Categories
Names Theocratic

Jīngdú Běn

Jīngdú (Jīng·dú Meticulous · Reading 精读 精讀) Běn ({Root or Stem of a (Plant)} → [Edition] 本) ← Tap/click to show/hide the “flashcard”

For a while now, the top-of-the-line English version of the New World Translation of the Holy Scriptures Bible has been the New World Translation of the Holy Scriptures (Study Edition).

English New World Translation of the Holy Scriptures (Study Edition)

Happily, the Mandarin version of this, Shèngjīng Xīn Shìjiè Yìběn (Jīngdú Běn) ((Shèng·jīng (The) Holy · Scriptures 圣经 聖經) (Xīn New 新) (Shì·jiè World · Extent → [World] 世界) (Yì·běn Translated · {Root → [Edition]} 译本 譯本) ((Jīng·dú Meticulous · Reading 精读 精讀) (Běn {Root or Stem of a (Plant)} → [Edition] 本))) [New World Translation of the Holy Scriptures (Study Edition)]) 🔗, is now available on the Watchtower ONLINE LIBRARY.

Mandarin New World Translation of the Holy Scriptures (Study Edition)
As can be seen, the Mandarin expression that has been chosen to translate “Study Edition” is “Jīngdú (Jīng·dú Meticulous · Reading 精读 精讀) Běn ({Root or Stem of a (Plant)} → [Edition] 本)”, this week’s MEotW. “Jīngdú (Jīng·dú meticulous · reading 精读 精讀)” literally means “meticulous reading”. “Meticulous” is defined as “showing or acting with extreme care and concern for details”, and that is indeed connected to effective study.

Categories
Culture History Languages Names

fántǐ zì

fántǐ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體) (characters 字) ← Tap/click to show/hide the “flashcard”

For a long, long, long time, Chinese characters were just Chinese characters. Then, in the 1950s, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

To distinguish these newfangled official simplified Chinese characters from the Chinese characters that had existed before, and that continue to be used by many people in many parts of the world, retronyms were coined to refer to these pre-existing Chinese characters, just as the term “acoustic guitars” was coined to refer to regular non-electric guitars after electric guitars came along.

In the English-speaking world, the pre-official simplification characters have come to be called “traditional Chinese characters”, as opposed to the “simplified Chinese characters”. In the Chinese-speaking world, as is true of many things regarding Chinese characters, the situation is…complicated. Wikipedia summarizes the situation thusly:

Traditional Chinese characters (the standard characters) are called several different names within the Chinese-speaking world. The government of Taiwan officially calls traditional Chinese characters standard characters or orthodox characters (traditional Chinese: 正體字; simplified Chinese: 正体字; pinyin: zhèngtǐzì; Zhuyin Fuhao: ㄓㄥˋ ㄊㄧˇ ㄗˋ).[source] However, the same term is used outside Taiwan to distinguish standard, simplified and traditional characters from variant and idiomatic characters.[source]

In contrast, users of traditional characters outside Taiwan, such as those in Hong Kong, Macau and overseas Chinese communities, and also users of simplified Chinese characters, call them complex characters (traditional Chinese: 繁體字; simplified Chinese: 繁体字; pinyin: fántǐzì; Zhuyin Fuhao: ㄈㄢˊ ㄊㄧˇ ㄗˋ). Users of simplified characters sometimes informally refer to them as “old characters” (Chinese: 老字; pinyin: lǎozì; Zhuyin Fuhao: ㄌㄠˇ ㄗˋ).

Users of traditional characters also sometimes call them “full Chinese characters” (traditional Chinese: 全體字; simplified Chinese: 全体字; pinyin: quántǐ zì; Zhuyin Fuhao: ㄑㄩㄢˊ ㄊㄧˇ ㄗˋ) to distinguish them from simplified Chinese characters.

In my experience in the Chinese fields in Canada, I have always heard traditional Chinese characters referred to using this week’s MEotW, “fántǐ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體) (characters 字)”. For reference, this is also the term used on jw.org when referring to Mandarin written using traditional Chinese characters:

jw.org referring to Mandarin written using traditional Chinese characters

jw.org refers to traditional Chinese characters as “fántǐ (fán·tǐ complicated; complex; difficult · {body → [style] → [typeface; font]} → [traditional Chinese] 繁体 繁體)” characters.

Categories
Culture History Names Nations

Zhōngguó

Zhōngguó (Zhōng·guó Central · Nation → [China | Chinese] 中国 中國) ← Tap/click to show/hide the “flashcard”

Zhōngguó (Zhōng·guó Central · Nation → [China] 中国 中國)” is commonly translated into English as “Middle Kingdom”, which may suggest something in the middle, or middling, average, unremarkable. However, considering the history of the usage of the expression “Zhōngguó (Zhōng·guó Central · Nation → [China] 中国 中國)”, and considering how the people of China have historically viewed their nation, it would be more correct to translate “Zhōngguó (Zhōng·guó Central · Nation → [China] 中国 中國)” as “Central Nation”, the nation that’s at the centre, the heart, of the world that matters to them.

According to Wikipedia’s summarizations, the earliest known appearance of the expression “Zhōngguó (Zhōng·guó Central · Nation → [China] 中国 中國)” was on the Hé Zūn[source][source], an ancient Chinese ritual bronze vessel dating from the era of early Western Zhou (1046–771 BCE).[source]

The earliest known appearance of Zhongguo (中國), inscribed on the Western Zhou bronze vessel He zun

Here are some quotes from that Wikipedia article, with links to information about sources:

The phrase "zhong guo" came into common usage in the Warring States period, when it referred to the "Central States"; the states of the Yellow River Valley of the Zhou era, as distinguished from the tribal periphery.[source]

There were different usages of the term "Zhongguo" in every period.

With the overthrow of the Qing in 1911, most Chinese dropped Shina as foreign and demanded that even Japanese replace it with Zhonghua minguo or simply Zhongguo.[source] [The reformer] Liang went on to argue that the concept of tianxia [Wikipedia article] had to be abandoned in favor of guojia, that is, "nation," for which he accepted the term Zhongguo.[source] After the founding of the Chinese Republic in 1912, Zhongguo was also adopted as the abbreviation of Zhonghua minguo.[source]

The English translation of "Zhongguo" as the "Middle Kingdom" entered European languages through the Portuguese in the 16th century and became popular in the mid 19th century. By the mid 20th century the term was thoroughly entrenched in the English language to reflect the Western view of China as the inwards looking Middle Kingdom, or more accurately the Central Kingdom. [Writer] Endymion Wilkinson points out that the Chinese were not unique in thinking of their country as central, although China was the only culture to use the concept for their name.[source]

In summary, while the exact meaning and borders of Zhōngguó (Zhōng·guó Central · Nation → [China] 中国 中國) have varied thoughout China’s history, overall, the people of China have long viewed their nation as central to the world that they knew, or cared most about, to the point that “China was the only culture to use the concept for their name”.

The people of China considering their nation to be the centre of the world has historically been such a thing that there are several concepts related to this. E.g.:

  • Sinocentrism
    • The geographical dimension of traditional Sinocentrism was highlighted by Chinese reactions to the publication of the first world map by the Jesuit missionary Matteo Ricci (1552–1610):

      • …Lately Matteo Ricci utilized some false teachings to fool people, and scholars unanimously believed him...take for example the position of China on the map. He puts it not in the center but slightly to the West and inclined to the north. This is altogether far from the truth, for China should be in the center of the world, which we can prove by the single fact that we can see the North Star resting at the zenith of the heaven at midnight. How can China be treated like a small unimportant country, and placed slightly to the north as in this map?[source]

    • Culturally, one of the most famous attacks on Sinocentrism and its associated beliefs was made by the author Lu Xun in The True Story of Ah Q, in which the protagonist is humiliated and defeated; satirizing the ridiculous way in which he claimed "spiritual victories" in spite of this.[source]

      • [Lǔ Xùn is generally regarded as the greatest Chinese writer of the twentieth century. Interestingly, he was a strong proponent of replacing the Chinese characters writing system with an alphabetic system. (A modern example of such a system for Mandarin is Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音).) He felt so strongly about this that he was reported to have said, “Hànzì (Hàn·zì {Han (Chinese)} · characters 汉字 漢字) (not 不) miè ({are extinguished}), Zhōngguó (Zhōng·guó Central · Nation → [China] 中国 中國) (certainly 必) wáng ({will flee} → [will die] 亡).” (“If Chinese characters are not abolished, China will certainly die.”). The text in Chinese characters of something he wrote on this subject can be found here, and an English translation of it can be found here.
        • Some wonder why China has held on to its archaic characters writing system instead of moving on to using a modern alphabetic writing system like almost every other nation does, even though outstanding native sons like Lǔ Xùn ((Lǔ Stupid; Rash (surname)) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) have advocated strongly for that. Perhaps the proud self-centredness of the only nation to name itself the centre of the world provides a clue….]
  • Tianxia
    • In ancient China, tianxia denoted the lands, space, and area divinely appointed to the Emperor by universal and well-defined principles of order. The center of this land was directly apportioned to the Imperial court, forming the center of a world view that centered on the Imperial court and went concentrically outward to major and minor officials and then the common citizens, tributary states, and finally ending with fringe "barbarians".

  • Tributary system of China
    • a network of loose international relations focused on China which facilitated trade and foreign relations by acknowledging China's predominant role in East Asia. It involved multiple relationships of trade, military force, diplomacy and ritual. The other nations had to send a tributary envoy to China on schedule, who would kowtow to the Chinese emperor as a form of tribute, and acknowledge his superiority and precedence.

  • Hua–Yi distinction
    • an ancient Chinese concept that differentiated a culturally defined "China" (called Huá, Huaxia 華夏; Huáxià, or Xià 夏) from cultural or ethnic outsiders (Yí, conventionally "barbarians"). …The Hua–Yi distinction asserted Chinese superiority

  • Four Barbarians
    • Tiānxià 天下 "[everywhere] under heaven; the world" encompassed Huáxià 華夏 "China" (also known as Huá, Xià, etc.) in the center surrounded by non-Chinese "barbarian" peoples.

    • Liu Junping and Huang Deyuan (2006:532) describe the universal monarch with combined political, religious, and cultural authorities: “According to the Chinese in the old times, heaven and earth were matched with yin and yang, with the heaven (yang) superior and the earth (yin) inferior; and the Chinese as an entity was matched with the inferior ethnic groups surrounding it in its four directions so that the kings could be valued and the barbarians could be rejected.”

Meanwhile, in the face of this long history of national and cultural self-centredness and self-importance, the Almighty Creator of the entire universe looks upon all the nations of mankind on this little dustball of a planet and considers them as being “like a drop from a bucket, and as the film of dust on the scales”!—Isa. 40:15.