Category: Culture

Categories
Culture History Names

dài

dài ({take the place of}; replace; subsitute | replacing; substituting → [acting; substitute | generation [→ [period; era; age]]] 代) ← Tap/click to show/hide the “flashcard”

This week’s MEotW, “dài ({take the place of}; replace; subsitute | replacing; substituting → [acting; substitute | generation [→ [period; era; age]]] 代)”, basically literally means “take the place of” or “replace”. Why, then, is it used to mean “generation”? This tweet briefly explains:

Yes, the Chinese concept of a “generation” is that it is something that takes the place of or replaces what was there before—the emphasis seems to be on continuation, and a new generation is viewed as having done well if it lived up to or maintained what came before it. In contrast, in the English-speaking world, a “generation” is something new that is generated—the emphasis seems to be more on innovation, progress, and a new generation is viewed as having done well if it improved upon what came before it, and moved things ahead. For example, the English expression “next generation” indeed implies innovation and progress compared to previous generations, such as when applied to vehicles, computers, and other technology.

The Case of Star Trek: The Next Generation

Fans of Star Trek also generally naturally accept that of course in many aspects the world of Star Trek: The Next Generation is more advanced than the world of Star Trek: The Original Series—the ships are faster and more powerful, the special effects are better, etc. (Note that Star Trek: The Original Series was just called Star Trek when it first came out. “Star Trek: The Original Series” is a retronym that was applied to the show after other shows based on it began to appear.)

However, some Star Trek fans prefer Star Trek: The Original Series to Star Trek: The Next Generation, and do not view Star Trek: The Next Generation as better in every way compared to the original show. For example, many fans view original series characters like Captain Kirk, Mr. Spock, and Dr. McCoy as their favourite characters in all the Star Trek shows. Indeed, some would say Mr. Spock is the most iconic Star Trek character of them all.

By the way, the Mandarin translation of “Star Trek: The Next Generation” in mainland China is apparently “Xīngjì Lǚxíng: Xià-Yí-Dài ((Xīng·jì Stars · {Boundaries → [Among]} → [Interstellar] 星际 星際) (Lǚ·xíng Travelling · Going → [Journeying] 旅行): (Xià Below → [Next] 下)-(Yí One 一)-(Dài Replacing → [Generation] 代) → [Star Trek: The Next Generation (mainland China translation)])”, according to the mainland Chinese version of Wikipedia. In contrast, “Star Trek: The Next Generation” is apparently called “Yín Hé Fēilóng (((Yín Silver 银 銀) (Hé River 河) → [Milky Way]) (Fēi·lóng Flying · Dragon [→ [Pterosaur]] 飞龙 飛龍) → [Star Trek: The Next Generation (Taiwan translation)])” (obviously not a literal translation) in Taiwan. While Wikipedia is of course not always right, in this case I have not been able to find any better source.

However, in an article on the official Star Trek website, I did find out about a big (literally) Chinese connection to Star Trek:

The building, according to Mashable.com, is the headquarters of NetDragon Websoft, a Chinese gaming and mobile Internet company. And the site notes, “Company Chairman Liu DeJian is reportedly an uberTrekkie, licensing from CBS the rights to build an Enterprise replica. Construction began in 2008 and was finished in 2014; the project cost $160 million total. The building is the only officially licensed Star Trek building on the planet.”

The Case of Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音)

Speaking of generations of technology, and of replacings, it’s good for us Mandarin field language learners to remember that writing systems are technologies, and technologies are known to sometimes get replaced by newer generations of technologies. Also, with regard to Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) specifically, the original plan for modern-day China was for Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) to one day replace Chinese characters. As the article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Was Plan A” says:

Pīnyīn was actually Plan A for modern-day China, but Plan A has not been fully followed through on, largely because of old-fashioned selfish pride, nationalism/“culturalism”, and traditionalism, with some intellectual self-indulgence thrown in there for good measure. As Jehovah’s people, we have been trained to recognize that these are very bad reasons for doing something, or for not doing something.

Letter from Mao Zedong re a “basic reform” of Chinese writing, involving a transition from Chinese characters to alphabetic writing

(The above picture is from the book The Chinese Language: Fact and Fantasy, by John DeFrancis.)

Nostalgia, Progress, and Generations

While humans of different cultures and generations disagree as to whether new generations are necessarily better, whether in technology, Star Trek, writing systems, or life in general, God’s Word helps us to understand his view of passing generations of humans and human activity.

Here are a few scriptures that come to mind in that regard:

A generation is going, and a generation is coming,
But the earth remains forever.
—Ecclesiastes 1:4

Do not say, “Why were the former days better than these?” for it is not out of wisdom that you ask this.
—Ecclesiastes 7:10

Jesus said to him: “No man who has put his hand to a plow and looks at the things behind is well-suited for the Kingdom of God.”
—Luke 9:62

Brothers, I do not yet consider myself as having taken hold of it; but one thing is certain: Forgetting the things behind and stretching forward to the things ahead,
—Philippians 3:13

“In the days of those kings the God of heaven will set up a kingdom that will never be destroyed. And this kingdom will not be passed on to any other people. It will crush and put an end to all these kingdoms, and it alone will stand forever,
—Daniel 2:44

Furthermore, the world is passing away and so is its desire, but the one who does the will of God remains forever.
—1 John 2:17

Categories
Culture Theocratic

wēnhé

wēnhé (wēn·hé {[is] warm} · {[is] gentle}; {[is] mild}; {[is] moderate} [→ [mildness]] 温和 溫和) ← Tap/click to show/hide the “flashcard”

The eighth part of the fruitage of the spirit listed is mildness.— Jiālātàishū (Jiālātài·shū Galatia · Book → [Galatians] 加拉太书 加拉太書) 5:22, 23.

Galatians 5:22, 23 (WOL nwtsty-CHS+Pinyin)

The English word “mildness” is translated into Mandarin in the above scripture as “wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和)”, this week’s MEotW.

Note that the Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus information for “wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和)” (← tap/click to show/hide the “flashcard”), as used in the above context, shows that in the above context it literally means “being warm, being mild”, which in turn effectively means “mildness”. The Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus information renders the literal meaning this way because in this case “wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和)” is a stative verb.

Stative Verbs

The ABC Chinese-English Dictionary, edited by John DeFrancis and Victor H. Mair, among others, tells us the following about the entries in it that are marked as stative verbs:

S.V. (Stative Verb, Xíngróngcí 形容词).

These entries are frequently translated into English as adjectives, even though they actually behave in Chinese as verbs. That is, the sense of ‘to be’ is already incorporated into these verbs, e.g. Zhèige hěn hǎo ‘This is quite good.’ In fact, it is simply ungrammatical to place the verb shì, ‘to be’, directly in front of a stative verb.

Because stative verbs are actually verbs, they are directly negated by bù, e.g. bù hǎo ‘not good’, and can be further modified by adverbs of degree such as hěn ‘quite’, fēicháng ‘extremely’ and shífēn ‘very; utterly’. One common function of stative verbs is that they may serve as adverbs to other actions, e.g. mànmàn in mànmàn chī ‘Take your time (eating)’ and rènzhēn in rènzhēn de xiě ‘write carefully’.

Sometimes a Verbal Noun

One might wonder, though, why “wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和)” is used in the above scripture to translate “mildness”, a noun, if “wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和)” is a stative verb there. This seems to be a case of “wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和)” acting as a verbal noun, or gerundial noun. Verbal/gerundial nouns were discussed in the MEotW post on “jiàodǎo (jiào·dǎo teaching · {guiding [→ [instructing]]} 教导 教導)”:

One interesting thing to note about “jiàodǎo (jiào·dǎo teaching · {guiding [→ [instructing]]} 教导 教導)” (and about “jiàoxun (teaching → [reprimanding | knowledge gained from an error] 教训 教訓)”, for that matter) is that their component morphemes seem to basically be verbs. In certain contexts, however, they are used as nouns. An example of this being done in English is that “teach” and “teaching” are verbs (e.g. “Jesus was teaching the crowd.”), but in certain contexts, “teaching” is used as a noun (e.g. “The crowd was amazed at the teaching Jesus shared with them.”). When a word is used this way, it’s called a verbal noun, or a gerundial noun. Verbal nouns are quite common in Mandarin.

Multifaceted

“Wēnhé (Wēn·hé {[is] warm} · {[is] gentle}; {[is] mild}; {[is] moderate} [→ [mildness]] 温和 溫和)”, then, like many Mandarin words, is multifaceted. Sometimes it acts as an adjective, sometimes it’s a stative verb that seems like an adjective, and other times it functions as a noun. Here are examples of it being used in these different ways:

Used as an adjective:
📖 📄 📘 Tā (he 他) shì (is 是) ge ([mw] 个 個/个) hěn (very 很) wēnhé (wēn·hé warm · mild → [mild] 温和 溫和) de (’s 的) rén (person 人).

Used as a stative verb that seems like an adjective:
📖 📄 📘 Tā (he 他) hěn ({very much} 很) wēnhé (wēn·hé {is warm} · {is mild} → [is mild] 温和 溫和).

Used as a verbal noun:
📖 📄 📘 Tā (he 他) hěn ({very much} 很) yǒu (has 有) wēnhé (wēn·hé {being warm} · {being mild} → [mildness] 温和 溫和).

Categories
Culture Current Events Language Learning

sàng

sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) ← Tap/click to show/hide the “flashcard”

The post about past MEotW “tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平)” refers to this article:

Screenshot of the article “Tired of Running in Place, Young Chinese ‘Lie Down’ ”, on the Sixth Tone website

This article in turn refers to an article about the culture of “sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪)”, this week’s MEotW.

What is sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) culture, or, in Mandarin, sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化)?

Another article that I found provides this nice, simple description: (Note: The rest of the article contains some good information, but has a couple of curse words.)

A little Mandarin lesson here-

The character 丧 is a polyphone in mandarin Chinese. When it is pronounced sāng, it loosely translates to funeral or mourning. When as sàng, it could be referring to either losing certain things or people (“丧失”), or a conglomeration of negative emotions such as feeling depressed, angry, disappointed and vexed.

And the sàng culture we are talking about here really takes both meanings: it is, very vaguely, the idea that you’ve lost something and are feeling horrible about it.

Manifestations

This article also goes on to mention some ways in which sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化) has been manifested:

Screenshot of the article “The Culture of sàng: a Generation Lying-down? | China Buzz Report”, on the Elephant Room website

As the above article mentions, and as shown in the above screenshot, one of the first manifestations of sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化) was the “Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) tǎng ({lies down} 躺)” set of memes, viral content on the Chinese Internet. (Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) is a well-known Chinese actor, and the picture in the above screenshot is from the 1993 TV show Wǒ (I 我) Ài (Love 爱 愛) Wǒ (My 我) Jiā (Family 家), in which he plays the role of “a parasitical freeloader who was unemployed and broke and consistently failed in his filial responsibilities”, as one academic article put it.)

A translation of a Chinese article on sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化) contains these comments about the image that the “Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) tǎng ({lies down} 躺)” memes are based on:

This image runs contrary to the positive, healthy and upwardly mobile mainstream views that people of all generations favor. It does, however, fit in well with the youth culture of today. His decadence, despair, pessimism and hopelessness are exactly the inner state of this group of masses who work overtime, eat overtime, are under constant pressure and are having a hard time making a living.

Speaking of making a living, one business named Sàng ({Lost (by Death)} [→ [Lost (Sth. Important) | Bereaved | Dejected; Frustrated; Disappointed; Discouraged]] 丧 喪) Chá (Tea 茶) (English name: Song Tea) is opportunistically riding the wave of sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) culture with a chain of tea shops that uses tongue-in-cheek black humour in the names of its drinks, such as this one featured on its USA blog:

Screenshot of the blog post “Love Overtime Love Being Broke Tea 加班不止加薪无望四季春 - 丧茶美国总代理Song Tea”, on the Song Tea USA website

From Feeling Bereaved to Lying Flat

The “tǎng ({lies down} 躺)” used in “Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) tǎng ({lies down} 躺)” is the same one as the one in “tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平)”, and “sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪)” is indeed related to “tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平)”. Perhaps it can be said that the feeling of sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) moves many of those experiencing it to take the action of tǎngpíng (tǎng·píng lying; reclining · {[to be] flat} 躺平). As an above-mentioned article on tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平) says:

Unlike similar, previous terms to have had their time in the spotlight in recent years, tang ping is an action rather than a feeling — resolving to just scrape by, exerting the bare minimum effort at an unfulfilling job, as opposed to the futility of raging against the capitalist machine.

Echoing the West?

The title of one of the articles mentioned above, “Turn Off, Drop Out: Why Young Chinese Are Abandoning Ambition”, appears to be a play on the Western counterculture-era phrase “turn on, tune in, drop out”. In the 1960s, while the West was going through its counterculture era, China was in contrast undergoing its Cultural Revolution—a very different thing! Perhaps, similarly to how China is now racing off into space, and even to the moon, as the West did decades ago, it is now also in some ways changing in its popular culture, as the West did decades ago.

Stand Strong for These “Sheep Without a Shepherd”

If you are mourning your lack of progress in learning Mandarin despite your strenuous efforts to learn the traditionally mandated but extraordinarily and unnecessarily complex Chinese characters, please be assured that there is an alternative to just quitting the Mandarin field. Focusing on Mandarin SPEECH with the help of the simple and elegant Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) writing system can help you get a grip on understanding Mandarin speech, and on using it to give meaningful spiritual help to those in the worldwide field whose mother tongue is Mandarin.

As this look at sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) culture shows us, many of them are feeling the need for something beyond the selfish, materialistic, and ultimately meaningless rat race promoted by Satan’s world—they need the good news of God’s Kingdom, and they need people like us to share it with them in a language that they will understand and respond to from the heart.—Mr. 6:34.