Category: Culture

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Culture Languages

zìmǔ

zìmǔ (zì·mǔ character; word · mothers → [letters (of an alphabet) [→ [alphabet]]] 字母) ← Tap/click to show/hide the “flashcard”

As previous MEotW posts (like this one) have shown, “zì (character; word; letter 字)” in Mandarin can mean “character”, such that “Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)”, for example, means “Chinese characters”. In fact, even though “zì (character; word; letter 字)”, like its English counterpart “character”, can refer to printed or written letters or symbols in general, Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are such an 800-pound gorilla in Chinese culture that in Mandarin, “zì (character; word; letter 字)” by itself is often understood to specifically mean the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), the Chinese characters. This way of thinking has spilled over into the English-speaking world as well, which is why when English-speaking publishers in the Chinese fields speak of “the characters”, that’s generally understood to mean “the Chinese characters”, which in turn is understood to mean the 汉字 and not the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), even though Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is also Chinese and made up of characters (printed or written letters or symbols).

So, when we want to refer to a letter of an alphabet, as opposed to a Chinese character, when speaking Mandarin, we can make that clear by using this week’s MEotW, “zìmǔ (zì·mǔ character; word · mothers → [letters (of an alphabet) [→ [alphabet]]] 字母)”. In Mandarin, a zìmǔ (zì·mǔ character; word · mothers → [letters (of an alphabet) [→ [alphabet]]] 字母) is literally a “character/word mother”, something that characters or words come from.

How is it that even Chinese characters or words come from letters? Well, contrary to the traditional Chinese cultural view that Chinese characters are the primary aspect of Chinese languages, linguists (language scientists) now recognize that speech is primary and writing is secondary. So, a Mandarin expression is not primarily something written with Chinese characters, but rather is primarily something spoken in Mandarin. Whereas a Chinese character coarsely represents an entire syllable, letters of alphabets in general represent the individual speech sounds (called phonemes by linguists) that make up the spoken expressions that are the primary part of a language, and this is especially true of a purpose-designed phonetic alphabet like Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音).

For example, whereas the Chinese character “字” represents an entire Mandarin syllable as one coarse unit, the Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression “zì (character; word; letter 字)” finely spells out the initial sound, the final sound, and even the tone that actually make up that Mandarin syllable.

That speech and the individual sounds that make it up are the real foundation of any human language is such an important, unignorable linguistic principle that even schoolchildren in China (see especially the Z.T. subheading) learn basic Mandarin speech and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) before getting immersed in Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), Chinese characters, as tradition dictates.

Perhaps, then, it would be appropriate for Chinese culture, which values filial piety, to be more respectful towards the letters of its phonetic alphabet Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), which, both linguistically and educationally, are the “mothers” of the characters it loves so much!

Categories
Culture History Languages

jiǎntǐ zì

jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體) zì (characters 字) ← Tap/click to show/hide the “flashcard”

For a long, long, long time, Chinese characters were just Chinese characters. Then, in the 1950s, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

On the matter of what simplified Chinese characters are called in Mandarin, Wikipedia provides this summary:

Simplified Chinese characters may be referred to by their official name above [(简化字; jiǎnhuàzì)[source]] or colloquially (简体字; jiǎntǐzì). In its broadest sense, the latter term refers to all characters that have undergone simplifications of character “structure” or “body”[source], some of which have existed for millennia alongside regular, more complicated forms. On the other hand, the official name refers to the modern systematically simplified character set, which (as stated by then-Chairman Mao Zedong in 1952) includes not only structural simplification but also substantial reduction in the total number of standardized Chinese characters.[source]

For reference, this is the term used on jw.org when referring to Mandarin written using simplified Chinese characters:

jw.org referring to Mandarin written using simplified Chinese characters

jw.org refers to simplified Chinese characters as “jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體)” characters.

The Great Simplified vs. Traditional Debate

While it seems obvious that simpler is generally better, there is actually much, much debate about the pros and cons of simplified characters vs. traditional characters, as discussed in these articles:

Standards and Compromises

While the simplified characters themselves are indeed easier to learn and remember compared to the traditional characters, for many, they have become another set of characters in addition to the traditional characters that has to be learned and remembered. (There is, at least, some overlap between the two systems. Where do they overlap? That is yet more information that has to be learned and remembered…) And while simplified characters have been simplified, they are still characters, and characters are inherently extraordinarily complex and hard to learn and remember.

xkcd: Standards

The simplified characters became a new standard that many have had to learn in addition to that of the traditional characters.
Creative Commons logo Randall Munroe

While Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is also a different system to be learned and remembered, it is in a whole different league compared to any system of Chinese characters when it comes to ease of learning and remembering. One of the scholars who helped create Hangul (or Hankul), the Korean alphabet, said of it: “The wise can learn it in one morning, and even the unwise can learn it in ten days.” Being also a phonetic alphabet, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) can be reasonably said to be in the same ballpark (with the added advantage that the Latin alphabet letters used in Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) are already familiar to many people)—downright revolutionary compared to the years (decades?) required to learn even simplified characters.

Simplified characters are thus a compromise that mainland China, etc. have settled on—simpler than traditional characters, but perhaps thus not as good at being characters. Meanwhile, they are still characters, still having many of the complexities and vagaries of characters. They fall short of the fundamental reform envisioned by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article), Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) (Wikipedia article), and others, that would have involved eventually moving on from any kind of characters to alphabetic writing.

Letter from Mao endorsing a transition from Chinese characters to alphabetic writing

A letter written by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) endorsing “a basic reform” involving a transition from Chinese characters to alphabetic writing1

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. ii. ^

Categories
Culture History Languages Names

fántǐ zì

fántǐ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體) zì (characters 字) ← Tap/click to show/hide the “flashcard”

For a long, long, long time, Chinese characters were just Chinese characters. Then, in the 1950s, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

To distinguish these newfangled official simplified Chinese characters from the Chinese characters that had existed before, and that continue to be used by many people in many parts of the world, retronyms were coined to refer to these pre-existing Chinese characters, just as the term “acoustic guitars” was coined to refer to regular non-electric guitars after electric guitars came along.

In the English-speaking world, the pre-official simplification characters have come to be called “traditional Chinese characters”, as opposed to the “simplified Chinese characters”. In the Chinese-speaking world, as is true of many things regarding Chinese characters, the situation is…complicated. Wikipedia summarizes the situation thusly:

Traditional Chinese characters (the standard characters) are called several different names within the Chinese-speaking world. The government of Taiwan officially calls traditional Chinese characters standard characters or orthodox characters (traditional Chinese: 正體字; simplified Chinese: 正体字; pinyin: zhèngtǐzì; Zhuyin Fuhao: ㄓㄥˋ ㄊㄧˇ ㄗˋ).[source] However, the same term is used outside Taiwan to distinguish standard, simplified and traditional characters from variant and idiomatic characters.[source]

In contrast, users of traditional characters outside Taiwan, such as those in Hong Kong, Macau and overseas Chinese communities, and also users of simplified Chinese characters, call them complex characters (traditional Chinese: 繁體字; simplified Chinese: 繁体字; pinyin: fántǐzì; Zhuyin Fuhao: ㄈㄢˊ ㄊㄧˇ ㄗˋ). Users of simplified characters sometimes informally refer to them as “old characters” (Chinese: 老字; pinyin: lǎozì; Zhuyin Fuhao: ㄌㄠˇ ㄗˋ).

Users of traditional characters also sometimes call them “full Chinese characters” (traditional Chinese: 全體字; simplified Chinese: 全体字; pinyin: quántǐ zì; Zhuyin Fuhao: ㄑㄩㄢˊ ㄊㄧˇ ㄗˋ) to distinguish them from simplified Chinese characters.

In my experience in the Chinese fields in Canada, I have always heard traditional Chinese characters referred to using this week’s MEotW, “fántǐ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體) zì (characters 字)”. For reference, this is also the term used on jw.org when referring to Mandarin written using traditional Chinese characters:

jw.org referring to Mandarin written using traditional Chinese characters

jw.org refers to traditional Chinese characters as “fántǐ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體)” characters.