Categories
Culture History Theocratic

rénkǒu

rénkǒu (rén·kǒu people · {mouths of} → [population; number of people in a family] 人口) ← Tap/click to show/hide the “flashcard”

Lesson 05, point 6 of the Yǒngyuǎn Xiǎngshòu Měihǎo de Shēngmìng—Hùdòng Shì Shèngjīng Kèchéng ((Yǒng·yuǎn Eternally · {Far (in Time)} 永远 永遠) (Xiǎng·shòu Enjoy · Receive 享受) (Měi·hǎo Beautiful · Good 美好) (de ’s 的) (Shēngmìng Life 生命)—(Hù·dòng {Each Other} · Moving → [Interactive] 互动 互動) (Shì (Type 式) (Shèng·jīng Holy · Scriptures → [Bible] 圣经 聖經) (Kè·chéng Lessons · Procedure → [Course] 课程 課程) [Enjoy Life Forever!—An Interactive Bible Course (lff)]) (Enjoy Life Forever! (lff)) book contains an illustration depicting the unparalleled availability of God’s Word the Bible. One of the illustration’s captions says the following:

English:

Nearly 100% of the world’s population have access to the Bible in a language they understand

Mandarin:

📖 📄 📘 Chà‐bu‐duō ((Chà {falling short of by} 差)‐(bu not 不)‐(duō much 多) [nearly]) 100% ((bǎi {(one) hundred} 百) (fēn dividings → [parts] 分) (zhī {(among) them} 之) (bǎi {(one) hundred} 百) [one hundred percent (of)]) shìjiè (shì·jiè {generation → [world]} · extent’s → [world’s] 世界) rénkǒu (rén·kǒu people · {mouths of} → [population] 人口) dōu (even 都) néng (can 能) yòng (use 用) tāmen (tā·men he/she · [pl] → [they] 他们 他們) míngbai (míng·bai understand · clearly 明白) de (’s 的) yǔyán (yǔ·yán language · {(type of) speech} 语言 語言) dúdào (dú·dào {to read} · {arriving at} 读到 讀到) Shèngjīng (Shèng·jīng (the) Holy · Scriptures → [the Bible] 圣经 聖經)

While “rénkǒu (rén·kǒu people · {mouths of} → [population; number of people in a family] 人口)”, this week’s MEotW, is used above to mean “population”, as it is often used, one of the definitions for this expression in the highly regarded ABC Chinese-English Dictionary is “mouths to feed”. This lends credence to the hypothesis that perhaps the morphemes included in “rénkǒu (rén·kǒu people · {mouths of} → [population; number of people in a family] 人口)” reflect that historically the governments of China have viewed their population as mouths that need to be fed, since this has often been a big challenge, to the point of famine. Contrast this view to the perhaps more Western and modern cultural focus of a nation’s population as its potential human assets. (Of course, humans who are assets also need to be fed, so a balanced approach would give sufficient weight to both aspects.)

Eating or Being “Eaten”?

It may be that historically the governments of China have had feeding the people as one of their primary concerns, however, ironically, it’s also the case that archaeologists have found evidence of human sacrifice in ancient China, which involves ancient Chinese society “eating” individual members of its population. How much human sacrifice are we talking about? One web article that I found speaks of exceptionally large scale human sacrifice in ancient China, comparable in scale to the human sacrifice practiced in the ancient Mayan culture:

While the phenomenon of ritual human killings have been present in many societies throughout history [source], the types of human sacrifice that were practiced by ancient Chinese and pre-Colombian Mesoamerican cultures…were exceptional in terms of the sheer number of people sacrificed, the frequency at which it was done, and the high degree of formalization of their sacrificial rituals. Large-scale, systematic human sacrifice functioned as important political and religious spectacles in [the] Shang dynasty.[source]

Another web article that I found gives us some estimated numbers:

Prior worked revealed an extraordinary number of ritual human sacrifices were conducted during the Shang dynasty, which spanned from the 16th century B.C. to the 11th century B.C. It is the earliest dynasty in China for which archaeologists have evidence. For instance, sacrificial pits are common across the entire site of the last Shang capital, Yinxu, which researchers discovered in 1928 in central China’s Henan Province. Scientists have estimated that over the course of about 200 years, more than 13,000 people were sacrificed in Yinxu, usually males ages 15 to 35, and that on average, each sacrificial ritual there likely claimed at least 50 human victims. The biggest sacrifice found so far killed at least 339 people.

As the MEotW post on “xīshēng (xī·shēng {sacrifice (n or v) | sacrificial} · {[(as with a)] domestic animal} → [sacrifice] 牺牲 犧牲)” noted:

It’s interesting to note, though, that an Internet search for “ancient China sacrifices” will turn up many references to human sacrifices in ancient China, as there were in ancient Canaan—let us be careful not to think more highly of worldly Chinese history and culture than they actually deserve!

A Metaphorically Cannibalistic Society

Speaking of Chinese society “eating” people, Lǔ Xùn ((Lǔ Stupid; Rash (surname)) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)), recognized as China’s greatest 20th century writer, wrote a short story called “Kuángrén Rìjì ((Kuáng·rén Mad·man’s 狂人) (Rì·jì {Sun’s → [Day’s]} · Record → [Diary] 日记 日記) [Diary of a Madman (short story by Lǔ Xùn)])” (“Diary of a Madman”) which uses this as a metaphor. Wikipedia provides the following summary concerning this metaphor:

The story is not just a depiction of a man suffering from mental illness with the delusion of being eaten but rather a symbol of the cannibalistic nature of Chinese customs and society wrapped up in the veneer of Confucianism. The story progresses with the appearance of imagery such as that of a dog, which symbolizes cannibalism and a certain “slave mentality”.[source]

The metaphor of “eating people” symbolises the oppressive and feudalistic social structure and values entrenched within Chinese culture.[source] The madman represents the “awakened” individual who re-gains his individuality and refuses to abide by the traditional and harmful cultural norms society,[source] with the neighbors whom he believes to want to devour him representing Chinese society in general. …

Because China was built upon and continued to be informed by Confucian morality and principles over long stretches of history, concepts such as democracy, individualism, natural rights and freedom of thought did not exist and were therefore difficult to take root within the Chinese psyche. Lu Xun remarked that “[we] Chinese have always been a bit arrogant –unfortunately it is never “individual arrogance” but without exception “collective and patriotic arrogance”.[source]

Lǔ Xùn ((Lǔ Stupid; Rash (surname)) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) ends “Kuángrén Rìjì ((Kuáng·rén Mad·man’s 狂人) (Rì·jì {Sun’s → [Day’s]} · Record → [Diary] 日记 日記) [Diary of a Madman (short story by Lǔ Xùn)])” (“Diary of a Madman”) with this appeal:

📖 📄 📘 Jiùjiù (Jiù·jiù save · save 救救 救/捄救/捄) háizi (hái·zi (the) children · [suf for nouns] 孩子)

(Save the children…)

(The original text of “Kuángrén Rìjì ((Kuáng·rén Mad·man’s 狂人) (Rì·jì {Sun’s → [Day’s]} · Record → [Diary] 日记 日記) [Diary of a Madman (short story by Lǔ Xùn)])” (“Diary of a Madman”) can be found here. An English translation can be found here.)

Chinese Characters and Life and Death

Besides being one of China’s greatest writers, Lǔ Xùn ((Lǔ Stupid; Rash (surname)) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) was also a strong proponent of alphabetic writing over Chinese characters. An English translation of an article he wrote on this subject can be found here. In this article, he wrote:

Latinization has another advantage: one can write fast. The Americans say, “Time is money.” But I think that time is life. To squander other people’s time for no reason is, in fact, no different than robbing and murdering them.

Indeed, since time is life, by unnecessarily taking such extraordinary amounts of time to learn and remember, Chinese characters make themselves part of the Chinese traditions that take away life from people. In this regard, one of the web articles quoted above mentioned a connection that’s been found between the earliest Chinese characters and human sacrifice:

Yinxu is also home to the earliest known writing in China, in the form of oracle bone inscriptions. Diviners carved these questions on turtle shells or ox bones, addressing the king’s concerns and ranging from personal issues such as unsettling toothaches to state matters such as crop failures. These inscriptions also recorded the king’s ritual activities, such as human sacrifices to the ruler’s ancestors or the gods.

Yes, it’s literally true that Chinese characters have been involved with taking life away from Chinese people since their very beginning! Additionally, regarding our life-saving preaching and teaching work today, my article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Was Plan A says:

Concerning the obstacles presented by Chinese characters, the great Chinese writer Lǔ Xùn, who passed away in 1936, reportedly said, “Hànzì bú miè, Zhōngguó bì wáng.” (“汉字不灭,中国必亡。/ 漢字不滅,中國必亡。” “If Chinese characters are not abolished, China will certainly die.”) True, with the simplification of the characters, the assistance of Pīnyīn, and the extra hard work put forth by the Chinese people to “tough out” the extra technical burdens presented by the characters, it now seems unlikely from a worldly viewpoint that the use of characters will cause the nation of China to die (although we know it will die at Armageddon, and its culture’s influence will eventually fade away completely after that). However, how sad it would be if many Chinese people died unnecessarily because the ongoing obstacles presented by Chinese characters hindered our efforts to reach their hearts with the life-saving message from God’s Word.

Indeed, how many Chinese people will ultimately end up getting sacrificed on the altar of worldly Chinese culture and tradition?

Who’s a Madman?

Speaking of madmen and Chinese writing, today, many would consider it mad to use an alphabetical system like Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) to write Mandarin Chinese, instead of the traditionally entrenched Chinese characters. However, remember that Jesus’ relatives thought that he had “gone out of his mind”, when in fact their minds were stuck in their traditional worldview while Jesus was showing people the way forward. (Mark 3:21) Now, we look back and think the people who had the opportunity to be taught by Jesus in person but passed on it were crazy!

A couple of million years or so into the new system, if we ever think about it at all, we’ll also undoubtedly think it was crazy that so many people thought that a writing system that had been around for just a few millennia was impressively old, and we’ll also undoubtedly think it was crazy that so many people thought that everyone involved should always use an unnecessarily convoluted and time-consuming writing system like Chinese characters for an urgent life-saving work when a much easier-to-learn and much easier-to-use writing system like Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) was available.


For convenience:

The direct link for the current generation Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resource for the Enjoy Life Forever! book is:

The short link for Chinese field language-learning links for the Enjoy Life Forever! book is:

More Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web material based on the Mandarin Enjoy Life Forever! book will be made available in the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus web resource as time allows.

Categories
Culture History Theocratic

Jìniàn Jùhuì

Jìniàn Jùhuì ((Jì·niàn Remembering · {Thinking Of} → [Commemorating] 记/纪念 記/紀念) (Jùhuì Meeting 聚会 聚會) [[the] Memorial]) ← Tap/click to show/hide the “flashcard”

The page on jw.org entitled “Memorial of Jesus’ Death” invites people to this year’s Memorial, which as of this writing is fast approaching.

Appearing in the title of the Mandarin version of that page is this week’s MEotW, “Jìniàn Jùhuì ((Jì·niàn Remembering · {Thinking Of} → [Commemorating] 记/纪念 記/紀念) (Jùhuì Meeting 聚会 聚會) [[the] Memorial])”, which corresponds to “Memorial”, or “the Memorial”.

Note that in this post, “Jìniàn Jùhuì ((Jì·niàn Remembering · {Thinking Of} → [Commemorating] 记/纪念 記/紀念) (Jùhuì Meeting 聚会 聚會) [[the] Memorial])” is capitalized, rather than being rendered in all lowercase letters. Why has this been done? The answer involves another question: Is Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) just a pronunciation aid or actually a full writing system?

To Be or Not to Be…a Full Writing System?

汉字 / 漢字? Pīnyīn?

The article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Was Plan A” explains that Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) was originally meant by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) and some of the other early movers and shakers of the People’s Republic of China to eventually replace Chinese characters. (Yes, seriously—it’s April, but we Jehovah’s Witnesses don’t make April Fools’ jokes!) Even though in this case cultural pride, tradition, and inertia have been allowed in the Mandarin-speaking part of the world to leave no room for innovation and progress, the fact remains that Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) was intended by design to work as a full writing system. That it actually does so is shown in the scholarly paper “Two Steps Toward Digraphia in China”, and in the article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Is a Good, Workable Writing System on Its Own”.

R-E-S-P-E-C-T

Since Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is a full writing system like English is, there is good reason to consider it appropriate to capitalize Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) words similarly to how English words are capitalized. Of course, there are different style guides with different rules regarding how and what to capitalize in English, especially when it comes to titles, but at the very least, any particular piece of writing should generally stick to whatever capitalization style has been chosen for it. (Hopefully it’s a good one.)

Unfortunately, in the part of the world that uses written Mandarin, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is generally relegated to being just a pronunciation aid—it is not given the respect and dignity of being recognized as a full writing system, even though, as discussed above, it linguistically qualifies as one. Thus, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is generally not capitalized in the world, if it is used at all. In contrast, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus material gives Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) the respect it has earned—it uses Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) as its default main writing system and carefully follows the capitalization example of the official English version of the Mandarin material it is based on. E.g., since “God’s Kingdom” is rendered in the official English material with capital letters at the beginnings of its words, the Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus material follows suit with “Shàngdì (Shàng·dì Above’s · {Emperor → [God]} → [God] 上帝) de (’s 的) Wángguó (Wáng·guó King’s · Nation → [Kingdom] 王国 王國)”.

So, since “the Memorial” is capitalized in the organization’s official English material, such as the English version of the article “Memorial of Jesus’ Death” on jw.org, “Jìniàn Jùhuì ((Jì·niàn Remembering · {Thinking Of} → [Commemorating] 记/纪念 記/紀念) (Jùhuì Meeting 聚会 聚會) [[the] Memorial])” is capitalized in this post and in other material containing Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus material.

The Precedent of Punctuation

Is it “beneath” the Chinese world to follow the example of English when it comes to the capitalization of the alphabet it uses? Well, the Chinese world has followed Western writing style examples before, with punctuation. As the MEotW post on “diǎnliàng (diǎn·liàng {dot → [light (v); ignite]} · {to be bright} [→ [illuminate; shine light on]] 点亮 點亮)” pointed out:

Chinese writing in the past didn’t have punctuation, and now it has punctuation largely modeled after European punctuation. (For reference: Chinese punctuation – Wikipedia, Q&A: When were punctuation marks first used? – HistoryExtra, history – When was punctuation introduced into Chinese? – Chinese Language Stack Exchange)

Categories
Culture Current Events Language Learning

nànmín

nànmín (nàn·mín calamity; disaster; adversity; distress · {person of a certain occupation} → [refugee] 难民 難民) ← Tap/click to show/hide the “flashcard”

On February 24, 2022, Russia sent significant military forces into Ukraine, resulting in the largest scale open warfare in Europe since World War II. Knowing certain Mandarin expressions will help us in the Mandarin field as we hear about and talk about Ukraine in the time ahead.

As of this writing, the article “Refugee Crisis​—Millions Flee Ukraine” is being featured on jw.org. In the Mandarin version of that article, the English word “refugee” is translated as “nànmín (nàn·mín calamity; disaster; adversity; distress · {person of a certain occupation} → [refugee] 难民 難民)”, this week’s MEotW.

While it may seem odd to say in the Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus information that a refugee has an “occupation”, note that an occupation can be defined, not just as a job or profession, but also as “any activity that occupies a person’s attention”. Unfortunately, being a refugee certainly “occupies a person’s attention”.

(By the way, in the Mandarin version of the above-mentioned article, “refugee crisis” is translated as “nànmín (nàn·mín calamity · {persons of a certain occupation} → [refugees] 难民 難民) cháo (tide → [(social) upsurge] 潮)”. “Cháo (tide [→ [(social) upsurge; current; trend]] 潮)” literally means “tide”, which is an easily understood metaphor, similar to how in English we may speak of a “wave” of refugees.)

A Shifty Character

One may notice that the first Chinese character used to write “nànmín (nàn·mín calamity; disaster; adversity; distress · {person of a certain occupation} → [refugee] 难民 難民)”, “难/難”, is also the Chinese character used to write “nán ({[is] difficult}; {[is] hard} | difficultly | {make difficult/difficulties})”, a common word that basically means “difficult”. One then can hardly fail to notice that whereas with “nànmín (nàn·mín calamity; disaster; adversity; distress · {person of a certain occupation} → [refugee] 难民 難民)”, “难/難” is pronounced with a fourth tone, with “nán ({[is] difficult}; {[is] hard} | difficultly | {make difficult/difficulties})” it is pronounced with a second tone. But, aren’t characters supposed to be the grand clarifiers of meaning in a Mandarin language awash in homophones (words that sound the same, but that have different meanings)?

Yes, it has become customary to rely (too much) on characters that are seen to disambiguate or clarify pronunciations that are heard, but the truth is that characters themselves can also be ambiguous on their own, since, as our example above shows, characters can have multiple pronunciations and meanings.

What is the real ultimate clarifier of meaning in Mandarin, even when it has been allowed to develop as many homophones as it has? The ultimate clarifier is context, not characters! For example, when we see that “难/難” is followed by “民”, that context tells us that here, “难/難” is pronounced as “nàn”, with its associated meaning, not as “nán”, with its different associated meaning. On its own, without context, the character “难/難” is ambiguous.

For more information on why it’s problematic to rely on characters to disambiguate homophones in Mandarin, see the subheading “But There Are So Many Words That Sound the Same!” in the article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Was Plan A”.

“Context is God”

Regarding context, the MEotW post on “yǔjìng (yǔ·jìng language · {(set of) boundaries → [(bounded) place; area] → [condition; situation; circumstances]} → [context] 语境 語境)” had this to say:

Context and Mandarin Writing Systems

Research into the importance of context turned up a couple of interesting sayings from the business world:

Content is king.
—Bill Gates

Content is king, but context is God.
—Gary Vaynerchuk

Mandarin field language-learners may hear the assertion from Chinese culture traditionalists that it is necessary to use Chinese characters to clarify the ambiguity that results from Mandarin having so many homophones, words that sound the same but that have different meanings. The insinuation, or even the outright accusation, is that the upstart Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) system is thus unusable as a writing system for Mandarin, that the Chinese characters writing system is still the rightful king. Besides, there is so much existing content written in Chinese characters, and content is king!

However, a little consideration of the yǔjìng (yǔ·jìng language · {(set of) boundaries → [(bounded) place] → [situation]} → [context] 语境 語境), the language situation or context, shows up the fallacy of this assertion. The Chinese characters writing system exists along with Mandarin speech, and if Chinese characters are truly required to clearly communicate meaning in Mandarin, then that would mean that Mandarin speech on its own, without the help of visible characters, is unusable as a means of communication. That, however, is obviously not true—people who are proficient in spoken Mandarin communicate clearly with each other all the time, undoubtedly pretty much as clearly as proficient English speakers communicate with each other.

The key reason why proficient Mandarin speakers can communicate clearly with each other despite all of the homophones in Mandarin is not that they are constantly referring to Chinese characters, although people do occasionally do that in the current characters-saturated cultural climate. No, the key reason why Mandarin-speakers routinely communicate clearly with each other is because they use sufficient context to clarify any potentially ambiguous homophones. And, since Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is a simple and direct representation of Mandarin speech, anything that is understandable when spoken in Mandarin is understandable when written in Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音).—1 Corinthians 14:8–11.

So, while Chinese characters-based content may be so predominant in the Chinese world that it’s king there, context is God, relatively and metaphorically speaking, and Mandarin speech and Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) rightly rely on context, not on Chinese characters, just like we rightly rely on God, not on merely human kings.