Tag: Western Culture

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Culture Current Events History

kǒuzhào

kǒuzhào (kǒu·zhào mouth · cover → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩) ← Tap/click to show/hide the “flashcard”

[Note: Tap/click on a Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) expression to reveal its “flashcard”, tap/click on a “flashcard” or its Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) expression to hide the “flashcard”.]

As of this writing, early in the year 2022, the subject of the COVID-19 pandemic has been, to say the least, on people’s minds now for a while. So, it would be good to be able to refer to things related to it in Mandarin when speaking to people in the Mandarin field, or when speaking to our brothers and sisters in the truth.

electron microscope image of SARS-CoV-2—also known as 2019-nCoV, the virus that causes COVID-19

An electron microscope image of SARS-CoV-2—also known as 2019-nCoV, the virus that causes COVID-19
Creative Commons Attribution License logo NIAID

This week’s MEotW, “kǒuzhào (kǒu·zhào mouth · cover → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩)”, refers specifically to the kind of mask one puts on to cover one’s nose and mouth, as opposed to other kinds of masks. It pretty much has to refer specifically to this kind of mask, since, as its Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Plus “flashcard” information shows us, “kǒuzhào (kǒu·zhào mouth · cover → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩)” literally means “mouth cover”.

To say “wear/put on” a “kǒuzhào (kǒu·zhào mouth · cover → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩)” in Mandarin, one would say “dài (wear; {put on} 戴) kǒuzhào (kǒu·zhào mouth · cover → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩)”.

Rhotic (R-Like) Coda

A variant form of “kǒuzhào (kǒu·zhào mouth · cover → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩)” is “kǒuzhàor (kǒu·zhào·r mouth · cover · {child | youth | son → [(diminutive) non-syllabic retroflex suffix; pronunciation feature in Beijing dialect]} → [antiseptic/surgical/breathing/etc. mask (worn over nose and mouth)] 口罩儿 口罩兒)”, with an “r ({child | youth | son} → [(diminutive) non-syllabic retroflex suffix; pronunciation feature in Beijing dialect] 儿 兒)” at the end. This is an example of what in Mandarin is called “érhuà (ér·huà {(to have) ér} · transforming → [adding of “r” as a suffix (pronunciation feature in Beijing dialect); erization] 儿化 兒化)”. Wikipedia summarizes this thusly:

Erhua (simplified Chinese: 儿化; traditional Chinese: 兒化; pinyin: érhuà [ɚ˧˥xwä˥˩]); also called erization or rhotacization of syllable finals[source]) refers to a phonological process that adds r-coloring or the “er” (注音：ㄦ, common words: 耳、尔、儿[source]) sound (transcribed in IPA as [ɚ]) to syllables in spoken Mandarin Chinese. Erhuayin (simplified Chinese: 儿化音; traditional Chinese: 兒化音; pinyin: érhuàyīn) is the pronunciation of “er” after rhotacization of syllable finals.

It is most common in the speech varieties of North China, especially in the Beijing dialect, as a diminutive suffix for nouns, though some dialects also use it for other grammatical purposes. The Standard Chinese spoken in government-produced educational and examination recordings features erhua to some extent, as in 哪儿 nǎr (“where”), 一点儿 yìdiǎnr (“a little”), and 好玩儿 hǎowánr (“fun”). Colloquial speech in many northern dialects has more extensive erhua than the standardized language. Southwestern Mandarin dialects such as those of Chongqing and Chengdu also have erhua. By contrast, many Southern Chinese who speak non-Mandarin dialects may have difficulty pronouncing the sound or may simply prefer not to pronounce it, and usually avoid words with erhua when speaking Standard Chinese; for example, the three examples listed above may be replaced with the synonyms 哪里 nǎlǐ, 一点 yìdiǎn, 好玩 hǎowán. Furthermore, Erhua’s presence in Guoyu (國語) in Taiwan is diminishing and it is often not used at all.[source][source]

Also, the excellent Chinese Pronunciation Wiki has a page on “r ({child | youth | son} → [(diminutive) non-syllabic retroflex suffix; pronunciation feature in Beijing dialect] 儿 兒)”, which points out that the Mandarin “r ({child | youth | son} → [(diminutive) non-syllabic retroflex suffix; pronunciation feature in Beijing dialect] 儿 兒)” is different from the “r” in English. It additionally goes into technical detail about how to use your mouth and tongue to correctly make the Mandarin “r ({child | youth | son} → [(diminutive) non-syllabic retroflex suffix; pronunciation feature in Beijing dialect] 儿 兒)” sound.

Western Worldy Politicization

It’s interesting to note how differently many people with an Eastern cultural background view the wearing of masks to help reduce the risk of catching or spreading COVID-19, compared to how some with a Western cultural background view it. One article that I found while researching this post, “Why East Asians Were Wearing Masks Long Before COVID-19”, summarized the situation this way:

Masking up is second nature to East Asian immigrants like Cho. But others haven’t taken so easily to the U.S. Centers for Disease Control and Prevention’s recommendation to wear a facial covering. The guidelines have incited a nationwide feud about public health and civil liberties. Some Americans refuse to wear masks, claiming its contrary to their personal freedom. The most strident in the anti-mask movement have called them “unconstitutional,” “autocratic” and “muzzles.”

Meanwhile, in East Asian countries, the majority of the public adapted quickly to mask-wearing (or were already wearing them to begin with) ― something experts believe has contributed to lower COVID-19 death rates.

The article also goes into the long history in Asia of using masks to combat the spread of disease, a history that stretches back past the 2002–2004 SARS outbreak to at least the Great Manchurian Plague of 1910–1911.

Interestingly, the article points out who is considered to be the inventor of the anti-epidemic mask:

The invention of the anti-epidemic mask was attributed to Dr. Wu Lien-teh, a Cambridge-educated Chinese physician who led anti-plague operations on behalf of China in the region [during the Great Manchurian Plague of 1910–1911].

Balance and Subjection to the Superior Authorities

Eastern culture can sometimes go too far in prioritizing the collective at the expense of the individual, and Western culture can sometimes go too far in prioritizing the individual at the expense of everyone else, such that in such cases Eastern and Western cultures end up just being different ways for humans to get things wrong. In contrast, as Jehovah God tells us in the Bible:

“For as the heavens are higher than the earth,
So my ways are higher than your ways
And my thoughts than your thoughts.
—Isaiah 55:9.

Thankfully, as Jehovah’s people, we have balanced and wise direction from his Word and his organization that help us to rise above the ways and thoughts of imperfect humans living in Satan’s world. For example:

Jehovah’s Witnesses cooperate with public health officials. For example, since the COVID-19 pandemic broke out, Jehovah’s Witnesses have continued to publish reminders in hundreds of languages on this website, encouraging adherence to local safety guidelines. These include the importance of physical distancing and of following regulations on public gatherings, quarantining, hand washing, and the wearing of face coverings as well as other practical measures required or recommended by the authorities.—Romans 13:1, 2.
—“Are Jehovah’s Witnesses Opposed to Vaccination?” (article on jw.org)

Categories
Culture History Names

dài

dài ({take the place of}; replace; subsitute | replacing; substituting → [acting; substitute | generation [→ [period; era; age]]] 代) ← Tap/click to show/hide the “flashcard”

This week’s MEotW, “dài ({take the place of}; replace; subsitute | replacing; substituting → [acting; substitute | generation [→ [period; era; age]]] 代)”, basically literally means “take the place of” or “replace”. Why, then, is it used to mean “generation”? This tweet briefly explains:

Yes, the Chinese concept of a “generation” is that it is something that takes the place of or replaces what was there before—the emphasis seems to be on continuation, and a new generation is viewed as having done well if it lived up to or maintained what came before it. In contrast, in the English-speaking world, a “generation” is something new that is generated—the emphasis seems to be more on innovation, progress, and a new generation is viewed as having done well if it improved upon what came before it, and moved things ahead. For example, the English expression “next generation” indeed implies innovation and progress compared to previous generations, such as when applied to vehicles, computers, and other technology.

The Case of Star Trek: The Next Generation

Fans of Star Trek also generally naturally accept that of course in many aspects the world of Star Trek: The Next Generation is more advanced than the world of Star Trek: The Original Series—the ships are faster and more powerful, the special effects are better, etc. (Note that Star Trek: The Original Series was just called Star Trek when it first came out. “Star Trek: The Original Series” is a retronym that was applied to the show after other shows based on it began to appear.)

However, some Star Trek fans prefer Star Trek: The Original Series to Star Trek: The Next Generation, and do not view Star Trek: The Next Generation as better in every way compared to the original show. For example, many fans view original series characters like Captain Kirk, Mr. Spock, and Dr. McCoy as their favourite characters in all the Star Trek shows. Indeed, some would say Mr. Spock is the most iconic Star Trek character of them all.

By the way, the Mandarin translation of “Star Trek: The Next Generation” in mainland China is apparently “Xīngjì Lǚxíng: Xià-Yí-Dài ((Xīng·jì Stars · {Boundaries → [Among]} → [Interstellar] 星际 星際) (Lǚ·xíng Travelling · Going → [Journeying] 旅行): (Xià Below → [Next] 下)-(Yí One 一)-(Dài Replacing → [Generation] 代) → [Star Trek: The Next Generation (mainland China translation)])”, according to the mainland Chinese version of Wikipedia. In contrast, “Star Trek: The Next Generation” is apparently called “Yín Hé Fēilóng (((Yín Silver 银 銀) (Hé River 河) → [Milky Way]) (Fēi·lóng Flying · Dragon [→ [Pterosaur]] 飞龙 飛龍) → [Star Trek: The Next Generation (Taiwan translation)])” (obviously not a literal translation) in Taiwan. While Wikipedia is of course not always right, in this case I have not been able to find any better source.

However, in an article on the official Star Trek website, I did find out about a big (literally) Chinese connection to Star Trek:

The building, according to Mashable.com, is the headquarters of NetDragon Websoft, a Chinese gaming and mobile Internet company. And the site notes, “Company Chairman Liu DeJian is reportedly an uberTrekkie, licensing from CBS the rights to build an Enterprise replica. Construction began in 2008 and was finished in 2014; the project cost $160 million total. The building is the only officially licensed Star Trek building on the planet.”

The Case of Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音)

Speaking of generations of technology, and of replacings, it’s good for us Mandarin field language learners to remember that writing systems are technologies, and technologies are known to sometimes get replaced by newer generations of technologies. Also, with regard to Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) specifically, the original plan for modern-day China was for Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) to one day replace Chinese characters. As the article “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Was Plan A” says:

Pīnyīn was actually Plan A for modern-day China, but Plan A has not been fully followed through on, largely because of old-fashioned selfish pride, nationalism/“culturalism”, and traditionalism, with some intellectual self-indulgence thrown in there for good measure. As Jehovah’s people, we have been trained to recognize that these are very bad reasons for doing something, or for not doing something.

Letter from Mao Zedong re a “basic reform” of Chinese writing, involving a transition from Chinese characters to alphabetic writing

(The above picture is from the book The Chinese Language: Fact and Fantasy, by John DeFrancis.)

Nostalgia, Progress, and Generations

While humans of different cultures and generations disagree as to whether new generations are necessarily better, whether in technology, Star Trek, writing systems, or life in general, God’s Word helps us to understand his view of passing generations of humans and human activity.

Here are a few scriptures that come to mind in that regard:

A generation is going, and a generation is coming,
But the earth remains forever.
—Ecclesiastes 1:4

Do not say, “Why were the former days better than these?” for it is not out of wisdom that you ask this.
—Ecclesiastes 7:10

Jesus said to him: “No man who has put his hand to a plow and looks at the things behind is well-suited for the Kingdom of God.”
—Luke 9:62

Brothers, I do not yet consider myself as having taken hold of it; but one thing is certain: Forgetting the things behind and stretching forward to the things ahead,
—Philippians 3:13

“In the days of those kings the God of heaven will set up a kingdom that will never be destroyed. And this kingdom will not be passed on to any other people. It will crush and put an end to all these kingdoms, and it alone will stand forever,
—Daniel 2:44

Furthermore, the world is passing away and so is its desire, but the one who does the will of God remains forever.
—1 John 2:17

Categories
Culture Current Events Language Learning

sàng

sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) ← Tap/click to show/hide the “flashcard”

The post about past MEotW “tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平)” refers to this article:

Screenshot of the article “Tired of Running in Place, Young Chinese ‘Lie Down’ ”, on the Sixth Tone website

This article in turn refers to an article about the culture of “sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪)”, this week’s MEotW.

What is sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) culture, or, in Mandarin, sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化)?

Another article that I found provides this nice, simple description: (Note: The rest of the article contains some good information, but has a couple of curse words.)

A little Mandarin lesson here-

The character 丧 is a polyphone in mandarin Chinese. When it is pronounced sāng, it loosely translates to funeral or mourning. When as sàng, it could be referring to either losing certain things or people (“丧失”), or a conglomeration of negative emotions such as feeling depressed, angry, disappointed and vexed.

And the sàng culture we are talking about here really takes both meanings: it is, very vaguely, the idea that you’ve lost something and are feeling horrible about it.

Manifestations

This article also goes on to mention some ways in which sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化) has been manifested:

Screenshot of the article “The Culture of sàng: a Generation Lying-down? | China Buzz Report”, on the Elephant Room website

As the above article mentions, and as shown in the above screenshot, one of the first manifestations of sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化) was the “Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) tǎng ({lies down} 躺)” set of memes, viral content on the Chinese Internet. (Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) is a well-known Chinese actor, and the picture in the above screenshot is from the 1993 TV show Wǒ (I 我) Ài (Love 爱 愛) Wǒ (My 我) Jiā (Family 家), in which he plays the role of “a parasitical freeloader who was unemployed and broke and consistently failed in his filial responsibilities”, as one academic article put it.)

A translation of a Chinese article on sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) wénhuà (wén·huà {(with) writing} · transformed (system) → [culture] 文化) contains these comments about the image that the “Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) tǎng ({lies down} 躺)” memes are based on:

This image runs contrary to the positive, healthy and upwardly mobile mainstream views that people of all generations favor. It does, however, fit in well with the youth culture of today. His decadence, despair, pessimism and hopelessness are exactly the inner state of this group of masses who work overtime, eat overtime, are under constant pressure and are having a hard time making a living.

Speaking of making a living, one business named Sàng ({Lost (by Death)} [→ [Lost (Sth. Important) | Bereaved | Dejected; Frustrated; Disappointed; Discouraged]] 丧 喪) Chá (Tea 茶) (English name: Song Tea) is opportunistically riding the wave of sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) culture with a chain of tea shops that uses tongue-in-cheek black humour in the names of its drinks, such as this one featured on its USA blog:

Screenshot of the blog post “Love Overtime Love Being Broke Tea 加班不止加薪无望四季春 - 丧茶美国总代理Song Tea”, on the Song Tea USA website

From Feeling Bereaved to Lying Flat

The “tǎng ({lies down} 躺)” used in “Gě Yōu ((Gě [surname] 葛) (Yōu Ample; Abundant [→ [Excellent; Superior]] | Actor; Actress 优 優/优) (a Chinese actor)) tǎng ({lies down} 躺)” is the same one as the one in “tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平)”, and “sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪)” is indeed related to “tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平)”. Perhaps it can be said that the feeling of sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) moves many of those experiencing it to take the action of tǎngpíng (tǎng·píng lying; reclining · {[to be] flat} 躺平). As an above-mentioned article on tǎngpíng (tǎng·píng lie; recline · {[to be] flat} 躺平) says:

Unlike similar, previous terms to have had their time in the spotlight in recent years, tang ping is an action rather than a feeling — resolving to just scrape by, exerting the bare minimum effort at an unfulfilling job, as opposed to the futility of raging against the capitalist machine.

Echoing the West?

The title of one of the articles mentioned above, “Turn Off, Drop Out: Why Young Chinese Are Abandoning Ambition”, appears to be a play on the Western counterculture-era phrase “turn on, tune in, drop out”. In the 1960s, while the West was going through its counterculture era, China was in contrast undergoing its Cultural Revolution—a very different thing! Perhaps, similarly to how China is now racing off into space, and even to the moon, as the West did decades ago, it is now also in some ways changing in its popular culture, as the West did decades ago.

Stand Strong for These “Sheep Without a Shepherd”

If you are mourning your lack of progress in learning Mandarin despite your strenuous efforts to learn the traditionally mandated but extraordinarily and unnecessarily complex Chinese characters, please be assured that there is an alternative to just quitting the Mandarin field. Focusing on Mandarin SPEECH with the help of the simple and elegant Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) writing system can help you get a grip on understanding Mandarin speech, and on using it to give meaningful spiritual help to those in the worldwide field whose mother tongue is Mandarin.

As this look at sàng ({lost (by death)} [→ [lost (sth. important) | bereaved | dejected; frustrated; disappointed; discouraged]] 丧 喪) culture shows us, many of them are feeling the need for something beyond the selfish, materialistic, and ultimately meaningless rat race promoted by Satan’s world—they need the good news of God’s Kingdom, and they need people like us to share it with them in a language that they will understand and respond to from the heart.—Mr. 6:34.