Tag: Lǔ Xùn

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Culture History Theocratic

rénkǒu

rénkǒu (rén·kǒu people · {mouths of} → [population; number of people in a family] 人口) ← Tap/click to show/hide the “flashcard”

Lesson 05, point 6 of the Yǒngyuǎn Xiǎngshòu Měihǎo de Shēngmìng—Hùdòng Shì Shèngjīng Kèchéng ((Yǒng·yuǎn Eternally · {Far (in Time)} 永远 永遠) (Xiǎng·shòu Enjoy · Receive 享受) (Měi·hǎo Beautiful · Good 美好) (de ’s 的) (Shēngmìng Life 生命)—(Hù·dòng {Each Other} · Moving → [Interactive] 互动 互動) (Shì (Type 式) (Shèng·jīng Holy · Scriptures → [Bible] 圣经 聖經) (Kè·chéng Lessons · Procedure → [Course] 课程 課程) → [Enjoy Life Forever!—An Interactive Bible Course (lff)]) (Enjoy Life Forever! (lff)) book contains an illustration depicting the unparalleled availability of God’s Word the Bible. One of the illustration’s captions says the following:

English:

Nearly 100% of the world’s population have access to the Bible in a language they understand

Mandarin:

📖 📄 📘 Chà‐bu‐duō ((Chà {falling short of by} 差)‐(bu not 不)‐(duō much 多) → [nearly]) 100% ((bǎi {(one) hundred} 百) (fēn dividings → [parts] 分) (zhī {(among) them} 之) (bǎi {(one) hundred} 百) → [one hundred percent (of)]) shìjiè (shì·jiè {generation → [world]} · extent’s → [world’s] 世界) rénkǒu (rén·kǒu people · {mouths of} → [population] 人口) dōu (even 都) néng (can 能) yòng (use 用) tāmen (tā·men he/she · [pl] → [they] 他们 他們) míngbai (míng·bai understand · clearly 明白) de (’s 的) yǔyán (yǔ·yán language · {(type of) speech} 语言 語言) dúdào (dú·dào {to read} · {arriving at} 读到 讀到) Shèngjīng (Shèng·jīng (the) Holy · Scriptures → [the Bible] 圣经 聖經)

While “rénkǒu (rén·kǒu people · {mouths of} → [population; number of people in a family] 人口)”, this week’s MEotW, is used above to mean “population”, as it is often used, one of the definitions for this expression in the highly regarded ABC Chinese-English Dictionary is “mouths to feed”. This lends credence to the hypothesis that perhaps the morphemes included in “rénkǒu (rén·kǒu people · {mouths of} → [population; number of people in a family] 人口)” reflect that historically the governments of China have viewed their population as mouths that need to be fed, since this has often been a big challenge, to the point of famine. Contrast this view to the perhaps more Western and modern cultural focus of a nation’s population as its potential human assets. (Of course, humans who are assets also need to be fed, so a balanced approach would give sufficient weight to both aspects.)

Eating or Being “Eaten”?

It may be that historically the governments of China have had feeding the people as one of their primary concerns, however, ironically, it’s also the case that archaeologists have found evidence of human sacrifice in ancient China, which involves ancient Chinese society “eating” individual members of its population. How much human sacrifice are we talking about? One web article that I found speaks of exceptionally large scale human sacrifice in ancient China, comparable in scale to the human sacrifice practiced in the ancient Mayan culture:

While the phenomenon of ritual human killings have been present in many societies throughout history [source], the types of human sacrifice that were practiced by ancient Chinese and pre-Colombian Mesoamerican cultures…were exceptional in terms of the sheer number of people sacrificed, the frequency at which it was done, and the high degree of formalization of their sacrificial rituals. Large-scale, systematic human sacrifice functioned as important political and religious spectacles in [the] Shang dynasty.[source]

Another web article that I found gives us some estimated numbers:

Prior worked revealed an extraordinary number of ritual human sacrifices were conducted during the Shang dynasty, which spanned from the 16th century B.C. to the 11th century B.C. It is the earliest dynasty in China for which archaeologists have evidence. For instance, sacrificial pits are common across the entire site of the last Shang capital, Yinxu, which researchers discovered in 1928 in central China’s Henan Province. Scientists have estimated that over the course of about 200 years, more than 13,000 people were sacrificed in Yinxu, usually males ages 15 to 35, and that on average, each sacrificial ritual there likely claimed at least 50 human victims. The biggest sacrifice found so far killed at least 339 people.

As the MEotW post on “xīshēng (xī·shēng {sacrifice (n or v) | sacrificial} · {[(as with a)] domestic animal} → [sacrifice] 牺牲 犧牲)” noted:

It’s interesting to note, though, that an Internet search for “ancient China sacrifices” will turn up many references to human sacrifices in ancient China, as there were in ancient Canaan—let us be careful not to think more highly of worldly Chinese history and culture than they actually deserve!

A Metaphorically Cannibalistic Society

Speaking of Chinese society “eating” people, Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)), recognized as China’s greatest 20th century writer, wrote a short story called “Kuángrén Rìjì ((Kuáng·rén Mad·man’s 狂人) (Rì·jì {Sun’s → [Day’s]} · Record → [Diary] 日记 日記) → [Diary of a Madman (short story by Lǔ Xùn)])” (“Diary of a Madman”) which uses this as a metaphor. Wikipedia provides the following summary concerning this metaphor:

The story is not just a depiction of a man suffering from mental illness with the delusion of being eaten but rather a symbol of the cannibalistic nature of Chinese customs and society wrapped up in the veneer of Confucianism. The story progresses with the appearance of imagery such as that of a dog, which symbolizes cannibalism and a certain “slave mentality”.[source]

The metaphor of “eating people” symbolises the oppressive and feudalistic social structure and values entrenched within Chinese culture.[source] The madman represents the “awakened” individual who re-gains his individuality and refuses to abide by the traditional and harmful cultural norms society,[source] with the neighbors whom he believes to want to devour him representing Chinese society in general. …

Because China was built upon and continued to be informed by Confucian morality and principles over long stretches of history, concepts such as democracy, individualism, natural rights and freedom of thought did not exist and were therefore difficult to take root within the Chinese psyche. Lu Xun remarked that “[we] Chinese have always been a bit arrogant –unfortunately it is never “individual arrogance” but without exception “collective and patriotic arrogance”.[source]

Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) ends “Kuángrén Rìjì ((Kuáng·rén Mad·man’s 狂人) (Rì·jì {Sun’s → [Day’s]} · Record → [Diary] 日记 日記) → [Diary of a Madman (short story by Lǔ Xùn)])” (“Diary of a Madman”) with this appeal:

📖 📄 📘 Jiùjiù (Jiù·jiù save · save 救救 救/捄救/捄) háizi (hái·zi (the) children · [suf for nouns] 孩子)…

(Save the children…)

(The original text of “Kuángrén Rìjì ((Kuáng·rén Mad·man’s 狂人) (Rì·jì {Sun’s → [Day’s]} · Record → [Diary] 日记 日記) → [Diary of a Madman (short story by Lǔ Xùn)])” (“Diary of a Madman”) can be found here. An English translation can be found here.)

Chinese Characters and Life and Death

Besides being one of China’s greatest writers, Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) was also a strong proponent of alphabetic writing over Chinese characters. An English translation of an article he wrote on this subject can be found here. In this article, he wrote:

Latinization has another advantage: one can write fast. The Americans say, “Time is money.” But I think that time is life. To squander other people’s time for no reason is, in fact, no different than robbing and murdering them.

Indeed, since time is life, by unnecessarily taking such extraordinary amounts of time to learn and remember, Chinese characters make themselves part of the Chinese traditions that take away life from people. In this regard, one of the web articles quoted above mentioned a connection that’s been found between the earliest Chinese characters and human sacrifice:

Yinxu is also home to the earliest known writing in China, in the form of oracle bone inscriptions. Diviners carved these questions on turtle shells or ox bones, addressing the king’s concerns and ranging from personal issues such as unsettling toothaches to state matters such as crop failures. These inscriptions also recorded the king’s ritual activities, such as human sacrifices to the ruler’s ancestors or the gods.

Yes, it’s literally true that Chinese characters have been involved with taking life away from Chinese people since their very beginning! Additionally, regarding our life-saving preaching and teaching work today, my article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Was Plan A says:

Concerning the obstacles presented by Chinese characters, the great Chinese writer Lǔ Xùn, who passed away in 1936, reportedly said, “Hànzì bú miè, Zhōngguó bì wáng.” (“汉字不灭，中国必亡。/ 漢字不滅，中國必亡。” “If Chinese characters are not abolished, China will certainly die.”) True, with the simplification of the characters, the assistance of Pīnyīn, and the extra hard work put forth by the Chinese people to “tough out” the extra technical burdens presented by the characters, it now seems unlikely from a worldly viewpoint that the use of characters will cause the nation of China to die (although we know it will die at Armageddon, and its culture’s influence will eventually fade away completely after that). However, how sad it would be if many Chinese people died unnecessarily because the ongoing obstacles presented by Chinese characters hindered our efforts to reach their hearts with the life-saving message from God’s Word.

Indeed, how many Chinese people will ultimately end up getting sacrificed on the altar of worldly Chinese culture and tradition?

Who’s a Madman?

Speaking of madmen and Chinese writing, today, many would consider it mad to use an alphabetical system like Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) to write Mandarin Chinese, instead of the traditionally entrenched Chinese characters. However, remember that Jesus’ relatives thought that he had “gone out of his mind”, when in fact their minds were stuck in their traditional worldview while Jesus was showing people the way forward. (Mark 3:21) Now, we look back and think the people who had the opportunity to be taught by Jesus in person but passed on it were crazy!

A couple of million years or so into the new system, if we ever think about it at all, we’ll also undoubtedly think it was crazy that so many people thought that a writing system that had been around for just a few millennia was impressively old, and we’ll also undoubtedly think it was crazy that so many people thought that everyone involved should always use an unnecessarily convoluted and time-consuming writing system like Chinese characters for an urgent life-saving work when a much easier-to-learn and much easier-to-use writing system like Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) was available.

For convenience:

The direct link for the current generation Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource for the Enjoy Life Forever! book is:

The short link for Chinese field language-learning links for the Enjoy Life Forever! book is:

More Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material based on the Mandarin Enjoy Life Forever! book will be made available in the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web resource as time allows.

Categories
Culture History

báihuà

báihuà (bái·huà {white → [colloquial; vernacular]} · speech [→ [writing based on vernacular speech]] 白话 白話) ← Tap/click to show/hide the “flashcard”

As mentioned in last week’s MEotW on “chéngyǔ (chéng·yǔ {(sth. that) has become} · saying → [set phrase (typically of 4 characters); idiom] 成语 成語)”, Literary Chinese was the standard style of writing in China for a long, long time. Since language naturally changes as time goes by, though, the way people actually talked became more and more different from Literary Chinese.

Eventually, starting about a century ago, in the early 1920s, written vernacular Chinese, or báihuà (bái·huà {white → [colloquial; vernacular]} · speech [→ [writing based on vernacular speech]] 白话 白話)—this week’s MEotW—began replacing Literary Chinese in literary works, and it eventually became the standard style of writing for Modern Standard Mandarin.

A Literary Turning Point

The Wikipedia article on written vernacular Chinese provides this summary regarding this literary turning point:

Jin Shengtan, who edited several novels in vernacular Chinese in the 17th century, is widely regarded as the pioneer of literature in the vernacular style. However, it was not until after the May Fourth Movement in 1919 and the promotion by scholars and intellectuals such as pragmatist reformer Hu Shih, pioneering writer Chen Hengzhe, leftist Lu Xun, Chen Duxiu, and leftist Qian Xuantong that vernacular Chinese, or Bai hua, gained widespread importance. In particular, The True Story of Ah Q by Lu Xun is generally accepted as the first modern work to fully utilize the vernacular language.[source]

The Wikipedia article on the May Fourth Movement adds the following:

In Chinese literature, the May Fourth Movement is regarded as the watershed after which the use of the vernacular language (baihua) gained currency over and eventually replaced the use of Literary Chinese in literary works. Intellectuals were driven toward expressing themselves using the spoken tongue under the slogan 我手写我口 [wǒ (my 我) shǒu (hand 手) xiě (writes 写 寫) wǒ (my 我) kǒu ({mouth(’s utterances)} 口)] (‘my hand writes [what] my mouth [speaks]’), although the change was actually gradual: Hu Shih had already argued for the use of the modern vernacular language in literature in his 1917 essay “Preliminary discussion on literary reform” (文学改良刍议), while the first short story written exclusively in the vernacular language, The True Story of Ah Q by Lu Xun, was not published until 1921.

Punctuation! Arabic Numerals!

Interestingly, the Wikipedia article on written vernacular Chinese, quoted above, goes on to make the following claim about what came along with this change to the vernacular style:

Along with the growing popularity of vernacular writing in books in this period was the acceptance of punctuation, modeled after that used in Western languages (traditional Chinese literature was almost entirely unpunctuated), and the use of Arabic numerals.

The above claim about how it came to be that we now benefit from punctuation in modern Chinese writings is repeated in the separate Wikipedia article on Chinese punctuation:

Although there was a long native tradition of textual annotation to indicate the boundaries of sentences and clauses, the concept of punctuation marks being a mandatory and integral part of the text was only adapted in the written language during the 20th century due to Western influence.

A quick web search also turned up this post on the Chinese Language Stack Exchange website, part of which says:

I have seen some old Chinese books. The words flowed from top to bottom on the page and there was no punctuation.

We can be thankful that báihuà (bái·huà {white → [colloquial; vernacular]} · speech [→ [writing based on vernacular speech]] 白话 白話) (along with, apparently, punctuation and Arabic numerals) replaced Literary Chinese as the standard style of writing for Mandarin, just as I’m sure that the English-speakers among us are thankful that the standard written English of today is no longer the written English of Shakespeare or that of the King James Version of the Bible.

How About Cantonese, Shanghainese, Etc.?

Báihuà (Bái·huà {white → [colloquial; vernacular]} · speech [→ [writing based on vernacular speech]] 白话 白話) not only became the standard style of writing for Modern Standard Mandarin, but due to China’s particular language and political situation, it also became the standard style of writing for speakers of Cantonese and of other Chinese languages, as Wikipedia points out:

Since the early 1920s, this modern vernacular form has been the standard style of writing for speakers of all varieties of Chinese throughout mainland China, Taiwan, Malaysia and Singapore

As someone who was in the Cantonese field for a long time before joining the Mandarin field, I can attest to the fact that years ago in the Cantonese field, we would use official publications that were actually in written Mandarin, with its different vocabulary, etc., because báihuà (bái·huà {white → [colloquial; vernacular]} · speech [→ [writing based on vernacular speech]] 白话 白話), the standard writing style in the Chinese world, is based on Mandarin.

Recently, though, Jehovah’s organization has carried on in the direction gone in by báihuà (bái·huà {white → [colloquial; vernacular]} · speech [→ [writing based on vernacular speech]] 白话 白話), of having writing reflect how people actually talk, by making available publications in which the writing is based on spoken Cantonese, in addition to the existing publications using written Mandarin. (Publications in which the writing is based on other spoken Chinese languages are also available.) This is in harmony with a basic principle regarding how God designed and created humans to use language, which, as linguists have figured out, is that speech is primary and writing is secondary.

Different kinds of written Chinese on jw.org

Publications are available on jw.org in writing based on different Chinese languages, to better match how people actually talk in those languages.

Categories
Culture History Languages

jiǎntǐ zì

jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體) zì (characters 字) ← Tap/click to show/hide the “flashcard”

For a long, long, long time, Chinese characters were just Chinese characters. Then, in the 1950s, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

On the matter of what simplified Chinese characters are called in Mandarin, Wikipedia provides this summary:

Simplified Chinese characters may be referred to by their official name above [(简化字; jiǎnhuàzì)[source]] or colloquially (简体字; jiǎntǐzì). In its broadest sense, the latter term refers to all characters that have undergone simplifications of character “structure” or “body”[source], some of which have existed for millennia alongside regular, more complicated forms. On the other hand, the official name refers to the modern systematically simplified character set, which (as stated by then-Chairman Mao Zedong in 1952) includes not only structural simplification but also substantial reduction in the total number of standardized Chinese characters.[source]

For reference, this is the term used on jw.org when referring to Mandarin written using simplified Chinese characters:

jw.org referring to Mandarin written using simplified Chinese characters

jw.org refers to simplified Chinese characters as “jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體)” characters.

The Great Simplified vs. Traditional Debate

While it seems obvious that simpler is generally better, there is actually much, much debate about the pros and cons of simplified characters vs. traditional characters, as discussed in these articles:

Standards and Compromises

While the simplified characters themselves are indeed easier to learn and remember compared to the traditional characters, for many, they have become another set of characters in addition to the traditional characters that has to be learned and remembered. (There is, at least, some overlap between the two systems. Where do they overlap? That is yet more information that has to be learned and remembered…) And while simplified characters have been simplified, they are still characters, and characters are inherently extraordinarily complex and hard to learn and remember.

xkcd: Standards

The simplified characters became a new standard that many have had to learn in addition to that of the traditional characters.
Creative Commons logo Randall Munroe

While Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is also a different system to be learned and remembered, it is in a whole different league compared to any system of Chinese characters when it comes to ease of learning and remembering. One of the scholars who helped create Hangul (or Hankul), the Korean alphabet, said of it: “The wise can learn it in one morning, and even the unwise can learn it in ten days.” Being also a phonetic alphabet, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) can be reasonably said to be in the same ballpark (with the added advantage that the Latin alphabet letters used in Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) are already familiar to many people)—downright revolutionary compared to the years (decades?) required to learn even simplified characters.

Simplified characters are thus a compromise that mainland China, etc. have settled on—simpler than traditional characters, but perhaps thus not as good at being characters. Meanwhile, they are still characters, still having many of the complexities and vagaries of characters. They fall short of the fundamental reform envisioned by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article), Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) (Wikipedia article), and others, that would have involved eventually moving on from any kind of characters to alphabetic writing.

Letter from Mao endorsing a transition from Chinese characters to alphabetic writing

A letter written by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) endorsing “a basic reform” involving a transition from Chinese characters to alphabetic writing1

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. ii. ^