Category: History

Categories
History Language Learning Languages

Pīnyīn

Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) ← Tap/click to show/hide the “flashcard”

“Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音)” is the expression commonly used to refer to the phonetic alphabet introduced by China in 1958. This system is also known by longer, more official names:

  • Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language → [(Modern Standard) Mandarin] 汉语 漢語) Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音)
  • Hànyǔ (Hàn·yǔ {Han (Chinese)} · Language → [(Modern Standard) Mandarin] 汉语 漢語) Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) Fāng’àn (Fāng’·àn {Direction → [Method]} · {Long, Narrow Table or Desk → [Plan]} 方案)

When thinking of Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) and its predecessor Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) (last week’s MEotW), some focus on the superficial differences between them. However, it’s perhaps even more important to note what they have in common, as indicated by the fact that the names of both systems end in “yīn (sound [→ [musical note/sound; tone; pronunciation | syllable | news; tidings]] 音)”: Both systems focus on representing the sounds of Mandarin, sounds which make up Mandarin speech and thus represent meanings. In fact, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音)’s literal meaning tells us that this system helps people to “piece together sounds” to make up Mandarin speech, and thus convey the meanings that Mandarin speech represents.

In contrast, many people believe that the Hànzì (Hàn·zì {Han (Chinese)} · Characters 汉字 漢字), the Chinese characters, represent meanings more directly through their own visual design, as opposed to primarily being a system that represents Mandarin, Cantonese, etc., speech sounds which represent meaning. This view of Chinese characters, however, is actually a myth, which has been called the ideographic myth–God designed our brains and bodies to primarily represent meaning through speech, some humans in their hubris presumed that it would be better for us humans to represent meaning directly through visual symbols, and of course God was right and these humans were wrong.

There are actually many myths and misconceptions that people believe regarding Chinese characters, and sadly, that is also the case regarding Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音).

Common Myths and Misconceptions

  • “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is just a pronunciation aid. It’s not really a writing system like the characters are.”

    • But, is Pīnyīn even really a writing system? Interestingly, the Chinese national standard Zhōngguó Mángwén (中国盲文/中國盲文, Chinese Braille) is basically a transliteration or conversion of Pīnyīn into braille letters. Braille is obviously a writing system, so Pīnyīn must also be a writing system, not just a pronunciation aid.

  • “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is just training wheels. Characters are real wheels.”

    • Since Pīnyīn is not just a pronunciation aid, but a full writing system, it is not “training wheels”—it’s regular wheels. On the other hand, Chinese characters are like non-round wheels—more difficult than necessary.

  • “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) on its own can’t be understood because there are too many homophones (words that sound the same, but have different meanings) in Mandarin.”

    • When people are just speaking Mandarin, with no characters in sight to help them, do they have problems understanding each other because of all the homophones? Can blind Mandarin-speakers, who cannot see characters, still “see” what people mean when those people speak Mandarin? Native Mandarin-speakers have confirmed to me that no, homophones are not a significant problem in spoken Mandarin—people can use the context and understand each other okay. So, people can use the context and understand each other okay when using Pīnyīn too, since Pīnyīn directly represents the sound of spoken Mandarin.

      • The above quote is from the article “Pīnyīn Was Plan A”. Check it out for more on this subject.

  • “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is less accurate than Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音).”

    • Some people say that Zhuyin is more accurate or correct than Pinyin. Actually, both Zhuyin and Pinyin represent the same Mandarin sounds, just with different symbols. In fact, it’s not difficult to find tables that directly map the corresponding Zhuyin and Pinyin expressions to each other—a simple Google search for “pinyin zhuyin table” turns up many, many results. Pinyin and Zhuyin are just like different codes for encoding the same Mandarin message, so basically, neither is more accurate or correct than the other.

      • The above quote is from the tiandi.info post “Pinyin and Zhuyin”. (If you need login information for the parts of tiandi.info that require it, request it by email, and include information on who referred you and/or what group/cong. you are in.)
  • “Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) makes your Mandarin sound like English.”
    • This is only true if you are using it wrong. For example, if you read a French word and you make it sound like English when you read it out, the problem is not that the French word is written using the Latin alphabet like English is—the problem is that you are thinking of English sounds when you see the French word, when you should be thinking of French sounds. Similarly, you shouldn’t blame Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) if you are thinking of English sounds when you see it, because it’s up to you to understand that Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) represents Mandarin sounds, not English sounds.
    • Don’t worry, it becomes second nature to properly associate Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) with Mandarin sounds after you get familiar with Mandarin sounds and used to the Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) system. However, if you, say, prematurely stop using Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) and instead turn to characters in an effort to avoid the baggage of English sounds, you may actually never really get the hang of Mandarin sounds. Seriously, I’ve seen people who focus on characters remain in this speech Twilight Zone for years and years! That’s because while characters do represent Mandarin speech sounds, they’re just bad at it—it’s just not what characters focus on. In stark contrast, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is all about the sounds of Mandarin. It literally spells out in a simple way how a Mandarin syllable sounds at the beginning, at the end, and in between. Characters, though, represent the complex sound of a Mandarin syllable as one coarse lump, in a complex and often unrelated way—you either get it or you don’t, and many don’t.
      • Yes, characters are like a conceited jerk who convinces you with grand promises to jump from a high place, doesn’t bother to catch you, and then makes you think it’s your fault that you can’t fly. Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音), though, is like a modest and straightforward person who clearly explains each step for you so that you can dependably and confidently get to where you want to go.

For more information regarding Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) and how we in the Mandarin field should view it, check out these articles:

“Pīnyīn is a Good, Workable Writing System On Its Own”
This article is a brief overview of why it’s important for those of us in the Mandarin field to recognize that Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is a full writing system, not just a pronunciation aid.

“Pīnyīn Was Plan A”
This extensively researched in-depth article discusses how we in the Mandarin field should view Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音).

(Short link: tiandi.info/articles)

Categories
History Language Learning Languages

Zhùyīn

Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) ← Tap/click to show/hide the “flashcard”

The last imperial dynasty of China was the Qing dynasty. We call it the last dynasty, though, because it ended, and it was not followed by another dynasty. Towards the end of the Qing dynasty’s rule, China was in a bad way. Wikipedia provides this summary of the situation:

The dynasty reached its high point in the late 18th century, then gradually declined in the face of challenges from abroad, internal revolts, population growth, disruption of the economy, corruption, and the reluctance of ruling elites to change their mindsets.

One of the ways in which some sought to help with the deteriorating situation in China is described by American linguist, sinologist, author of Chinese language textbooks, lexicographer of Chinese dictionaries, and Professor Emeritus of Chinese Studies at the University of Hawaiʻi at Mānoa John DeFrancis, in his book The Chinese Language: Fact and Fantasy:

…toward the end of the nineteenth century…The obvious disintegration of Chinese society and the inability to cope with foreign aggressors led some reformers in contact with missionaries to conceive of carrying out a reform of the writing as part of a general educational reform that would help revitalize the country and save it from extinction.1

Professor DeFrancis goes on the describe the development and naming of an early result of the efforts of these reformers:

Official resolution of these issues was effected by the decisions reached by the Conference on Unification of Pronunciation that was held under government auspices in 1913. …The majority members of the conference reached the decision to adopt a set of thirty-nine phonetic symbols derived from Chinese characters, to use them as an adjunct to the characters, and to confine their scope to representing the Mandarin pronunciation as the national standard. The symbols were initially called Zhùyīn Zìmǔ (“Phonetic Alphabet”); later they were also called Guóyīn Zìmǔ (“National Phonetic Alphabet”). The fear that they might be considered an alphabetic system of writing independent of characters led in 1930 to their being renamed Zhùyīn Fúhào (“Phonetic Symbols”).2

Bopomofo in Regular, Handwritten Regular, & Cursive formats

Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音), or Bopomofo, in regular, handwritten regular, and cursive formats

This week’s MEotW, Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音), is a commonly used name for this system. It’s also commonly called “Bopomofo (ㄅㄆㄇㄈ)”, after the first four symbols of the system. This is similar to how in English we use “ABCs” to refer to the alphabet, and to how the word “alphabet” itself comes from alpha and bēta, the first two letters of the Greek alphabet.

The Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) system continues to be used in elementary schools in Taiwan for teaching reading and writing, with the system’s symbols often appearing as ruby characters over Chinese characters in textbooks.

Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) / Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音)

In mainland China, Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) has largely been replaced by Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音), which was adopted by the mainland Chinese government in 1958. This was possible because Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) and Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) both do the same job of representing in alphabetic writing the sounds of Mandarin speech—they just use different symbols.

Around the time that Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) was introduced, Premier of the People’s Republic of China Zhōu Ēnlái ((Zhōu {Circumference (surname)} 周 周/週) (Ēn·lái Kindness · Comes 恩来 恩來) (the first Premier of the People’s Republic of China)) wrote the following comparing the different practical effects of using these different sets of symbols:

Although [Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音)] has been in existence for forty years and was popularized in primary schools by governments in the past, it has been forgotten by most of its students. Now only a few people know the phonetic transcript. In future, we shall adopt the Latin alphabet for the Chinese phonetic alphabet. Being in wide use in scientific and technological fields and in constant day-to-day usage, it will be easily remembered.

Some Mandarin field language-learners prefer not to use the Latin alphabet-based Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) system, claiming that it makes them think of English sounds rather than Mandarin sounds. Perhaps those who feel this way could get the benefits of a phonetic alphabet without this potential effect by using Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音). However, they would first have to learn and remember the rarely-used symbols of Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音), which for almost everyone these days is going to be significantly harder than remembering the familiar Latin alphabet letters of Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音).

Regarding associating language sounds with a writing system (which both Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) and Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) qualify as), once a Mandarin-learner passes the very beginning stage and gets familiar with Mandarin sounds and used to the Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) system, he or she will actually have no more problem associating Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) with Mandarin sounds than an English-speaking non-beginner student of French has associating French words with French sounds.

For more information on how Zhùyīn (Zhù·yīn Annotating · Sounds → [Zhuyin] 注音 註/注音) compares to Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) for Mandarin field language-learners, please see the tiandi.info post “Pinyin and Zhuyin”. (If you need login information for the parts of tiandi.info that require it, request it by email, and include information on who referred you and/or what group/cong. you are in.)

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. 241. ^

2. Ibid., p. 242. ^

Categories
Culture History Languages

jiǎntǐ zì

jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體) zì (characters 字) ← Tap/click to show/hide the “flashcard”

For a long, long, long time, Chinese characters were just Chinese characters. Then, in the 1950s, the Communist government of mainland China issued what came to be known as the First Chinese Character Simplification Scheme (a second round of Chinese character simplification was later attempted and ultimately rescinded), and official simplified Chinese characters came into the world. (Some characters had been unofficially simplified and used for various purposes, both everyday and artistic, before that.)

On the matter of what simplified Chinese characters are called in Mandarin, Wikipedia provides this summary:

Simplified Chinese characters may be referred to by their official name above [(简化字; jiǎnhuàzì)[source]] or colloquially (简体字; jiǎntǐzì). In its broadest sense, the latter term refers to all characters that have undergone simplifications of character “structure” or “body”[source], some of which have existed for millennia alongside regular, more complicated forms. On the other hand, the official name refers to the modern systematically simplified character set, which (as stated by then-Chairman Mao Zedong in 1952) includes not only structural simplification but also substantial reduction in the total number of standardized Chinese characters.[source]

For reference, this is the term used on jw.org when referring to Mandarin written using simplified Chinese characters:

jw.org referring to Mandarin written using simplified Chinese characters

jw.org refers to simplified Chinese characters as “jiǎntǐ (jiǎn·tǐ simplified · {body → [style] → [typeface; font]} → [simplified Chinese] 简体 簡體)” characters.

The Great Simplified vs. Traditional Debate

While it seems obvious that simpler is generally better, there is actually much, much debate about the pros and cons of simplified characters vs. traditional characters, as discussed in these articles:

Standards and Compromises

While the simplified characters themselves are indeed easier to learn and remember compared to the traditional characters, for many, they have become another set of characters in addition to the traditional characters that has to be learned and remembered. (There is, at least, some overlap between the two systems. Where do they overlap? That is yet more information that has to be learned and remembered…) And while simplified characters have been simplified, they are still characters, and characters are inherently extraordinarily complex and hard to learn and remember.

xkcd: Standards

The simplified characters became a new standard that many have had to learn in addition to that of the traditional characters.
Creative Commons logo Randall Munroe

While Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) is also a different system to be learned and remembered, it is in a whole different league compared to any system of Chinese characters when it comes to ease of learning and remembering. One of the scholars who helped create Hangul (or Hankul), the Korean alphabet, said of it: “The wise can learn it in one morning, and even the unwise can learn it in ten days.” Being also a phonetic alphabet, Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) can be reasonably said to be in the same ballpark (with the added advantage that the Latin alphabet letters used in Pīnyīn (Pīn·yīn {Piecing Together} · Sounds → [Pinyin] 拼音) are already familiar to many people)—downright revolutionary compared to the years (decades?) required to learn even simplified characters.

Simplified characters are thus a compromise that mainland China, etc. have settled on—simpler than traditional characters, but perhaps thus not as good at being characters. Meanwhile, they are still characters, still having many of the complexities and vagaries of characters. They fall short of the fundamental reform envisioned by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) (Wikipedia article), Lǔ Xùn ((Lǔ Stupid; Rash (surname) 鲁 魯) (Xùn Fast; Quick; Swift 迅) (pen name of Zhōu Shùrén, the greatest Chinese writer of the 20th cent. and a strong advocate of alphabetic writing)) (Wikipedia article), and others, that would have involved eventually moving on from any kind of characters to alphabetic writing.

Letter from Mao endorsing a transition from Chinese characters to alphabetic writing

A letter written by Máo Zédōng ((Máo Hair (surname) 毛) (Zé·dōng Marsh · East 泽东 澤東) (the founder of the People’s Republic of China)) endorsing “a basic reform” involving a transition from Chinese characters to alphabetic writing1

1. John DeFrancis, The Chinese Language: Fact and Fantasy (Honolulu: University of Hawaii Press, 1984), p. ii. ^