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yīnwei

yīnwei (yīn·wei because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為) 👈🏼 Tap/click to show/hide the “flashcard”

This week’s MEotW, “yīnwei (yīn·wei because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”, was discussed in a podcast episode that I listened to recently. Here’s a clip from it, with the part in which this expression was discussed:

Here’s a transcript of this video clip:

David: You’re a good sport. Thank you for doing this. So you are a native speaker. This question is very important because if you pronounce a character with the wrong tone, you can be fined as much as 50 kuài (pieces → [mw for Renminbi]) at CCTV if you’re an announcer. So what I want you to do is just very slowly pronounce for us the word that in Chinese would be the equivalent of “because”.

Yajun: “Yīnwéi (Yīn·wéi because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”.

David: Say again?

Yajun: “Yīnwéi (Yīn·wéi because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”.

David: So I hear that the “wéi (為/爲) is second tone. Is that right?

Yajun: Yeah…

David: That’s Northern Mandarin. That’s also Běijīng (Běi·jīng North · {Country Capital} → [Beijing] 北京)huà (speech). [With] the actual pǔtōng‐huà ((pǔ·tōng common · {through(out) → [common]} 普通)‐(huà speech) [(Modern Standard) Mandarin (term commonly used in China)]) citation version of that word, in 90% of the dictionaries that you will see, the second character is pronounced with fourth tone, as “yīnwèi (yīn·wèi because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”.

Yajun: Sure…?

David: Yeah, well if you ask most Chinese, they’re very unsure about it, just like you.

Yajun: I was quite sure it’s “yīnwéi (yīn·wéi because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”, something like that. Now I’m not so sure…and I don’t want to lose 50 kuài (pieces → [mw for Renminbi]).

David: Don’t worry, there are many examples like that and you are not actually wrong. This is an artificial standard that has been imposed and actually, few people, or, not everyone, actually follows it.

By the way, the David Moser speaking in the above clip is indeed the same one who wrote the relatively well-known essay “Why Chinese Is So D- Hard”, which has given many people a lot to think about regarding how Chinese characters make learning Mandarin much harder than it otherwise would be. (I’m not providing a link to this essay because the full title and an example used in the text are a bit less than family-friendly. However, for anyone who’s interested, here is a link to a family-friendly version of this essay that’s been translated into Mandarin and written in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音).)

Getting back to “yīnwei (yīn·wei because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”, there’s also a relatively detailed entry on this expression in the excellent Referenced Theo. Expressions resource.

Dealing With Different Right Pronunciations

The different pronunciations of “yīnwei (yīn·wei because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為) are an example showing us that, while they have a lot of overlap, pǔtōng‐huà ((pǔ·tōng common · {through(out) → [common]} 普通)‐(huà speech) [(Modern Standard) Mandarin (term commonly used in China)]), Northern Mandarin and Beijing Mandarin, and, for that matter, the Guóyǔ (Guó·yǔ National · Language → [(Modern Standard) Mandarin (term commonly used in Taiwan)] 国语 國語) spoken in Taiwan are not exactly the same. (More information on how pǔtōng‐huà ((pǔ·tōng common · {through(out) → [common]} 普通)‐(huà speech) [(Modern Standard) Mandarin (term commonly used in China)]) has been artificially constructed from various parts and promoted to be a national standard can be found in David Moser’s book “A Billion Voices: China’s Search for a Common Language”.)

So, when we get to a word like “yīnwei (yīn·wei because · for | {because of} · for/{on account of} | {is because} · {is for} 因为 因為)”, which pronunciation should we say it with? Well, considering that the basic principle regarding why language groups and congregations even exist is that Bible truth best reaches a person’s heart in that person’s mother tongue, the logical conclusion is that we should try, as much as we are reasonably able to, to use whichever pronunciation is used by whomever we are talking to. The apostle Paul said “to the Jews I became as a Jew in order to gain Jews”, so we should similarly seek to become as the Mandarin-speaking people we meet in the ministry. (1 Corinthians 9:20) And since tones are an essential part of Mandarin pronunciation, that would include trying to use whichever tone is used by whomever we are talking to.

That may be relatively straightforward—although it may not be easy—when speaking to an individual, but when speaking to a large, mixed audience, perhaps at a meeting or even a convention, we will have to use good judgement to try to speak so as to be understood without distraction by the majority of the audience. It helps, then, to know the audience.

The Accents of Network News Announcers

Speaking of the audience, the clip above mentions that CCTV announcers are required to speak in a particular standard way, and that they are actually fined when they deviate from this standard. CCTV (China Central Television) is the national television broadcaster of China (which, naturally in China, is ultimately controlled by the Chinese Communist Party), and as such, has an audience that includes all of mainland China, with all its various languages, dialects, and accents. As we can see, those calling the shots at CCTV, and indeed, in China in general, have decided to approach this situation by seeking to impose and promote a standard way of speaking, from the top down.

American network news announcers face a sort-of similar challenge—while English is understood throughout the USA, people in different parts of the USA have come to speak with different regional accents.

The article “Why Do So Many News Anchors Sound Alike?”, on the Mental Floss website, says the following about how American news announcers have historically approached this situation:

No matter which channel you tune into or what local broadcast you receive, news anchors share one common trait beyond professional attire and perfect hair. They tend to sound exactly the same, from their cadence to enunciation to a completely curious lack of a regional accent. How does that happen?

Broadcasters didn’t always sound so geographically neutral. In the early part of the 20th century, many radio personalities and performers adopted what was known as a Mid-Atlantic accent, or a blend of mannered British and the East Coast dialect of the United States. This polished, proper method of speaking was popular in Hollywood movies of the 1930s and on radio because it signaled some kind of upper-class education and erudition. Thanks to America’s infatuation with England, sounding even vaguely British made people sound intelligent. Pundits like William F. Buckley Jr. carried the Mid-Atlantic torch even as it fell out of favor in entertainment.

The more contemporary practice of sounding linguistically neutral is often referred to as having a General American accent—which is a bit misleading, since there’s really not much of an accent at all. Also referred to as Standard American, Broadcast English, or Network English, General American was a term first used in the 1920s and ’30s by linguists who wanted to isolate a more widespread accent than the New England or Southern dialects.

Balancing Authenticity with Avoiding Distraction

A relatively recent Business Insider article points out, though, that what American people expect of their media personalities has evolved over time:

“There is something called a broadcast news type voice,” Brice told Insider. “And I really try to coach people to not have that voice. In fact, I coach routinely people to sound more like themselves. People try to emulate other anchors and reporters, and in my opinion, it gets them in trouble.”

“We’ve definitely evolved, just as the news industry has evolved, into a different mindset,” Cairns told Insider, adding that listeners now look for signs of authenticity from their media personalities. “With people being flooded with content, their expectations have changed. People don’t want the typical woman with the big head of hair and the perfect voice, looking a certain way.”

Instead of trying to eliminate regional accents like Fleming’s Boston pronunciations [heard in the post embedded above], Cairns told Insider, speakers who speak with accents should focus only on making sure their speech patterns aren’t distracting from what they’re trying to say.

“It’s just like your hairstyle—you have your own voice style.” Cairns told Insider. “Use it. It’s part of what identifies you. Just don’t let it distract from the message.”

Considering the above and coming back to the Mandarin field, we can see that when speaking to Mandarin-speaking people in the field, there are at least three ways of speaking that we need to mentally juggle:

  • The way we ouselves normally speak Mandarin
  • Modern Standard Mandarin/pǔtōng‐huà ((pǔ·tōng common · {through(out) → [common]} 普通)‐(huà speech) [(Modern Standard) Mandarin (term commonly used in China)])/Taiwanese Guóyǔ (Guó·yǔ National · Language → [(Modern Standard) Mandarin (term commonly used in Taiwan)] 国语 國語)
  • The kind of Mandarin best understood by whomever we are speaking to

In the Mandarin field, we want to speak authentically, sincerely, in a way that other people can tell is coming from our hearts, while avoiding speaking in a way that is so different from what others expect that it distracts from our God-honouring and life-saving message—it’s a balancing act, that may involve juggling! The standard forms of Mandarin that have been promoted by governments, widely broadcast in the media, etc. may heavily influence people’s expectations of the kind of Mandarin we speak, but different situations may require different approaches. So, we should do our best to adapt accordingly, so as to speak in the way that best helps others and glorifies, not any human entity, but rather, our great God Jehovah.


Note: Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material is aimed at and made available to the worldwide Mandarin field, and so as far as possible, it is based on how most people seem to actually speak pǔtōng‐huà ((pǔ·tōng common · {through(out) → [common]} 普通)‐(huà speech) [(Modern Standard) Mandarin (term commonly used in China)]), the artificial standard mentioned in the clip at the beginning of this post, that is the standard language promoted in mainland China, where about 95% of the world’s Chinese people are. (As Mr. Moser pointed out in the clip, people don’t always follow the pronunciations found in many dictionaries. E.g., many seem to use more neutral tones than many dictionaries indicate.) Since Taiwan is also a relatively big presence in the Mandarin-speaking world, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material also contains notes indicating when Taiwan Mandarin has different pronunciations. (Offhand, the only Mandarin dictionary mentions that I can recall that refer to Northern or Beijing pronunciations involve the “r” ({child | youth | son} → [(diminutive) non-syllabic retroflex suffix; pronunciation feature in Beijing dialect]) that Beijingers add to the ends of many words. Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material includes notes about this.)

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Culture Language Learning Technology Theocratic

háowú

háowú (háo·wú {(even) a fine hair (of)} · {is not having} → [is not having even a little] 毫无 毫無) ← Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 📘 icons mean 📖 Reveal All, 📄 Reveal Advanced, and 📘 Reveal None re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

I have long especially liked 1 Corinthians 13. It contains counsel on what really does and doesn’t matter in life, an extensive description and definition of the most important kind of love, and a sublime discussion about the need to become complete, mature, as a person. As these apply to life in general, so too do they apply to our lives as Mandarin field language learners.

As Mandarin field language learners, it can benefit us greatly to consider what we can learn from 1 Corinthians 13, and along the way, we can also consider some of the Mandarin expressions used in that chapter in the current version of the Mandarin New World Translation Bible (nwtsty).

“I Do Not Benefit at All”

This week’s MEotW, “háowú (háo·wú {(even) a fine hair (of)} · {is not having} → [is not having even a little] 毫无 毫無)”, is used in verse 3 (WOL, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus) of 1 Corinthians 13:

Screenshot of “_háowú_” in 1 Co. 13:3 (nwtsty, CHS+_Pīnyīn_ WOL)

(Dark mode for the Watchtower ONLINE LIBRARY (WOL) website, as shown in the above image, can be enabled in the Safari web browser by using the Noir Safari extension. Other web browsers may also have extensions with similar functionality.)

In “háowú (háo·wú {(even) a fine hair (of)} · {is not having} → [is not having even a little] 毫无 毫無)”, “háo ({[(even) a] fine hair [(of)]} | milli- 毫) literally refers to a “fine hair”. As for “wú ({not having}; without; none; no | nothing無/无)”, it means “not having; without; none; no”. So, “háowú (háo·wú {(even) a fine hair (of)} · {is not having} → [is not having even a little] 毫无 毫無) literally means “a fine hair is not having”, and effectively means “is not having even a little”. This is an interesting metaphor for emphasizing to us the ultimate futility of doing things out of pride and not out of love, things like focusing Mandarin field language-learning efforts on Chinese cultural traditions like characters rather than on how best to communicate the good news. As a metaphor, it reminds me of the English expression of not having even a shadow of a doubt about something.

Below are English and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus renditions showing how “háowú (háo·wú {(even) a fine hair (of)} · {is not having} → [is not having even a little] 毫无 毫無) is used in 1 Corinthians 13:3 in the current version of the Mandarin NWT Bible to correspond to “at all”, which is used in that verse in the current version of the English NWT Bible:

English:

And if I give all my belongings to feed others, and if I hand over my body so that I may boast, but do not have love, I do not benefit at all.

Mandarin (WOL, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus):

📖 📄 📘 (I 我) jiùsuàn (jiù·suàn {even if} · {figuring → [considering]} 就算) biànmài (biàn·mài changing · sell → [sell off] 变卖 變賣) yíqiè (yí·qiè {one (whole)} · {corresponding (set of)} → [all] 一切) cáiwù (cái·wù wealth · things → [belongings] 财物 財物), ràng ({to allow}) rén (people 人) yǒu ({to have} 有) shíwù (shí·wù eating · matter → [food] 食物) chī ({to eat}吃/喫), hái (also) shěshēn (shě·shēn {give up} · {(my) body} 舍身 捨身) juānqū (juān·qū {relinquish → [contribute]} · {(my) human body} 捐躯 捐軀), yǐcǐ (yǐ·cǐ using · this 以此) zìkuā (zì·kuā {(about) self} · {to boast} 自夸 自誇), què (but) méiyǒu (méi·yǒu not · {do have} 没有 沒有) ài (love), zhè (this) duì (towards → [to]) (me 我) (even 也) háowú (háo·wú {(even) a fine hair (of)} · {does not have} → [does not have even a little] 毫无 毫無) yìchu (yì·chu beneficial · place → [benefit] 益处 益處).

Having a Word, or Not

While the WOL puts a space between “háo ({[(even) a] fine hair [(of)]} | milli- 毫) and “wú ({not having}; without; none; no | nothing無/无)”, the dictionaries I have checked all treat this expression as one word, with no space between the two morphemes. So, that is how Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material renders “háowú (háo·wú {(even) a fine hair (of)} · {is not having} → [is not having even a little] 毫无 毫無)”.

There seems to be a tendency in typical modern Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) to render many two-morpheme expressions this way, combined into single words. With Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material, I have so far decided to go along with this common practice, since the resulting expressions are still relatively easy to read. However, I am not so accepting of extending this common practice to combining three, four, or even more morphemes into single words, with no spaces or even hyphens in them. Doing so produces long, undifferentiated strings of characters that are hard to parse, and thus hard to read and reason on. So, I have decided to generally break up such long expressions into one- or two-morpheme words separated by hyphens or spaces, depending on the situation.

For example, compare “bìbùkěshǎo (bì·bù·kě·shǎo certainly · not · {can; is able; could | may} · {be missing} 必不可少) with “bì (certainly 必)bùkě (bù·kě not · {can; is able; could | may} → [cannot; is not able; could not | may not] 不可)shǎo ({[be] few; little} | {[be] less} | lack; {be deficient} | lose; {be missing} 少)”. While some of the few Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) traditionalists in existence may object to it, I think the latter rendering is much easier to read and reason on, so that is how Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus material now renders this expression—one of the few good things about how commonly used Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is not is that there is not really much established Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) tradition or common practice to be “trampled” on, allowing for more leeway for exploring beneficial innovations, compared to the situations with relatively ossified and hidebound writing systems like Chinese characters, or even the modern English writing system.

As for the PRC government’s official national standard for Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) orthography, with the designation GB/T 16159-2012, as discussed in the MEotW post on “diǎnliàng (diǎn·liàng {dot → [light (v); ignite]} · {to be bright} [→ [illuminate; shine light on]] 点亮 點亮)”, this is at most a set of recommendations that is not legally binding or anything like that, even in China itself.

Categories
Culture Current Events Language Learning Science Technology Theocratic

yì‐nián‐yí‐dù

yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually]) ← Tap/click to show/hide the “flashcard”

[Notes: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”; tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”. 📖 📄 📘 icons mean 📖 Reveal All, 📄 Reveal Advanced, and 📘 Reveal None re all the “flashcards” in the heading, paragraph, etc. that they are placed at the beginning of.]

This week’s MEotW, “yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually])”, occurs in the following sentence, which, at the time of this writing, jw.org is featuring to invite people to attend the Memorial:

English:

We invite you to attend our annual event to remember the death of Jesus Christ.

Mandarin:

📖 📄 📘 Wǒmen (Wǒ·men we · [pl] 我们 我們) yāoqǐng (invite 邀请 邀請) (you 你) cānjiā (cān·jiā {to take part in} · {to add to} → [to attend] 参加 參加) zhèige (zhèi·ge this · [mw] 这个 這個) yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending (of time)} → [mw for occasions/times] 度) [annual]) de (’s 的) jìniàn (jì·niàn remembering · {thinking of} → [commemorating] 记/纪念 記/紀念) jùhuì (meeting 聚会 聚會), jìniàn (jì·niàn {to remember} · {to think of} → [to commemorate] 记/纪念 記/紀念) Yēsū (Jesus 耶稣 耶穌) Jīdū (Christ 基督) wèi (for為/爲) rénlèi (rén·lèi human·kind 人类 人類) xīshēng (xī·shēng sacrificed · {(as with a) domestic animal} → [sacrificed] 牺牲 犧牲) shēngmìng (life 生命).

“Yì‐nián‐yí‐dù ((Yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually]) on one level of literalness means “one year one occasion/time”, which effectively means “annual”. Its final morpheme “dù (degree; extent; {degree of intensity} | {spending; passing (of time)} [→ [mw for occasions/times]] 度) in this expression serves as a measure word for occasions or times, which likely derives from its meaning of “spending; passing (of time)”. In other expressions, “dù (degree; extent; {degree of intensity} | {spending; passing (of time)} [→ [mw for occasions/times]] 度) can also mean “degree; extent; degree of intensity”:

  • 📖 📄 📘 dùguò (dù·guò {spend; pass (time)} · pass; cross → [spend; pass (time/etc.) | pull/get through; survive] 度过 度過)
  • 📖 📄 📘 tàidu (tài·du state · degree → [attitude; manner] 态度 態度)
  • 📖 📄 📘 wēndù (wēn·dù {(of) being warm} · {degree of intensity} → [temperature] 温度 溫度)
  • 📖 📄 📘 zhìdù (zhì·dù system · extent → [system] 制度)

Same Character, Different Tones

Note that in “yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually])”, the morpheme meaning “one” is first pronounced “yì (one 一)”, with a fourth tone, and then it’s pronounced “yí (one 一)”, with a second tone. This is tone sandhi, and as the MEotW post on “diǎnliàng (diǎn·liàng {dot → [light (v); ignite]} · {to be bright} [→ [illuminate; shine light on]] 点亮 點亮) said:

On the other hand, the unofficial Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resources join the official Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) publications, old and new, in explicitly indicating tone sandhi for “bù (not 不) and “yī (one 一) (e.g., “búzài (bú·zài not · again; further; continuing; anymore 不再) instead of the standard “bùzài (bù·zài not · again; further; continuing; anymore 不再)) to make things easier for readers, even though this practice is not included in the GB/T 16159-2012 [PRC national] standard’s recommendations.

In the end, what matters most re how anything is written is not just what is officially recommended or what happens to be popular among changing, imperfect humans. Rather, what matters most is what really works best to accomplish the goal of writing: To communicate to readers. This is especially true when God-honouring and life-saving Bible truths need to be communicated. So, this blog and the other Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) Plus resources will continue to seek to render Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) in ways that maximize how clearly, easily, effectively, and appropriately it communicates with readers.

Same Characters, Different Word Boundaries

Another interesting thing to note is that the last two morphemes in “yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually]) can in some contexts form the expression “yídù (yí·dù [(at)] one · {spending; passing (of time) → [mw for occasions/times]} [once; at one time; on one occasion; for a time] 一度)”, which is appropriately written in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) without a space or other word divider between the two morphemes. Why then, does this blog post render “yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually]) with a hyphen (that acts as a word divider) between its last two morphemes?

The reason for the different renderings of the same two morphemes in the two different expressions is, well, because we are indeed dealing with two different expressions. Whereas “yì‐nián‐yí‐dù ((yì one 一)‐(nián year年/秊)‐(yí one 一)‐(dù {spending; passing (of time)} → [mw for occasions/times] 度) [once a year; annual | annually]) uses its last two morphemes in a “one-[word divider]-[measure word]” pattern, as does “yí (one 一) ge ([mw]個/个)”, “yídù (yí·dù [(at)] one · {spending; passing (of time) → [mw for occasions/times]} [once; at one time; on one occasion; for a time] 一度), treated as one word without a space in it, is used to effectively mean “once; at one time; on one occasion; for a time”. The ABC Chinese-English Dictionary, edited by John DeFrancis and Victor H. Mair, among others, provides these examples of this expression in use:

📖 📄 📘 Wǒmen (Wǒ·men we · [pl] 我们 我們) yídù (yí·dù (at) one · {passing (of time) → [mw for occasions/times]} [once] 一度) shì (were 是) hǎo (good 好) péngyou (friends 朋友).
We were once good friends.

📖 📄 📘 (she 她) yídù (yí·dù (at) one · {passing (of time) → [mw for occasions/times]} [for a time] 一度) duì (towards) huìhuà (huì·huà painting · paintings 绘画 繪畫) gǎn (felt 感) xìngqù (interest 兴趣 興趣).
She was interested in painting for a time.

Context Is the Key, Not Characters

The above points about how the characters “一” and “度” can have different pronunciations or meanings in different contexts remind us that Chinese characters are NOT the ultimate clarifiers of meaning in Mandarin. This excerpt from the MEotW post on “yǔjìng (yǔ·jìng language · {(set of) boundaries → [(bounded) place; area] → [condition; situation; circumstances]} → [context] 语境 語境) explains further:

Context and Mandarin Writing Systems

Research into the importance of context turned up a couple of interesting sayings from the business world:

Content is king.
—Bill Gates

Content is king, but context is God.
—Gary Vaynerchuk

Mandarin field language-learners may hear the assertion from Chinese culture traditionalists that it is necessary to use Chinese characters to clarify the ambiguity that results from Mandarin having so many homophones, words that sound the same but that have different meanings. The insinuation, or even the outright accusation, is that the upstart Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) system is thus unusable as a writing system for Mandarin, that the Chinese characters writing system is still the rightful king. Besides, there is so much existing content written in Chinese characters, and content is king!

However, a little consideration of the yǔjìng (yǔ·jìng language · {(set of) boundaries → [(bounded) place] → [situation]} → [context] 语境 語境), the language situation or context, shows up the fallacy of this assertion. The Chinese characters writing system exists along with Mandarin speech, and if Chinese characters are truly required to clearly communicate meaning in Mandarin, then that would mean that Mandarin speech on its own, without the help of visible characters, is unusable as a means of communication. That, however, is obviously not true—people who are proficient in spoken Mandarin communicate clearly with each other all the time, undoubtedly pretty much as clearly as proficient English speakers communicate with each other.

The key reason why proficient Mandarin speakers can communicate clearly with each other despite all of the homophones in Mandarin is not that they are constantly referring to Chinese characters, although people do occasionally do that in the current characters-saturated cultural climate. No, the key reason why Mandarin-speakers routinely communicate clearly with each other is because they use sufficient context to clarify any potentially ambiguous homophones. And, since Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) is a simple and direct representation of Mandarin speech, anything that is understandable when spoken in Mandarin is understandable when written in Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)1 Corinthians 14:8–11.

So, while Chinese characters-based content may be so predominant in the Chinese world that it’s king there, context is God, relatively and metaphorically speaking, and Mandarin speech and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) rightly rely on context, not on Chinese characters, just like we rightly rely on God, not on merely human kings.