical requirement comes from the fact that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), a phonetic alphabetic system designed by a Chinese government team, is a good, workable full writing system for Modern Standard Mandarin.

Why has China held on to its traditional use of Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) when other nations have moved on to alphabetic writing systems? As mentioned in the MEotW post on “Zhōngguó (Zhōng·guó Central · Nation → [China | Chinese] 中国 中國)”,

Some wonder why China has held on to its archaic characters writing system instead of moving on to using a modern alphabetic writing system like almost every other nation does, even though outstanding native sons like Lǔ Xùn+ ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) have advocated strongly for that. Perhaps the proud self-centredness of the only nation to name itself the centre of the world provides a clue….

When the Communists took over China a few years after World War II, their Plan A for China’s writing system situation actually did involve eventually moving on from the characters to an alphabetic writing system that would be developed, which turned out to be Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音). However, the government needed the help of the people already educated in Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), and many of these people opposed this plan that they feared would involve leaving behind, or at least de-emphasizing, a cultural tradition that they were very proud of, that they had invested very much time and effort into mastering, and that gave them much prestige in the existing environment.1 In other words, the pride and prejudice of those who had already been educated in the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) caused them to disparage and oppose the idea of a simpler alternative writing system, just as had been the case in Korea, as noted above. So, the simplification of the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is the farthest China has gotten so far with regard to official writing system reform, and even that has only been achieved in the face of much criticism and opposition.

Chairman Máo Zédōng+ ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article) himself supported continuing to move on, from simplification of the characters to actually adopting Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a writing system. In a letter to an old schoolmate, he wrote:

…Pinyin writing is a form of writing that is relatively convenient. Chinese characters are too complicated and difficult. At present we are only engaged in reform along the lines of simplification, but some day in the future we must inevitably carry out a basic reform.2

Letter from Mao endorsing a transition from Chinese characters to alphabetic writing

(The above picture is from near the beginning of the book The Chinese Language: Fact and Fantasy, by John DeFrancis.)

While obviously what Máo ((Máo Hair (surname) 毛) (abbr. for Máo Zédōng, the founder of the People’s Republic of China)) foresaw regarding a writing system “basic reform” in China has not yet come true, American sinologist and University of Pennsylvania Professor of East Asian Languages and Civilizations Victor H. Mair wrote in a blog post:

So, those who are in favor of HP [Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language → [(Modern Standard) Mandarin] 汉语 漢語) Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)] don’t need to be concerned, and those who are opposed to HP don’t need to be frightened. HP is ineluctably playing a greater and greater role in the educational, cultural, social, political, and every other aspect of the lives of Chinese citizens, and this is occurring without regard to anyone pushing it as a governmental program. It is happening because of the wishes of those who actually use it for a wide variety of helpful purposes.

Digraphia [the use of more than one writing system for the same language, in this case the use of both Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) for writing Modern Standard Mandarin] is emerging before our very eyes, enabling people to use the alphabet and the characters for whatever purposes they deem suitable. Nobody needs to take a vote or carry out a survey for this to happen.

Tourists or Missionaries?

Regardless of how worldly Chinese people view the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), how should we dedicated Mandarin field language-learners view them? It would be easy to fall back on the commonly accepted view, the tourist’s view, that the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are an integral and fascinating part of China’s precious cultural heritage that we should duly respect and even heap adulation upon.

However, as Mandarin field language-learners, we are not in the Mandarin field to be tourists just enjoying the exotic foreign culture. On the contrary, we must be more like missionaries or spiritual rescue workers involved in an urgent life-saving work, because lives are indeed involved. As ones involved in an urgent, life-saving work, we need tools, technologies, and systems that efficiently and effectively help us to get this work done without wasting time and effort when people’s everlasting lives are at stake. From this sober and pragmatic angle, the extraordinarily difficult-to-learn-and-remember Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are far from ideal. Thus, while there is obviously value in learning as many Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) as one is reasonably able to, it is fortunate that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) exists and is available as a simple, effective alternative writing system for Mandarin, for the many times when it is not necessary to use Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字).

 

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. 258. ^

2. Ibid., p. 295. ^