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jiǎ xiāoxi

jiǎ (false; fake假/叚)
xiāoxi (xiāo·xi disappearing · news → [news; information] 消息) ← Tap/click to show/hide the “flashcard”

At the time of this writing, jw.org was featuring the whiteboard animation video “Protect Yourself From Misinformation”. The English and Mandarin versions of this video match the English word “misinformation” with this week’s MEotW, “jiǎ (false; fake假/叚) xiāoxi (xiāo·xi disappearing · news → [news; information] 消息)”:

Screenshot from the video “Protect Yourself From Misinformation”, 0:32 mark, showing “Misinformation” in the subtitle

Screenshot from the video “消息满天飞,如何辨真假”, 0:32 mark, showing “假消息 (jiǎ xiāoxi)” in the subtitle

[Note: The MEotW post on “shèjiāo wǎngzhàn ((shè·jiāo {god of the land → [society] → [social]} · {meeting → [associating]} → [social contact/interaction] 社交) (wǎng·zhàn {net → [web]} · {stand → [station]} → [website] 网站 網站) [social networking website; social network]) contains information about how to add unproofread computer-generated Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) to the subtitles of Mandarin videos on jw.org in most browsers.]

“Jiǎ (false; fake假/叚) xiāoxi (xiāo·xi disappearing · news → [news; information] 消息) can also be translated as “false news”, “false information”, or perhaps even “fake news”, as confirmed by the entry for this expression in the excellent Referenced Theo. Expressions (RTE) resource.

Disappearing?

“Jiǎ ({[is] false; fake; phony; artificial} | if; supposing; assume; presume | borrow; {avail oneself of}假/叚) means “false” or “fake”, and “xiāoxi (xiāo·xi disappearing · news → [news; information] 消息)”, while used to effectively mean “news” or “information”, actually literally means “disappearing news”. Why “disappearing”? Perhaps that is a nod to the fleeting nature of news—relatively quickly, when it’s not new anymore, it’s not news anymore.

The Wiktionary entry for “xiāoxi (xiāo·xi disappearing · news → [news; information] 消息) seems to bear this out, as it says:

消息 (xiāoxi) refers to news as in new information; to express the meaning of news as in reports of current events, use 新聞/新闻 (xīnwén).

“Xiāoxi (Xiāo·xi disappearing · news → [news; information] 消息) also appears in the expression “hǎo (good 好) xiāoxi (xiāo·xi disappearing · news → [news] 消息)”, meaning “good news”, which we use often in the Mandarin field. In fact, “Hǎo (Good 好) Xiāoxi (Xiāo·xi Disappearing · News → [News] 消息)”! is the title of the concluding song for this year’s Mandarin conventions! (English, Mandarin, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus) Also, we will say “Wángguó (Wáng·guó King’s · Nation → [Kingdom] 王国 王國) de (’s 的) hǎo (good 好) xiāoxi (xiāo·xi disappearing · news → [news] 消息) when we want to refer to “the good news of the Kingdom”. Of course, while the message of this good news will “disappear” as news when it is not news anymore, the Kingdom itself “will stand forever”!—Daniel 2:44.

Myths and Misinformation About Chinese Characters, Etc.

As Mandarin field language learners, we need to be aware that many myths and much misinformation have been spread about the Chinese languages, especially when it comes to Chinese characters. Indeed, there is so much misinformation about Chinese characters that Victor Mair wrote the following in the foreword of the book Ideogram: Chinese Characters and the Myth of Disembodied Meaning, by J. Marshall Unger:

There is probably no subject on earth concerning which more misinformation is purveyed and more misunderstandings circulated than Chinese characters (漢字, Chinese hanzi, Japanese kanji, Korean hanja), or sinograms.

Also, in his book The Chinese Language: Fact and Fantasy, John DeFrancis lists the following myths regarding Chinese characters, that many believe:

  • The Ideographic Myth
    • The MEotW post on “Hāmǐjíduōdùn (Armageddon 哈米吉多顿 哈米吉多頓) contains a discussion of this myth, with some selected excerpts on this subject from DeFrancis’ book.
  • The Universality Myth
  • The Emulatability Myth
  • The Monosyllabic Myth
  • The Indispensability Myth
  • The Successfulness Myth

Regarding these myths, in p. 2–3 of his aforementioned book, J. Marshall Unger provides this summary:

Passing for the moment over the history of how the hunt for the perfect language unfolded, let us jump ahead to the result: the intellectual baggage about Chinese characters that we have inherited from the Renaissance and Enlightenment. John DeFrancis, in his classic book The Chinese Language (1984), sums up that weighty legacy under six headings, and a better summary would be hard to find. The source of all the confusion is what DeFrancis calls the Ideographic Myth, the notion that Chinese characters represent meaning directly, without reference to language (that is, speech) in any way. Its logical extension is the Universality Myth, according to which Chinese script allows for communication between mutually uninteligible dialects and languages. This leads in turn to the Emulatability Myth, which holds that Chinese script can serve as a model for a general system of signs that transcends natural language. These first three myths have little to do with the actual structure or history of the Chinese language or its writing system, in contrast with the remaining three: the Monosyllabic Myth, Indispensability Myth, and Successfulness Myth. Each of these—the names are more or less self-explanatory—makes a strong claim about language and the writing system, claims that have had significant social and political consequences.

At least some of the political consequences referred to above have been deliberate, meaning that at least some of the myths and misinformation spread about Chinese languages and Chinese characters qualify as political propaganda. If we’re not careful, we could end up parroting this political propaganda. (We could also end up parroting worldly human cultural propaganda, which is also a bad thing for people who seek to be no part of the world.) Also, all the difficulties and confusion caused by all the myths and misinformation surrounding Chinese languages and Chinese characters massively hinder the efforts of Mandarin field language learners to stay spiritually strong and to reach the hearts of Mandarin-speakers with Bible truth. This can result in deeply negative spiritual consequences that should be of great concern to us. To complete the sentence quoted from the video mentioned at the beginning of this post:

Misinformation isn’t just inaccurate; it can also be dangerous!

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Culture Language Learning Languages Science Technology

fā yǔyīn

({send out})
yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音) ← Tap/click to show/hide the “flashcard”

While doing research for the MEotW post on “tíbǐ (tí·bǐ {carry (hanging down from the hand) → [raise; lift]} · pen; pencil; {writing brush} [→ [start writing; write]] 提笔 提筆)wàng (forget 忘) (character 字), I came across the web article “Why is character amnesia in China considered problematic?”. One of the points it makes involves this week’s MEotW, “fā ({send out}) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音) (send voice message):

Another feature that has gained huge popularity in China recently is that of ‘sending voice messages’ (发语音, fā yǔyīn). Chinese Whatsapp equivalent ‘WeChat’ was the first in the world to introduce this feature in its app. Social media research by University College London has shown that Chinese WeChat users find voice messaging convenient because it eliminates the need to text. Informants have reported that sending written messages always takes more time, and that inputting Chinese characters was a struggle (Wang & McDonald, 2013). With voice messaging, or even with pinyin input, people do not need to memorize the exact order of each stroke of a character when typing a text. They can just rely on knowing the pronunciation and recognizing the character. The prevalence of typing and texting on cellular devices has been correlated to reduced active-character knowledge by Chinese natives, leading to the tibiwangzi-phenomenon (Williams, 2016).

Sending, Language, Sounds

The “fā ({send out}; issue; emit [→ [deliver | utter; express | become rich]]) in “fā ({send out}) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音) literally means “send out; issue; emit”, and it can also be used to mean various things such as “deliver”, “utter; express”, and “become rich”. With such a variety of meanings, it shows up in various expressions, such as:

  • fāchū (fā·chū issue; send; emit · out 发出 發出)
  • fāchòu (fā·chòu emit · {being stinking} → [smell bad; stink] 发臭 發臭)
  • fāshēng (fā·shēng {issue forth} · {come to life} → [happen] 发生 發生)
  • fācái (fā·cái {issue forth} · wealth; riches → [get rich; make a fortune] 发财 發財) (“Fā ({issue forth (riches)} → [become rich]) used on its own to mean “become rich” is probably an abbreviation of this expression.)
  • fāyīn (fā·yīn {sending out; issuing → [uttering] [of]} · sound → [pronouncing/articulating/enunciating | pronunciation; articulation; enunciation] 发音 發音)
  • etc.

The “yǔ (language; speech; tongue | saying; proverb | words; expression | speak; say) in “fā ({send out}) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音) basically means “language”. It can also particularly mean “speech”—according to a basic principle of linguistics, speech is the primary aspect of human language. This “yǔ (language; speech; tongue | saying; proverb | words; expression | speak; say) is used in:

  • yǔyán (yǔ·yán language; tongue · {(type of) speech} 语言 語言)
  • Guóyǔ (Guó·yǔ National · Language → [(Modern Standard) Mandarin (term commonly used in Taiwan)] 国语 國語)
  • Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language [→ [(Modern Standard) Mandarin]] 汉语 漢語)
  • Hányǔ (Hán·yǔ Korean · Language 韩语 韓語)
  • Yīngyǔ (Yīng·yǔ English · Language 英语 英語)
  • etc.

(Note that while “Yīngyǔ (Yīng·yǔ English · Language 英语 英語), for example, refers to English language speech, “Yīngwén (Yīng·wén English · Writing 英文) refers, not to English speech, but to English language writing.)

The “yīn (sound [→ [musical note/sound; tone; pronunciation | syllable | news; tidings]] 音) in “fā ({send out}) yǔyīn (yǔ·yīn {language → [speech]} · sounds → [voice message] 语音 語音) basically means “sound”, and it can also be used to mean “musical note/sound”, “tone”, “pronunciation”, “syllable”, and “news; tidings”. It is used in:

  • shēngyīn (shēng·yīn sound; voice · sound 声音 聲音)
  • yīnyuè (yīn·yuè {(musical) sound} · music → [music] 音乐 音樂)
  • Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)
  • Zhùyīn (Zhù·yīn {Annotating of} · Sounds → [Zhuyin] 注音 註/注音)
  • Mǎtài (Matthew 马太 馬太) Fúyīn (Fú·yīn Blessings · News 福音)
  • etc.

Speech is Natural, Characters, Not So Much

Writing is by now an age-old technology for recording and transmitting human speech. Now, in 2023, audio recording and transmitting technology has been available for a long time that actually allows one to directly hear the recorded speech pretty much as it originally sounded. Additionally, such technology is getting more and more common and accessible, to the point that many are finding that it often is faster and easier to send audio voice messages than to write and send written messages, especially when using as complex and cumbersome a writing system as Chinese characters.

True, in some situations, writing has some advantages over speech, but overall, the linguistic principle remains true that when it comes to human language, speech is primary and writing is secondary. Indeed, if God had meant for us humans to mainly use writing to communicate, then he could easily have designed our bodies with built-in screens that are able to dynamically display writing, like even humans know how to make. Instead, God designed our brains and bodies such that parts of them are specialized for directly understanding and producing speech.

Thus, it is quite natural that people would often take advantage of technology that has become available that allows one to actually hear recorded speech, instead of always settling for the visual abstractions of writing. And, when writing is appropriate, it is similarly relatively natural for people to make use of writing systems like Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) that are primarily phonetic, that is, focusing on directly representing the sounds of speech.

The National, the Political, the Universal(?), the Individual, the Rituals

On the other hand, rather than naturally reflecting divine wisdom, the attachment of many to Chinese characters instead reflects some human shortcomings. On a national level, the justification that characters are helpful in politically unifying China in spite of it being comprised of groups speaking different languages is yet another example of a human ruling authority prioritizing its own political power and survival over what’s actually good for the people. Besides, there’s actually nothing special about characters when it comes to being usable by people who speak different languages. As John DeFrancis put it in his book The Chinese Language: Fact and Fantasy, in the chapter entitled “The Universality Myth” (p. 159),

Chinese characters used by Asians speaking different languages are no more universal than are Latin letters used by Europeans who also speak different languages.

For example, while it’s true that the character “台” is recognized by both Mandarin-speakers and Cantonese-speakers as meaning “table”, it’s also true that “table”, written in Latin alphabet letters, is recognized by both English-speakers and French-speakers as meaning “table”.

(In China specifically, rather than characters, say, allowing Mandarin-speakers who don’t know Cantonese to understand written-out Cantonese speech, with its unique vocabulary and characters, and vice versa, what has actually happened is that the politically dominant Mandarin-speakers have basically forced speakers of Cantonese, Shanghainese, etc. to learn and use written Mandarin instead of actual written Cantonese, Shanghainese, etc.)

On a more individual level, many who are attached to characters show that they cling to what is old and familiar, even if it is problematic, instead of reaching out for and embracing positive change and progress. Also, many who cling to characters and the intricate procedures required to handwrite them show that they prioritize traditions, rituals, and procedures over what really brings better results. As Jesus said, though, “wisdom is proved righteous by its works”, not by its traditions, rituals, and procedures.—Matthew 11:19.