{"id":3043,"date":"2023-01-23T07:00:00","date_gmt":"2023-01-23T15:00:00","guid":{"rendered":"https:\/\/troubadourworks.com\/tiandi\/meotw\/?p=3043"},"modified":"2024-10-27T07:49:40","modified_gmt":"2024-10-27T14:49:40","slug":"tibi%e2%80%90wang%e2%80%90zi","status":"publish","type":"post","link":"https:\/\/troubadourworks.com\/tiandi\/meotw\/2023\/01\/23\/tibi%e2%80%90wang%e2%80%90zi\/","title":{"rendered":"t\u00edb\u01d0\u2010w\u00e0ng\u2010z\u00ec"},"content":{"rendered":"\n<h3>\n\t\t\t<span onclick=\"plus(this)\">t\u00edb\u01d0<\/span><span class=\"plusinfo a\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\">w\u00e0ng<\/span><span class=\"plusinfo a\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\">z\u00ec<\/span><span class=\"plusinfo a\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span>\n\n<span style=\"color: hsl(100, 85%, 40%);\"> \u2190 Tap\/click to show\/hide the \u201cflashcard\u201d<\/span><\/h3>\n\n<p>This week\u2019s MEotW, \u201c<span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span>\u201d, is generally translated as \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Character_amnesia\" title=\"Character amnesia - Wikipedia\">character amnesia<\/a>\u201d. Its literal meaning well describes what it\u2019s like to experience it\u2014you pick up your pen, pencil, brush, etc. to write a certain Chinese character and you\u2026just\u2026can\u2019t\u2026remember how to write it. This can happen with complex, rarely used characters, but it can also happen with fairly commonly used characters, and even with characters you\u2019re sure you once knew well.<\/p>\n<p>It occurs to me that while \u201c<span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span>\u201d literally refers to forgetting a character while trying to <em>write<\/em> it by hand, and while \u201ccharacter amnesia\u201d is similarly <a href=\"https:\/\/en.wiktionary.org\/wiki\/character_amnesia\" title=\"character amnesia - Wiktionary\">defined<\/a> as forgetting how to <em>write<\/em> certain characters, people also often forget characters\u2014and thus fail to recognize them\u2014when they are just <em>reading<\/em>. There doesn\u2019t seem to be a corresponding common Mandarin expression for this, though, probably because it is generally harder to write than it is to read, and so forgetting a character while engaged in the harder task of writing is generally a more significant emotional event compared to forgetting a character when reading.<\/p>\n<h4>It Happens to Chinese People Too<\/h4>\n<p>It\u2019s also worth noting that \u201c<span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span>\u201d is an expression that Chinese people do apply to <em>themselves<\/em>\u2014it doesn\u2019t just describe a problem that only other people experience while learning a language typically written with Chinese characters. Chinese people are also only human, so <em>it is ultimately practically impossible for them too<\/em> to learn and continue to remember how to write (or even \u201cjust\u201d read) all the <a href=\"https:\/\/languagelog.ldc.upenn.edu\/nll\/?p=54465\" title=\"Language Log \u00bb Character amnesia yet again:  game (almost) over\">over 100,000<\/a> existing Chinese characters as well as the <a href=\"https:\/\/languagelog.ldc.upenn.edu\/nll\/?p=57366\" title=\"Language Log \u00bb The complexification of the Sinoglyphic writing system continues apace\">theoretically unlimited number<\/a> of Chinese characters that could be invented in the future, even if they have spent, and are continuing to spend, their entire lives trying to do so.<\/p>\n<p>While the government of China considers someone who can recognize \u201cjust\u201d 2,000 characters to be literate, the truth is that even those who are considered literate by this standard can surprisingly often be unable to read or write relatively common characters that they once knew, never mind obscure characters that they never learned.<\/p>\n<p>One example of even relatively highly literate native Mandarin speakers having trouble remembering how to write a not terribly uncommon character is related in David Moser\u2019s well-known essay \u201c<a href=\"http:\/\/pinyin.info\/readings\/texts\/moser.html\" title=\"Why Chinese Is So\u2026Hard\">Why Chinese Is So\u2026Hard<\/a>\u201d, which has a section devoted to character amnesia:<\/p>\n<blockquote><p>\nthis phonetic aspect of the language doesn&#8217;t really become very useful until you&#8217;ve learned a few hundred characters, and even when you&#8217;ve learned two thousand, the feeble phoneticity of Chinese will never provide you with the constant memory prod that the phonetic quality of English does.<\/p>\n<p>Which means that often you just completely forget how to write a character. Period. If there is no obvious semantic clue in the radical, and no helpful phonetic component somewhere in the character, you&#8217;re just sunk. And you&#8217;re sunk whether your native language is Chinese or not; contrary to popular myth, Chinese people are not born with the ability to memorize arbitrary squiggles. In fact, one of the most gratifying experiences a foreign student of Chinese can have is to see a native speaker come up a complete blank when called upon to write the characters for some relatively common word. You feel an enormous sense of vindication and relief to see a native speaker experience the exact same difficulty you experience every day.<\/p>\n<p>This is <em>such<\/em> a gratifying experience, in fact, that I have actually kept a list of characters that I have observed Chinese people forget how to write. (A sick, obsessive activity, I know.) I have seen highly literate Chinese people forget how to write certain characters in common words like &#8220;tin can&#8221;, &#8220;knee&#8221;, &#8220;screwdriver&#8221;, &#8220;snap&#8221; (as in &#8220;to snap one&#8217;s fingers&#8221;), &#8220;elbow&#8221;, &#8220;ginger&#8221;, &#8220;cushion&#8221;, &#8220;firecracker&#8221;, and so on. And when I say &#8220;forget&#8221;, I mean that they often cannot even put the first stroke down on the paper. Can you imagine a well-educated native English speaker totally forgetting how to write a word like &#8220;knee&#8221; or &#8220;tin can&#8221;? Or even a rarely-seen word like &#8220;scabbard&#8221; or &#8220;ragamuffin&#8221;? I was once at a luncheon with three Ph.D. students in the Chinese Department at Peking University, all native Chinese (one from Hong Kong). I happened to have a cold that day, and was trying to write a brief note to a friend canceling an appointment that day. I found that I couldn&#8217;t remember how to write the character \u5694, as in <i>da penti<\/i> \u6253\u55b7\u5694 &#8220;to sneeze&#8221;. I asked my three friends how to write the character, and to my surprise, all three of them simply shrugged in sheepish embarrassment. Not one of them could correctly produce the character. Now, Peking University is usually considered the &#8220;Harvard of China&#8221;. Can you imagine three Ph.D. students in English at Harvard forgetting how to write the English word &#8220;sneeze&#8221;?? Yet this state of affairs is by no means uncommon in China.<\/p><\/blockquote>\n<p>Truly, the phenomenon of <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span> is nothing to sneeze at! (Sorry, I couldn\u2019t help it \ud83d\ude1c.)<\/p>\n<p>Carrying on, this YouTube video from <a href=\"https:\/\/www.youtube.com\/@AsianBoss\/about\" title=\"Asian Boss - YouTube\">Asian Boss<\/a> shows how some people on the streets of Shanghai fared when asked to write some Chinese characters. (One of the interviewees uses \u201c<span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span>\u201d at around 7:10.)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zxHskrqMqII\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p>Relatively highly literate native Mandarin speakers can also have problems recognizing or remembering characters when \u201cjust\u201d reading, as discussed in the <strong>tiandi.info<\/strong> blog post \u201c<a href=\"http:\/\/tiandi.info\/blog\/an-avoidable-minefield-of-human-tradition-and-cultural-pride.html\" title=\"An Avoidable Minefield of Human Tradition and Cultural&nbsp;Pride - Blog - tiandi.info\">An Avoidable Minefield of Human Tradition and Cultural Pride<\/a>\u201d:<\/p>\n<blockquote><p>\nA few nights ago, my Mandarin congregation had a Memorial meeting that went well overall. However, there was a momentary hiccup that I think we Chinese field publishers can learn from.<\/p>\n<p>The speaker who gave the talk is a fluent, eloquent native Mandarin speaker originally from mainland China, and he is one of the best Mandarin speakers in a city of several Mandarin congregations. In fact, he was one of the instructors in the very first official Mandarin class ever held in this country. However, while reading a scripture from his paper Bible as he was giving the Memorial talk, he, of all people, just\u2026got\u2026stuck\u2026on\u2026a\u2026Chinese\u2026character\u2026. He struggled with it for what felt like quite a while, and eventually, a young brother who was serving as an attendant at the side of the stage approached and gave him a hint, and he was able to carry on.<\/p><\/blockquote>\n<h4>For Real, It\u2019s Not You<\/h4>\n<p>Yes, from considering both the basic design of the Chinese characters writing system as well as real-life experiences like the ones related above, it is evident that the objective truth is that the Chinese characters writing system is by its very nature fundamentally unfit for human use. So, the blame for the all-too-real phenomenon of even relatively highly literate people surprisingly often forgetting characters while reading or writing should be squarely placed on the Chinese characters writing system, not on the imperfect humans whom it should serve, but for whom it so often causes huge problems instead.<\/p>\n<p>It is thus unfortunate, not admirable, that many still cling to the problematic Chinese characters writing system because of tradition, pride, cultural inertia, apathy, inability to walk away from sunk costs, etc. Such ones simply accept <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span> as \u201cnormal\u201d rather than recognize it as the institutionalized inhuman madness that it is, while dismissing as madness and heresy any suggestion of using a human-appropriate alphabetic writing system like <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> to read and write Mandarin.<\/p>\n<h4>New Technology Is Not the Problem<\/h4>\n<p>Of course, these days, many people hardly ever write characters by hand anymore. Indeed, many would say that\u2019s the problem! Instead of staying in practice with their handwriting, now, to write something in Mandarin using characters, people generally type <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> with a keyboard and then select the characters they want from the ones their computer or mobile device presents to them in response to their typing. (In such settings, <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> is like the assistant who does the real work while the big boss, the characters writing system, gets all the credit and recognition, even if many individual characters don\u2019t get recognized when they need to be!)<\/p>\n<p>However, is it really fair to blame the fine new technology for people getting out of practice with the old ways? Consider that if we were to continue with this line of thinking, we could then say that pen\/pencil\/brush\/etc. and paper should in turn be villified for making people forget how to engrave stone tablets! Really, though, people in general got so used to enjoying the advantages of writing on paper compared to having to carve into stone tablets that they didn\u2019t consider it much of a loss that eventually few were able to do the latter. Similarly, few people now lament that with the ubiquity of cars, not many people are now able to ride horses\u2014most people are too busy enjoying their cars to worry about that.<\/p>\n<p>Indeed, rather than blaming keyboards and computing devices for the phenomenon of <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span>, some feel that keyboards and computing devices have helped to alleviate the problem. This is because even if they <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">characters<\/span>\n\u5b57)<\/span> when they are trying to type Chinese characters, they feel they can hope in and rely on the visual designs of the characters they want to help them \u201cknow them when they see them\u201d when they pop up in response to the <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> that they type, making handwriting of characters unnecessary in most situations.<\/p>\n<h4>The Actual Problem, the Actual Solution<\/h4>\n<p>The thing is, the actual fundamental problem that leads to <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span> is that while \u201cknow it when you see it\u201d may be how the visually oriented characters must work (when they work), <em>that\u2019s not the primary way that human language works<\/em>. With human language overall, <a href=\"https:\/\/www.ling.upenn.edu\/courses\/Fall_2007\/ling001\/approaches.html#:~:text=Speech%20is%20primary%2C%20writing%20is%20secondary%20and%20is%20always%20derivative%20of%20speech.\" title=\"Linguistics 001 -- Perspectives and Approaches\"><strong><em>speech<\/em> is actually primary, not writing<\/strong><\/a>, so it\u2019s really more important in the grand scheme of things for us\u2014including and especially in our preaching and teaching work\u2014to be able to \u201cknow it when we <em>hear<\/em> it\u201d.<\/p>\n<p>While using the unnecessarily complex and inhumanly numerous visually oriented Chinese characters for this is like trying to put a spiky, sharp-edged object in a round hole, the simple and elegant <em>phonetically<\/em> oriented <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> writing system is a great fit for \u201cknow it when you <em>hear<\/em> it\u201d. If you know how an expression should sound and you know the easy-to-learn-and-remember <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> writing system, you\u2019re all set\u2014no danger of <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span><i>!<\/i><\/p>\n<p>Of course, you may still encounter occasional situations in which <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span> is not an option, and you can\u2019t avoid reading or writing characters. In such situations, all you can do is just do your best. When you <em>can<\/em> use <span onclick=\"plus(this)\"><i>P\u012bny\u012bn<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(P\u012bn\u00b7y\u012bn\n<span class=\"lit\">{Piecing Together of} \u00b7 Sounds \u2192<\/span> <span class=\"mt\">[Pinyin]<\/span>\n\u62fc\u97f3)<\/span>, though, don\u2019t let pride, prejudice, etc. prevent you from making good use of it to completely sidestep the very real problem of  <span onclick=\"plus(this)\"><i>t\u00edb\u01d0<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(t\u00ed\u00b7b\u01d0\n<span class=\"mt\">{carry (hanging down from the hand) \u2192 [raise; lift]} \u00b7 pen; pencil; {writing brush} [\u2192 [start writing; write]]<\/span>\n\u63d0\u7b14\n<span class=\"trad\">\u63d0\u7b46<\/span>)<\/span>\u2010<span onclick=\"plus(this)\"><i>w\u00e0ng<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">forget<\/span>\n\u5fd8)<\/span>\u2010<span onclick=\"plus(this)\"><i>z\u00ec<\/i><\/span><span class=\"plusinfo\" onclick=\"minus(this)\">\n(<span class=\"mt\">character<\/span>\n\u5b57)<\/span><i>!<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week\u2019s MEotW, , is generally translated as \u201ccharacter amnesia\u201d. Its literal meaning well describes what it\u2019s like to experience it\u2014you pick up your pen, pencil, brush, etc. to write a certain Chinese character and you\u2026just\u2026can\u2019t\u2026remember how to write it. This can happen with complex, rarely used characters, but it can also happen with fairly [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,19,176,108],"tags":[213,206,25,37,179,210,209,97,212,153,152,29,211,24,208,207,126],"class_list":["post-3043","post","type-post","status-publish","format-standard","hentry","category-culture","category-language-learning","category-science","category-technology","tag-asian-boss","tag-character-amnesia","tag-chinese-characters","tag-chinese-culture","tag-david-moser","tag-handwriting","tag-keyboards","tag-linguistics","tag-literacy","tag-mobile-devices","tag-paper","tag-pinyin","tag-reading","tag-speech","tag-tiandi-info","tag-why-chinese-is-sohard","tag-writing-systems"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>t\u00edb\u01d0\u2010w\u00e0ng\u2010z\u00ec - Mandarin Expression of the Week<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/troubadourworks.com\/tiandi\/meotw\/2023\/01\/23\/tibi\u2010wang\u2010zi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"t\u00edb\u01d0\u2010w\u00e0ng\u2010z\u00ec - Mandarin Expression of the Week\" \/>\n<meta property=\"og:description\" content=\"This week\u2019s MEotW, , is generally translated as \u201ccharacter amnesia\u201d. 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