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gòngtōng

gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通) 👈🏼 Tap/click to show/hide the “flashcard”

As part of a series of posts about some common myths about Chinese characters, this post discusses the Universality Myth. So, this week’s MEotW is “gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通)”, an expression that seems to express well the supposed universality that is the subject of this myth.

In “gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通)”, “gòng (share | common | together | altogether 共)” means “share | common | together | altogether”. This morpheme also appears in other well-known expressions such as “gòngtóng (gòng·tóng shared · {same | together} 共同)”, “gònghé‐guó ((gòng·hé shared · harmony → [republic] 共和)‐(guó country; nation; state 国 國) → [republic])”, and “Gòngchǎn (Gòng·chǎn {Commonly Possessing} · {Produced (Things) → [Property]} → [Communist] 共产 共產)‐Dǎng (Party 党 黨/党)”.

As for “tōng ({[(going)] through[(out)]; open [to]} [→ [common; general | connecting/communicating [to/with] [→ [logical; coherent]]]] 通)”, it here literally means “through”, and effectively means “connecting” or “in common”. It also appears in well-known expressions such as “gōutōng (gōu·tōng {(through) channel} · {(going) through → [communicating]} → [communicating; communication | linking up] 沟通 溝通)”, “jiāotōng (jiāo·tōng crossing; intersecting; meeting; joining · {(going) through → [connecting; communicating]} → [traffic; communications; transportation] 交通)”, “pǔtōng (pǔ·tōng common; general; universal; widespread · {through(out) → [general; common]} → [ordinary; common; average; general] 普通)”, and “tōngguò (tōng·guò through · passing → [passing through] → [through] 通过 通過)”.

When put together, the morphemes in “gòngtōng (gòng·tōng shared · {through → [connecting | [in] common]} [→ [applicable to both/all; shared; common; universal]] 共通)” can effectively mean “shared; common; universal”, which in itself can generally be good. In fact, in our ministry, we look for “gòngtōng (gòng·tōng shared · {through → [in common]} → [common] 共通) diǎn (points 点 點)” (common ground) with those with whom we speak. How universal, though, are Chinese characters? Are they really more universal than, say, alphabets?

Basis and Beliefs

In the book The Chinese Language: Fact and Fantasy, linguist and sinologist John DeFrancis writes the following in the chapter entitled “The Universality Myth”:

The Universality Myth is the logical extension of the Ideographic Myth. It is based on the threefold belief that:

1. Chinese characters enable a speaker from Beijing and another from Canton to communicate in writing even though they cannot understand each other’s speech. …
2. Chinese characters make it possible to read today’s newspapers as well as poems written a thousand years ago and philosophical essays written long before Christ. …
3. Chinese characters can function as a universal means of communication among people speaking totally unrelated languages. …

…

Implicitly or explicitly, the statements are meant to contrast Chinese characters with the familiar alphabetic scripts of the West. Chinese characters, it is believed, can do all these things, whereas alphabetic scripts cannot.

In other words, the Universality Myth regarding Chinese characters is that these visible, supposedly ideographic (representing meaning visually, without dependence on speech sounds) symbols of worldly Chinese culture can function across barriers of space, time, and language as universal enablers of communication. That seems amazing, if true. But, is it true? And, is it any more true for Chinese characters than it is for alphabets?

Testing the Relative Universality

DeFrancis goes on to test the Universality Myth by examining what it would take for an illiterate Mandarin speaker and an illiterate Cantonese speaker to learn how to communicate with each other by writing in characters, compared to what it would take for an illiterate French speaker and an illiterate Spanish speaker to learn how to communicate with each other by writing in French (which, as is widely known, is written using the Latin alphabet):

My Chinese colleagues estimate on the basis of their own experience and direct contact with the Chinese educational system that it takes seven to eight years for a Mandarin speaker to learn how to read and write three thousand characters and another year or two for a speaker of Cantonese to reach the same level in Standard Chinese. …My colleagues in French and Spanish estimate it would take the two imagined European illiterates less than half the time to reach a comparable level of proficiency in French.

…The overall picture is clear. It seems incontestable that both Europeans will find it easier to learn to read and write French than it be for either Cantonese or Mandarin speakers to learn to read and write Chinese. If we could add up the combined number of hours needed for the two members of each group to accomplish the same thing, the total would be enormously greater in the case of Chinese written in characters than in the case of French written in an alphabetic script. Even more significant, it would also be enormously greater for Chinese written in characters than for Chinese written in Pinyin. That is to say, it would be much easier for illiterates from Peking and those from Canton, even if the latter remain incapable of speaking Mandarin, to acquire the ability to communicate with each other by learning to read and write Standard Chinese written in Pinyin rather than in characters. Where, then, is the vaunted marvel of tongue-tied Chinese o’er-leaping barriers in speech by communicating with each other by means of those magical Chinese characters?

So, it’s possible for speakers of Mandarin, Cantonese, Japanese, Korean, English, French, Spanish, etc. to learn Chinese characters and use these as a means of communication. However, they could also do this with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)! Also, it would actually be much faster and easier to do this with Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) than it would be to do it with the crazy complex characters!

Going Back in Time

What about the claim that characters allow us to still be able to read Chinese writings from long ago? Concerning this, DeFrancis writes:

Apart from learning the characters in their current meanings, Chinese must also learn the frequently different meanings of characters in earlier usage and the definitely different syntactical structures of classical versus contemporary written Chinese. This ability involves considerable training in tasks notorious for their difficulty—tasks that involve mastering differences at least as great as those between current English and the language of Chaucer. Without going into great detail, it should be readily apparent that an illiterate Chinese, regardless of whether he speaks Cantonese or Mandarin, will have a much greater task in learning to read classical Chinese than will an illiterate European, regardless of whether he speaks Spanish or French, in learning to read Latin. In the case of those already literate in current Chinese or French, it is doubtful that Chinese readers would enjoy any advantage over Europeans in respect to the amount of additional effort required to read classical Chinese in contrast to Latin.

So, it would probably be harder for a Chinese person to learn characters and then learn classical Chinese, than it would be for a European person to learn the Latin alphabet, and then learn Latin!

For us Mandarin field language learners specifically, since Jehovah’s organization is continually moving forward with ever broader, deeper, and clearer understandings of various truths, we in contrast seek to use the newest, most up-to-date writings from the organization whenever possible. Even with regard to the Bible itself, first written long ago, we seek, as a rule, to use the most up-to-date translations available. For specific examples in this regard, Appendix A2 (English, Mandarin) of the New World Translation Bible lists ways in which the current version of this Bible has been carefully revised to be more beneficial for modern readers.

It’s worth noting that the Chinese versions of the organization’s publications used to be written only in Chinese characters, but the most recent versions of the organization’s important writings generally have Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) available for them as well now.

Sunk Costs and Future Investments

Of course, those who have already spent years of hard work learning characters wouldn’t have to start that particular long and difficult process from zero (although, tíbǐ (tí·bǐ {carry (hanging down from the hand) → [raise; lift]} · pen; pencil; {writing brush} [→ [start writing; write]] 提笔 提筆)‐wàng (forget 忘)‐zì (character 字) (character amnesia) is real thing that takes constant ongoing effort to ward off). And, if they happen to meet others, even others who don’t speak the same language, who have also already spent years of hard work learning characters, then, yes, they might be able to use characters to imperfectly communicate with these others, to a limited extent—that is indeed one imperfect benefit arising from the massive sunk costs they have incurred in the process of learning characters.

However, those who have not already poured enormous amounts of time and effort into learning characters still have the opportunity to objectively weigh how much time and effort it is reasonable and worthwhile to sink into the characters going forward. As they consider this, they can keep in mind the inescapable reality that, due to the inherent extraordinary complexity of the characters, and due to the way that Jehovah actually designed us humans to use language, Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) and other sound-prioritizing writing systems (like Hangul, for those learning Korean) offer much greater ROI (return on investment) than characters do for those considering investing time and effort into learning how to actually communicate with others. Dedicated servants of Jehovah should also keep in mind that the time and energy they have are not theirs alone to spend or waste—their time, energy, etc. actually belong to Jehovah, and should thus be used and invested accordingly.

Anyway, to summarize, the Universality Myth regarding Chinese characters is…BUSTED!

Categories
Culture History Language Learning Names Technology

Hànzì

Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) ← Tap/click to show/hide the “flashcard”

[This is a reposting of a post that was originally posted on November 23, 2020. It discusses how, in the big picture, we Mandarin field language learners should view Chinese characters, those seemingly essential but maddeningly difficult-to-learn-and-remember icons of worldly Chinese culture.]

“Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)” is what Chinese characters are called in Mandarin. Actually, “Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)” literally means “Han characters”, but as discussed in the MEotW post on “Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language [→ [(Modern Standard) Mandarin]] 汉语 漢語)”, the Han are by far the largest ethnic group in China, and they are the dominant cultural force in China. Thus, Han characters are, in effect, Chinese characters.

漢字 汉字

Han culture has affected not only China, but also many of the surrounding nations. The words used by some of these nations to refer to “Chinese characters” are obvious echoes of “Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)”:

  • Japanese: kanji
  • Korean: Hanja
  • Vietnamese: hán tự

Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are still used a lot in modern Japanese writing. However, although Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) used to be the dominant writing system in Korea and in Vietnam, those nations have moved on to mainly use alphabetic writing systems.

The Korean Connection

Regarding the situation in Korea, the Awake! article “Let’s Try Writing in Hankul!” says:

BEFORE Hankul [or Hangul] was created, the Korean language did not have its own script. For more than a thousand years, educated Koreans wrote their language using Chinese characters. Over the years, however, various attempts were made to devise a better writing system. But since all of them were based on Chinese characters, only the well-educated could use them.

…

King Sejong spearheaded the creation of an alphabet that would both suit spoken Korean and be easy to learn and use.

…

Sadly, some scholars opposed Hankul, precisely because it was so easy to learn! They derisively called it Amkul, meaning “women’s letters.” They disdained a system that could be learned even by women, who back then were not taught to read in the schools. This prejudice against Hankul persisted among upper-class Koreans for some time. In fact, more than 400 years elapsed before the Korean government declared that Hankul could be used in official documents.

The Chinese Conundrum

How about the writing system situation in China itself? Do the Chinese languages need to be written using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)? Chinese traditionalists have influenced many people to assume so, but there is actually no technical linguistic requirement that any Chinese language be written using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)—writing Chinese languages using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is purely and merely a deeply embedded tradition.

Proof that the use of Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is merely a tradition and not a technical requirement comes from the fact that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), a phonetic alphabetic system designed by a Chinese government team, is a good, workable full writing system for Modern Standard Mandarin.

Why has China held on to its traditional use of Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) when other nations have moved on to alphabetic writing systems? As mentioned in the MEotW post on “Zhōngguó (Zhōng·guó Central · Nation → [China | Chinese] 中国 中國)”,

Some wonder why China has held on to its archaic characters writing system instead of moving on to using a modern alphabetic writing system like almost every other nation does, even though outstanding native sons like Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) have advocated strongly for that. Perhaps the proud self-centredness of the only nation to name itself the centre of the world provides a clue….

When the Communists took over China a few years after World War II, their Plan A for China’s writing system situation actually did involve eventually moving on from the characters to an alphabetic writing system that would be developed, which turned out to be Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音). However, the government needed the help of the people already educated in Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), and many of these people opposed this plan that they feared would involve leaving behind, or at least de-emphasizing, a cultural tradition that they were very proud of, that they had invested very much time and effort into mastering, and that gave them much prestige in the existing environment.1 In other words, the pride and prejudice of those who had already been educated in the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) caused them to disparage and oppose the idea of a simpler alternative writing system, just as had been the case in Korea, as noted above. So, the simplification of the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is the farthest China has gotten so far with regard to official writing system reform, and even that has only been achieved in the face of much criticism and opposition.

Chairman Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article) himself supported continuing to move on, from simplification of the characters to actually adopting Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a writing system. In a letter to an old schoolmate, he wrote:

…Pinyin writing is a form of writing that is relatively convenient. Chinese characters are too complicated and difficult. At present we are only engaged in reform along the lines of simplification, but some day in the future we must inevitably carry out a basic reform.2

Letter from Mao endorsing a transition from Chinese characters to alphabetic writing

(The above picture is from near the beginning of the book The Chinese Language: Fact and Fantasy, by John DeFrancis.)

While obviously what Máo ((Máo Hair (surname) 毛) (abbr. for Máo Zédōng, the founder of the People’s Republic of China)) foresaw regarding a writing system “basic reform” in China has not yet come true, American sinologist and University of Pennsylvania Professor of East Asian Languages and Civilizations Victor H. Mair wrote in a blog post:

So, those who are in favor of HP [Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language → [(Modern Standard) Mandarin] 汉语 漢語) Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)] don’t need to be concerned, and those who are opposed to HP don’t need to be frightened. HP is ineluctably playing a greater and greater role in the educational, cultural, social, political, and every other aspect of the lives of Chinese citizens, and this is occurring without regard to anyone pushing it as a governmental program. It is happening because of the wishes of those who actually use it for a wide variety of helpful purposes.

Digraphia [the use of more than one writing system for the same language, in this case the use of both Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) for writing Modern Standard Mandarin] is emerging before our very eyes, enabling people to use the alphabet and the characters for whatever purposes they deem suitable. Nobody needs to take a vote or carry out a survey for this to happen.

Tourists or Missionaries?

Regardless of how worldly Chinese people view the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), how should we dedicated Mandarin field language-learners view them? It would be easy to fall back on the commonly accepted view, the tourist’s view, that the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are an integral and fascinating part of China’s precious cultural heritage that we should duly respect and even heap adulation upon.

However, as Mandarin field language-learners, we are not in the Mandarin field to be tourists just enjoying the exotic foreign culture. On the contrary, we must be more like missionaries or spiritual rescue workers involved in an urgent life-saving work, because lives are indeed involved. As ones involved in an urgent, life-saving work, we need tools, technologies, and systems that efficiently and effectively help us to get this work done without wasting time and effort when people’s everlasting lives are at stake. From this sober and pragmatic angle, the extraordinarily difficult-to-learn-and-remember Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are far from ideal. Thus, while there is obviously value in learning as many Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) as one is reasonably able to, it is fortunate that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) exists and is available as a simple, effective alternative writing system for Mandarin, for the many times when it is not necessary to use Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字).

 

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. 258. ^

2. Ibid., p. 295. ^

Categories
Culture History Language Learning Names Technology

Hànzì

Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) ← Tap/click to show/hide the “flashcard”

“Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)” is what Chinese characters are called in Mandarin. Actually, “Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)” literally means “Han characters”, but as discussed in the MEotW post on “Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language [→ [(Modern Standard) Mandarin]] 汉语 漢語)”, the Han are by far the largest ethnic group in China, and they are the dominant cultural force in China. Thus, Han characters are, in effect, Chinese characters.

漢字 汉字

Han culture has affected not only China, but also many of the surrounding nations. The words used by some of these nations to refer to “Chinese characters” are obvious echoes of “Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)”:

  • Japanese: kanji
  • Korean: Hanja
  • Vietnamese: hán tự

Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are still used a lot in modern Japanese writing. However, although Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) used to be the dominant writing system in Korea and in Vietnam, those nations have moved on to mainly use alphabetic writing systems.

The Korean Connection

Regarding the situation in Korea, the Awake! article “Let’s Try Writing in Hankul!” says:

BEFORE Hankul [or Hangul] was created, the Korean language did not have its own script. For more than a thousand years, educated Koreans wrote their language using Chinese characters. Over the years, however, various attempts were made to devise a better writing system. But since all of them were based on Chinese characters, only the well-educated could use them.

…

King Sejong spearheaded the creation of an alphabet that would both suit spoken Korean and be easy to learn and use.

…

Sadly, some scholars opposed Hankul, precisely because it was so easy to learn! They derisively called it Amkul, meaning “women’s letters.” They disdained a system that could be learned even by women, who back then were not taught to read in the schools. This prejudice against Hankul persisted among upper-class Koreans for some time. In fact, more than 400 years elapsed before the Korean government declared that Hankul could be used in official documents.

The Chinese Conundrum

How about the writing system situation in China itself? Do the Chinese languages need to be written using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)? Chinese traditionalists have influenced many people to assume so, but there is actually no technical linguistic requirement that any Chinese language be written using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字)—writing Chinese languages using Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is purely and merely a deeply embedded tradition.

Proof that the use of Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is merely a tradition and not a technical requirement comes from the fact that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音), a phonetic alphabetic system designed by a Chinese government team, is a good, workable full writing system for Modern Standard Mandarin.

Why has China held on to its traditional use of Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) when other nations have moved on to alphabetic writing systems? As mentioned in the MEotW post on “Zhōngguó (Zhōng·guó Central · Nation → [China | Chinese] 中国 中國)”,

Some wonder why China has held on to its archaic characters writing system instead of moving on to using a modern alphabetic writing system like almost every other nation does, even though outstanding native sons like Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) have advocated strongly for that. Perhaps the proud self-centredness of the only nation to name itself the centre of the world provides a clue….

When the Communists took over China a few years after World War II, their Plan A for China’s writing system situation actually did involve eventually moving on from the characters to an alphabetic writing system that would be developed, which turned out to be Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音). However, the government needed the help of the people already educated in Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), and many of these people opposed this plan that they feared would involve leaving behind, or at least de-emphasizing, a cultural tradition that they were very proud of, that they had invested very much time and effort into mastering, and that gave them much prestige in the existing environment.1 In other words, the pride and prejudice of those who had already been educated in the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) caused them to disparage and oppose the idea of a simpler alternative writing system, just as had been the case in Korea, as noted above. So, the simplification of the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) is the farthest China has gotten so far with regard to official writing system reform, and even that has only been achieved in the face of much criticism and opposition.

Chairman Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article) himself supported continuing to move on, from simplification of the characters to actually adopting Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) as a writing system. In a letter to an old schoolmate, he wrote:

…Pinyin writing is a form of writing that is relatively convenient. Chinese characters are too complicated and difficult. At present we are only engaged in reform along the lines of simplification, but some day in the future we must inevitably carry out a basic reform.2

Letter from Mao endorsing a transition from Chinese characters to alphabetic writing

(The above picture is from near the beginning of the book The Chinese Language: Fact and Fantasy, by John DeFrancis.)

While obviously what Máo ((Máo Hair (surname) 毛) (abbr. for Máo Zédōng, the founder of the People’s Republic of China)) foresaw regarding a writing system “basic reform” in China has not yet come true, American sinologist and University of Pennsylvania Professor of East Asian Languages and Civilizations Victor H. Mair wrote in a blog post:

So, those who are in favor of HP [Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language → [(Modern Standard) Mandarin] 汉语 漢語) Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音)] don’t need to be concerned, and those who are opposed to HP don’t need to be frightened. HP is ineluctably playing a greater and greater role in the educational, cultural, social, political, and every other aspect of the lives of Chinese citizens, and this is occurring without regard to anyone pushing it as a governmental program. It is happening because of the wishes of those who actually use it for a wide variety of helpful purposes.

Digraphia [the use of more than one writing system for the same language, in this case the use of both Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) and Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) for writing Modern Standard Mandarin] is emerging before our very eyes, enabling people to use the alphabet and the characters for whatever purposes they deem suitable. Nobody needs to take a vote or carry out a survey for this to happen.

Tourists or Missionaries?

Regardless of how worldly Chinese people view the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), how should we dedicated Mandarin field language-learners view them? It would be easy to fall back on the commonly accepted view, the tourist’s view, that the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are an integral and fascinating part of China’s precious cultural heritage that we should duly respect and even heap adulation upon.

However, as Mandarin field language-learners, we are not in the Mandarin field to be tourists just enjoying the exotic foreign culture. On the contrary, we must be more like missionaries or spiritual rescue workers involved in an urgent life-saving work, because lives are indeed involved. As ones involved in an urgent, life-saving work, we need tools, technologies, and systems that efficiently and effectively help us to get this work done without wasting time and effort when people’s everlasting lives are at stake. From this sober and pragmatic angle, the extraordinarily difficult-to-learn-and-remember Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) are far from ideal. Thus, while there is obviously value in learning as many Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字) as one is reasonably able to, it is fortunate that Pīnyīn (Pīn·yīn {Piecing Together of} · Sounds → [Pinyin] 拼音) exists and is available as a simple, effective alternative writing system for Mandarin, for the many times when it is not necessary to use Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字).

 

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. 258. ^

2. Ibid., p. 295. ^